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一、專書
（一）西文部分
Arass, Daniel. Anselm Kiefer. London: Thames and Hudson, 2001 .
Arnold, Jörg. The Allied Air War and Urban Memory: The Legacy of Strategic Bombing in Germany. Cambridge: Cambridge University Press, 2011.
Ball, Karyn, Disciplining the Holocaust.New York: State University of New York Press, 2008.
Bathrick, David, Prager, Brad and Richardson, Michael D. Visualizing Holocaust:Document, aesthetics, memory. New York: Camden House,2008.
Bennett, Jill, Empathic Vision. Affect, Trauma and Contemporary Art. Stanford, Stanford University Press. 2005.
Berchtig, Franke. Memorial to the Murdered Jews in Europe Berlin. London; New York: Prestel Verlag, 2005.
Bjone, Christian. Art and architecture: Strategies in collaboration. Basel: Birkhäuser Verlag, 2009.
Brown, W.. Regulating Aversion: tolerance in the age of identity and empire. Princeton: Princeton University Press, 2006.
Bucholtz ,Erika and Nachama, Andreas. trans. by Pamela E. Selwyn and Toby Axelrod, Site Tour: Topography of Terror. Berlin: Stiftung Topographie des Terrors, 2010.
Carleton Hobbs, Robert, Robert Smithson—sculpture, Ithaca: Cornell University Press, 1981.
Carrier, Peter. Holocaust monuments and national memory culture in France and Germany since 1989. New York: Berghahn Books. 2005
Cartiere,Cameron and Willis,Shelly. The Practice of Public Art. New York: Routledge, 2008.
Causey, Andrew. Sculpture after 1945. London, Oxford University Press, 1998.
Clarke, David and Ute Wölfel, Remembering the German Democratic Republic: Divided Memory in a United Germany. Basinstoke: Palgrave Macmillan, 2011.
David , Gross. Lost Time: On Remembering and Forgetting in Late Modern Culture . Amherst: University of Massachusetts Press, 2000.
Dekel, Irit. Mediation at Holocaust Memorial in Berlin. Basingstoke: Palgrave Macmillan, 2013.
Dillon, Brian ed., Ruins. London: Whitechapel Gallery, 2011.
---, Ruin Lust: Artists’ Fascination with Ruins, From Tuner to the Present Day. London: Tate Publishing, 2014.
Edward, Strickland, Minimalism: Origins. Bloomington:Indiana University Press,1993.
Foucault, Michel. trans. by Bouchard, Donald F. and Simon, Sherry .Language, Counter-Memory, Practice: Selected Essays and Interviews, Ithaca: Cornell University Press, 1977.
Freud, Sigmund, Translated and edited by James Strachey. Civilization and Its Discontents. New York: W.W. Norton, 1989.
Fried, Michael. Art and Objecthood: Eassys and Reviews. Chicago: University of Chicago Press, 1998.
Gabriel, Barbara. Postmodernism and the Ethical Subject. Montreal & Kingston: McGill-Queen's University Press.
Gitler, Inbal Ben-Asher. Monuments and Site-Specific Sculpture in Urban and Rural Space. Newcastle: Cambridge Scholars Publishing, 2017.
Halbwachs, Maurice, trans by Lewis Coser. On collective memory. Chicago, London: University of Chicago Press, 1992.
Haskell,Barbara, Claes Oldenburg: Object Into Motion.CA: Pasadena Art Museum, 1971.
Heidegger, Martin, translated by D. F. Krell. Basic Writing. San Francisco: Harper Collins, 1993.
Hutton, Patrick. History as Art of Memory. Hanover; London: University Press of New England, 1993.
Huyssen, Andreas. The art of memory: Holocaust memorials in history. New York: The Jewish Museum, 1994.
James, Peter , Modern Germany: Politics, society and Culture. London: Routledge, 1998.
John Skelton, Timothy and Gliddon, Gerald, Lutyens and the Great War, London: Frances Lincoln, 2008.
Jörn Rüsen, ed., Meaning and Representation in History. New York: Berghahn Books, 2006.
