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題名:後現代聆聽的挑戰與方向:聆聽慣習、生態途徑、音樂詮釋
書刊名:藝術學報
作者:陳慧珊 引用關係
作者(外文):Chen, Hui-shan
出版日期:2016
卷期:12:1=98
頁次:頁315-336
主題關鍵詞:後現代聆聽慣習生態途徑音樂詮釋PostmodernMusickingHabitus of listeningEcological approachInterpretation of music
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:132
  • 點閱點閱:15
期刊論文
1.陳暘(200411)。詹姆遜關於後現代理論的探析及其意義。武漢大學學報(哲學社會科學版),57(6),765-770。  延伸查詢new window
2.Chen, Hui-Shan(2009)。Changing Tendency of Western Music Tradition in Taiwan。Fontes Artis Musicae,56(3),287-298。  new window
3.郭貞(19930100)。《消費者文化與後現代主義》的解析。廣告學研究,1,211-212。new window  延伸查詢new window
4.陳慧珊(20111200)。臺灣公立樂團跨界展演初探--以臺北市立國樂團、國家交響樂團為例。關渡音樂學刊,15,135-165。new window  延伸查詢new window
5.陳慧珊(2013)。臺灣私立樂團跨界展演初探--以采風樂坊、朱宗慶打擊樂團為例。跨界對談,8,9-50。  延伸查詢new window
6.陳慧珊(20071000)。跨文化美學的音樂詮釋--以臺灣當代作曲家之藝術觀為例。藝術學報,81,211-226。new window  延伸查詢new window
7.陳慧珊(20080600)。我泥中有你,你泥中有我--論「現代主義」與「後現代主義」在當代音樂中的邂逅與發酵。關渡音樂學刊,8,17-32。new window  延伸查詢new window
8.Weinberger, Norman M.、McKenna, Thomas M.(1988)。Sensitivity of Single Neurons in Auditory Cortex to Contour: Toward a Neurophysiology of Music Perception。Music Perception,5(4),355-389。  new window
9.陳慧珊(20141100)。反思「跨界音樂」:從音樂多元本體觀論當代音樂之跨界。音樂研究,21,23-51。new window  延伸查詢new window
圖書
1.陳瑞文(2004)。阿多諾美學論:評論、模擬與非同一性。臺北縣:左岸文化。new window  延伸查詢new window
2.Alperson, Philip(1987)。What is Music? An Introduction to the Philosophy of Music。Pennsylvania:The Pennsylvania State University Press。  new window
3.Bolt, Barbara(2004)。Art Beyond Representation: The Performative Power of the Image。London。  new window
4.Griffiths, Paul(1995)。Modern Music and After: Directions since 1945。Oxford:Oxford University Press。  new window
5.Morawski, Stefan(1996)。The Troubles with Postmodernism。London:Routledge。  new window
6.Scott, Derek B.(2000)。Music, Culture, and Society。Oxford:Oxford University Press。  new window
7.Whittall, Arnold(1999)。Music Composition in the Twentieth Century。Oxford。  new window
8.Danto, Arthur C.、林雅琪、鄭惠雯(2005)。在藝術終結之後:當代藝術與歷史藩籬。臺北:麥田出版社。  延伸查詢new window
9.Becker, Judith(2004)。Deep Listeners: Music, Emotion, and Trancing。Indiana University Press。  new window
10.Clarke, Eric F.(2005)。Ways of Listening: An Ecological Approach to the Perception of Musical Meaning。Oxford University Press。  new window
11.陳慧珊(2012)。現代音樂美學新論。臺北:美樂出版社。  延伸查詢new window
12.Jameson, Fredric(2001)。Postmodernism, or, The cultural logic of late capitalism。Durham:Duke University Press。  new window
13.楊大春(2000)。後結構主義。台北:揚智文化。new window  延伸查詢new window
14.Jencks, Charles(1989)。What is Post-Modernism?。London:New York:Academy Editions:St. Martin's Press。  new window
15.Ingarden, Roman、Czerniawski, Adam(1986)。The Work of Music and the Problem of Its Identity。London:The Macmillan Press Led。  new window
16.Cook, Nicholas、Everist, Mark(1999)。Rethinking Music。Oxford University Press。  new window
17.Albright, Daniel(2004)。Modernism and Music: an Anthology of Sources。The University of Chicago Press。  new window
18.Chomsky, N.(1972)。Language and Mind。New York:Hancourt Brace Jovanovich。  new window
19.Bourdieu, Pierre、Nice, Richard(1977)。Outline of a Theory of Practice。Cambridge:Cambridge University Press。  new window
20.楊洲松(2000)。後現代知識論與教育。臺北:師大書苑。new window  延伸查詢new window
21.Cook, Nicholas(1990)。Music, Imagination, and Culture。Oxford:Clarendon Press。  new window
22.Dell'Antonio, Andrew(2004)。Beyond Structural Listening? Postmodern Modes of Hearing。Berkeley:Los Angeles:London:University of California Press。  new window
23.Small, C.(1998)。Musicking: The Meanings of Performing and Listening。Hanover:University Press of New England。  new window
24.Stravinsky, I.(1970)。Poetics of Music。Cambridge:London:Harvard University Press。  new window
25.王岳川(1992)。後現代主義文化研究。北京:北大出版社。  延伸查詢new window
26.Lyotard, Jean-François、Bennington, Geoff、Massumi, Brian、Jameson, Fredric(1984)。The Postmodern Condition: A Report on Knowledge。University of Minnesota Press。  new window
27.Subotnik, Rose Rosengard(1996)。Deconstructive Variations: Music and Reason in Western Society。Minneapolis:University of Minnesota Press。  new window
圖書論文
1.Bohlman, Philip V.(1999)。Ontologies of Music。Rethinking Music。Oxford University Press。  new window
2.Cook, Nicholas(1999)。Analysing Performance and Performing Analysis。Rethinking Music。Oxford。  new window
3.Subotnik, Rose Rosengard(1987)。The Challenge of Contemporary Music。What is Music? An Introduction to the Philosophy of Music。Pennsylvania:The Pennsylvania State University Press。  new window
 
 
 
 
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