本文以阿多諾美學理論中的「星叢文體」做為論述方法探討網路前衛作品。第一部分透過網路作品的溝通語言與模擬語言，建立術語群，此術語群由網路技術、阿多諾美學、日常生活批判理論與生物學中提取。第二部分以異種術語群建構網路前衛作品的生態系譜，透過多重視點的文本結構，進行跨域性的術語交鋒，同時連結網路文化、網路社會與技術環境結構，交互指涉出網路前衛美學樣態。藉由兩種相似但異質的語言介面、檔案系譜，相互折射各自的發展狀態，而此雙重星叢團塊支撐出的美學思考，是朝向網路前衛運動「反同一性」要求下的衍生論述。

This paper discusses avant-garde net.art work within the framework of the Constellation theory of Adorno. The first section examines and clarifies the communicative and mimetic language of net.art to establish this avant-garde networks’ heterogeneous terminology. The heterogeneous terminology is abstracted from the essence of cyber subculture, net technology, Adorno’s aesthetic theory, and molecular biology. In addition, the heterogeneous terminology constructs the genealogy of the avant-garde net.art movement. The second section criticizes avant- garde net.art work via the concept of heterogeneous terminology in terms of this genealogy. The genealogy which reflects the aesthetic vision of avant-garde net.art is then analyzed, including how the heterogeneous language and genealogy engaged in this analysis have become an aesthetic language. It is concluded that the similar but not entirely identical forms of net.art can be drawn from constellation aesthetic thinking to formulate an aesthetic language of avant-garde net.art. Additionally, in formulating a constellation aesthetic of avant-garde net.art linked to genealogy, an ideology of anti-identity is elaborated.