Kaplan, Robert. The Nothing That Is: A Nature History of Zero. New York: Oxford University Press,1999.
Kosmala,Beate and Verbeek, George. Facing the Catastrophe: Jews and non-Jews in Europe during World War II. Oxford: Berg,2011.
Krauss, Rosalind E. Passages in Modern Sculpture. Cambridge: The MIT Press, 1981.
---. The Originalityof the Avant-Garde and Other Modernist Myths. Cambridge: MA, 1985.
Kuo, Hsiu-Ling. Modernity and Monumentality in Hitler’s Berlin: the North-South Axis of the Greater Berlin Plan. Oxford : Peter Lang, 2013.
LaCapra, Dominick. History and memory of Auschwitz. Ithaca; London: Cornell University, 1998.
Lang, Berel. Holocaust Representation: Art within the Limits of History and Ethics. Baltimore ;London: The John Hopkins University Press, 2000.
Lehrer, Steven. Hitler Sites: A city-by-city Guidebook (Austria, Germany, France, United States). London: McFarland & Company, Inc, Publishers, 2002.
Lippard, Lucy. Eva Hesse. New York: New York University Press, 1992.
Makarius, Michel. Ruins. Paris: Editions Flammarion, 2004.
Mareel, Samuel. The Aura of the Word in the Early Age of Print (1450-1600). London: Routledge, 2017.
Mcevilley, Thomas C. Sculpture in the Age of Doubt. New York: Allworth Press, 1999.
Meecham, Pam and Sheldon, Julie. Modern art: a critical introduction. London: Routledge, 2004.
Michalski, Sergiusz. Public monuments : art in political bondage, 1870-1997. London : Reaktion Books. 1998.
Mumford, Lewis. The Culture of Cities. Florida :HBJ, 1938.
Nelson, Robert S. Critical Terms for Art History. London; Chicago: The University of Chicago Press, 2003.
Neumärker, Uwe. Denkmal für die ermordeten Juden Europas Ort der Information. Berlin: Die Stiftung Denkmal für die ermordeten Juden Europas, 2010.
Niven, Bill and Paver, Chloe. Memorialization in Germany since 1945. New York: Palgrave Macmillan, 2010.
Osborn, James F. Approaching monumentality in Archaeology. New York: State University of New York Press, 2014.
Paul Zucker ed. New Architecture and City Planning, New York: Philosophical library,1945.
Pearce, Caroline. Contemporary Germany and Nazi legacy: Remembrance Politics and the Dialectic of Normality. Houndmills, Basingstoke: Palgrave Macmillan, 2008.
Rüsen, Jörn, Grütter, Theo and Füßmann, Klaus ed. Historicalfascination. History culture today. Cologne: Böhlau verlag,1994.
Schoenholz, Harrie. MoMA Highlights. New York: The department of publication The Museum of Modern Art. 1999.
Sorabji, Richard. Aristotle on Memory. University of Chicago Press.2006.
Storey, John. Cultural Theory and Popular Culture: An Introduction. New York : Pearson Longman.2009.
Sugano, Marian. The Poetics of the Occasion: Mallamé and the Poetry of Circumstance. California: Stanford University Press, 1992.
Thomas, Michael and E. Meyers, Gretchen. Monumentality in Etruscan and Early Roman Architecture: Ideology and Innovation. Austin: University of Texas Press, 2012.
Townsend, Chris ed. The Art of Rachel Whiteread. London: Thomas and Hudson, 2004.
Vidler, Anthony. The Architectural Uncanny: Essay in the Modern Unhomely. Massachusetts: The MIT Press, 1992.
Young, James E. The texture of memory: Holocaust Memorials and Meanings. New Heaven: Yale University Press, 1993.
---. The Art of Memory: Holocaust Memorials in History. New York, Prestel, 1994.
---. At Memory's Edge: After-images of the Holocaust in Contemporary Art and Architecture . New Heaven: Yale University Press, 2000.
---. The Stages of Memory: Reflections on Memorial Art, Loss, and the Spaces Between. Amherst: University of Massachusetts Press, 2016.
