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題名：數位複製時代的靈光重塑
書刊名：中華傳播學刊
作者：陳志賢 引用關係
作者(外文)：Chen, Chih-hsien
出版日期：2007
卷期：12
頁次：頁215-251
主題關鍵詞：文化工業；法蘭克福學派；數位複製；靈光；班雅明；Cultural industry；The Frankfurt school；Digital reproduction；Aura；Walter Benjamin
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(1) 博士論文(2) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:27
  • 點閱點閱:59
本文站在班雅明論述的基礎上，探討自七○年以來，資本主義危機中再結構的文化工業樣貌與策略，並從數位影像副本的虛擬產權、數位媒體閱聽眾的虛擬剝削、數位內容生產的虛擬網絡、數位超真實文本的虛擬效果等四層面，分析數位複製時代中文化工業處心積慮重塑的靈光。儘管文化工業構連靈光與資本主義的商品拜物觀，但在數位時代，使用者仍然可能在放大放慢的影像內，看到結構矛盾，也有機會在無數擬象間，操練預演更美好更民主的生活。
Based upon Walter Benjamin's critique of disappearing aura, this paper explores the morphogenesis of contemporary cultural industry and the strategies that have been employed to cope with the capitalist crises which have become more pronounced since the 1970s. The analysis reveals that, contrary to Benjamin's prediction, the aura of the cultural industry has not been taken shine off thanks to the emphasis on virtual property rights, to the virtual exploitation of audience, and to the virtual production network of digital content, and to the hyper-real effects of digital texts. The articulation of aura and commodity fetishism in the age of digital reproduction has, however, cracked open a space for democratic struggles regardless of the re-created distance between enhanted cultural works and the audience.
期刊論文
1.陳志賢(20050400)。商業電視是樁既剝削又歧視的生意？--電視商品閱聽人的生產與家庭論述。新聞學研究，83，167-210。new window  延伸查詢new window
2.Jaszi, Peter(1991)。Toward a Theory of Copyright: The Metamorphoses of 'Authorship'。Duke Law Journal，40(2)，455-502。  new window
3.劉昌德、羅世宏(20051200)。電視置入性行銷之規範：政治經濟學觀點的初步考察。中華傳播學刊，8，41-61。new window  延伸查詢new window
4.曹琬凌(2006)。BBC擴大區域服務更貼近全民。公視研究季刊，4，2-4。  延伸查詢new window
5.程宗明(2001)。數位化與公共化的抉擇：論數位電視時代的公共視聽利益。當代，162，28-45。  延伸查詢new window
6.Gelikman, O.(2003)。After Aura: History of Photography and the Writing of the Origin in Benjamin。Angelaki，8(1)，43-60。  new window
7.Davison, K. G.(2006)。Dialectical Imagery and Postmodern Research。International Journal of Qualitative Studies in Education，19(2)，133-146。  new window
8.(2003)。How to Manage a Dream Factory。The Economist，366(8307)，69-71。  new window
9.Cauchi, M.(2003)。Infinite Spaces: Walter Benjamin and the Spurious Creations of Capitalism。Angelaki，8(3)，23-39。  new window
10.Ursell, G.(1998)。Labor Flexibility in the UK Commercial Television Sector。Media, Culture & Society，20，129-153。  new window
11.Warf, B.(2003)。Mergers and Acquisitions in the Telecommunications Industry。Growth and Change，34(3)，321-344。  new window
12.(2006)。Person of the Year。Time，168，27-28。  new window
13.Bronfen, E.(2006)。Reality Check: Image Affects and Cultural Memory。Differences: A Journal of Feminist cultural Studies，17(1)，20-46。  new window
14.Wang, S.(2003)。Re-contextualizing Copyright: Piracy, Hollywood, the State, and Globalization。Cinema Journal，43(1)，25-43。  new window
15.Rapaport, H.(2005)。Spectres of Benjamin。Textual Practice，19(4)，415-443。  new window
16.Hadjiafxendi, K.、Rapatzikou, T.(2005)。The American Culture-industry of Image-making; Part I。European Journal of American Culture，24(1)，3-9。  new window
17.Breuer, S.(1999)。The Space of Flows and Timeless Time: Mannel Castell's。The Information Age, Radical Philosophy，97，6-17。  new window
18.Schwartz, V. R.(2001)。Walter Benjamin for Historians。The American Historical Review，12，1721-1743。  new window
19.Knapp, T.、Harms, J.(2002)。When the Screen Goes Blank: A Television Plant Closing and Its Impacts on Workers。The Sociological Quarterly，43(4)，607-626。  new window
圖書
1.Vogel, H. L.(1994)。Entertainment Industry Economics: A Guide for Financial Analysis。New York：Cambridge University Press。  new window
2.Schiller, H.(1984)。Information and the Crisis Economy。Norwood, NJ：Ablex Publishing。  new window
3.Buck-Morss, Susan(1989)。The Dialectics of Seeing。Cambridge, MA：The MIT Press。  new window
4.Boyle, James(1996)。Shamans, Software, and Spleens: Law and the Construction of the Information Society。Harvard University Press。  new window
5.Jay, Martin(1973)。The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950。Little, Brown & Company Limited。  new window
6.Gilloch, Graeme(2002)。Walter Benjamin: Critical Constellations。Cambridge：Polity Press。  new window
7.Gillmor, Dan、陳建勳(2005)。草根媒體。臺北：美商歐萊禮股份有限公司。  延伸查詢new window
8.王佳煌(2000)。資訊社會學。臺北市：學富文化事業有限公司。  延伸查詢new window
9.Horkheimer, Max、Adorno, Theodor W.、Cumming, John(1972)。Dialectic of Enlightenment。New York：Herder and Herder, Inc.。  new window
10.Benjamin, Walter、許綺玲、簫永盛(1999)。迎向靈光消逝的年代。臺北市：臺灣攝影工作室。  延伸查詢new window
11.McChesney, Robert W.(2004)。The Problem of the Media: U.S. Communication Politics in the 21st Century。New York, NY：Monthly Review Press。  new window
12.Mosco, Vincent(1996)。The Political Economy of Communication: Rethinking and Renewal。London：Sage Publications。  new window
13.Benjamin, Walter、Eiland, Howard、McLaughlin, Kevin(1999)。The Arcades Project。Cambridge, MA：Harvard University Press。  new window
14.Frith, Simon、Straw, Will、Street, John、蔡佩君、張志宇(2005)。劍橋大學搖滾與流行樂讀本。商周出版社。  延伸查詢new window
15.Campbell, Colin(1987)。The Romantic Ethic and the Spirit of Modern Consumerism。Basil Blackwell Inc.。  new window
16.Fuch, Elinor(1996)。The Death of Character: Perspectives on Theater after Modernism。Bloomington：Indiana University Press。  new window
17.Hills, Matt(2002)。Fan Cultures。Routledge。  new window
18.Baudrillard, Jean、Foss, Paul、Patton, Paul、Beitchman, Philip、Fleming, Jim、Lotringer, Sylvére(1983)。Simulations。Semiotext(e)。  new window
19.Castells, M.(1980)。The Economic Crisis and American Society。The Economic Crisis and American Society。Princeton。  new window
20.Burger, P.、Bürger, P.(1984)。Theory of the Avant-Garde。Theory of the Avant-Garde。沒有紀錄。  new window
21.Wind, E.(1985)。Art and Anarchy。Art and Anarchy。Evanston, IL。  new window
22.Harvey, D.(1989)。The Conditions of Post-modernity。Basil Blackwell。  new window
23.Westerbeck, C.、Meyerowitz, J.(1994)。Bystander: A History of Street Photography。Bystander: A History of Street Photography。London, UK。  new window
24.Bettig, R. V.(1997)。Copyrighting Culture: The Political Economy of Intellectual Property。Copyrighting Culture: The Political Economy of Intellectual Property。Boulder, CO。  new window
25.Adorno, T. W.、Benjamin, W.(2000)。Complete Correspondence。Cambridge, MA：Harvard University Press。  new window
26.Benjamin, W.、Michael, W.、Jennings, Howard Eiland、Smith, Gary、Livingstone, Rodney(1999)。Selected Writings Volume 2, 1927-1934。Cambridge, MA：Harvard University Press。  new window
27.Steinert, H.(2003)。Cultural Industry。Cultural Industry。Cambridge, UK。  new window
28.(2003)。Walter Benjamin and Romanticism。Walter Benjamin and Romanticism。London, UK。  new window
29.Gantz, J.、Rochester, J. B.(2006)。數位海盜的正義：智財權戰爭如何危害個人自由、工作權與世界經濟。數位海盜的正義：智財權戰爭如何危害個人自由、工作權與世界經濟。臺北市。  延伸查詢new window
30.Miller, T.、Govil, N.、McMurria, J.、Maxwell, R.、Wang, T.(2005)。Global Hollywood 2。Global Hollywood 2。London, UK。  new window
31.Graham, P.(2005)。Hypercapitalism: New Media, Language, and Social Perceptions of Value。Hypercapitalism: New Media, Language, and Social Perceptions of Value。New York, NY。  new window
32.Benjamin, W.(1986)。The Work of Art in the Age of Mechanical Reproduction。Video Culture: A Critical Investigation。New York, NY。  new window
33.Breuer, S.(1993)。The Long Friendship: Theoretical Differences between Horkheimer and Adorno。On Max Horkheimer: New Perspectives。Cambridge, MA。  new window
34.劉現成(1999)。臺灣影視產業的概況。亞太媒介圖誌：無線 / 有線暨衛星電視的形構。臺北。  延伸查詢new window
35.Steemers, J.(1999)。Broadcasting Is Dead: Long Live Digital Choice。The Media Reader: Continuity and Transformation。London, UK。  new window
36.Curtin, M.、Streeter, T.(2001)。Media。Culture Works: The Political Economy of Culture。Minneapolis, MN。  new window
37.Raphael, C.(2001)。The Web。Culture Works: The Political Economy of Culture。Minneapolis, MN。  new window
38.Auslander, P.(2003)。An Orchid in the Land of Technology: Walter Benjamin and Live Performance。Cultural Work: Understanding the Cultural Industries。London, UK。  new window
39.Miller, S.(2006)。Armand Mattelart: Historicism and Mass Media。Radical Mass Media Criticism: A Cultural Genealogy。Montreal, Canada。  new window
圖書論文
1.張小虹(2007)。電影的臉。影像下的現代：電影與視覺文化。臺北：書林。  延伸查詢new window
2.Adorno, T. W.(1980)。Letters to Walter Benjamin。Aesthetics and Politics: Debates between Bloch, Lukacs, Brecht, Benjamin, Adorno。London, UK：Verso。  new window
3.Herman, E.、McChesney, R.(1999)。The Global Media in the Late 1990s。The Media Reader: Continuity and Transformation。London, UK：Sage。  new window
 
 
 
 
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