（二）中文部分
Anderson, Benedict著，吳叡人譯。《想像的共同體：民族主義的起源與散布》(Imagined Communities: Reflections on the Origin and Spread of Nationalism)。臺北市：時報文化，2010。
Arendt, Hannah著，蔡佩君譯。《責任與判斷》 (Responsility and Judgement)，臺北：左岸文化，2008。
Assmann, Aleida著，袁思喬譯。 《記憶中的歷史》(Geschichte im Gedachtnis)。南京：南京大學出版社，2017。
Bauman, Zygmunt著。《現代性與大屠殺》(Modernity and the Holocaust)。譯林出版社，2005。
---。《廢棄社會∶過剩消費、無用人口，我們都將淪為現代化的報廢物》(Wasted Lives：Modernity and Its Outcasts)。臺北市∶麥田人文，2018。
Becket, Samuel著，曹波、姚忠譯。《瓦特》，湖南：湖南文藝出版社，2016。
Burk, Edmund著，國家教育研究院主譯、林盛彬譯。《崇高與美之源起》(A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful)，臺北市：典藏教育家庭，2011。
Chipp, Herschel B.編著，余姍姍譯。《現代藝術理論II》，臺北市：遠流出版社，2004
Friedländer, Saul著，盧彥名等譯。《滅絕的年代：納粹德國與猶太人1939-1945》(The Year of Extermination: Nazi Germany and the Jews, 1939-1945)。北京：中國青年出版社，2015。
Groys, Boris著，郭昭蘭、劉文坤譯。《藝術力》(Art Power)。臺北：藝術家出版社，2015。
Hegal, G.F.著，朱孟實譯。《美學（二）》。臺北：里仁書局，1981。
---著，王造時、謝詒徵譯。《歷史哲學》。臺北：九思出版有限公司，1978。
Heidegger, Martin著，陳嘉映、王慶節譯。《存在與時間》，北京：三聯書店，2006。
Kenneth, Frampton著，蔡毓芬譯。《現代建築史》(Modern Architecture: A Critical History)。臺北：地景企業，1999。
Lessing, Gotthold Ephraim Lessing著，朱光潛譯。《拉奧孔: 詩與畫的界限》（Laocoon: An Essay Upon the Limits of Painting and Poetry ）臺北市: 蒲公英出版社，1986。
Lepenies,Wolf著。《德國歷史中的文化誘惑》（The Seduction of Culture in German History)。 南京：譯林出版社，2010。
MacGragor, Neil著，周全譯。《德意志－一個國家的記憶》(Germany: Memories of a Nation ) 。新北市：左岸文化，2017。
Mazower, Mark著，齊思賢譯。《新黑暗大陸:從文明曙光到21世紀歐洲》。臺北市:時報文化，2002。
Merle, Jean- Christophe著，邱帥萍譯。《德國觀念論與懲罰的概念》。北京：知識產權出版社， 2015。
Nora, Pierre著，戴麗娟譯。《記憶所繫之處 卷I》。台北市：行人出版社， 2012。
Palmer, Richard E.著，何佳瑞譯。《哲學與文化》第35卷第八期(2008. 02)。
---，顏平譯。《詮釋學》。臺北市：桂冠圖書公司，1992。
Ricoeur, Paul著，李彥岑、陳穎譯。《記憶、歷史、遺忘》(La Mémoire, L ' Histoire, L’oubli)。上海：華東師範大學出版社，2017。
Robert, Jean, MacDaniel, Craig著，匡驍譯。《當代藝術的主題∶1980年代之後的視覺藝術》(Themes of Contemporary Art: Visual Art After 1980)。南京: 江蘇美術出版社，2011。
Ruskin, John著，谷意譯。《建築的七盞明燈》。(The Seven Lamps of Architecture)。台北：五南圖書，2012。
---著，孫靜譯。《威尼斯之石》(The Stones of Venice )。臺北市：五南圖書，2016），頁35。
Saroray, Yaron and Taylor, Nick著，杜默譯。《新納粹風暴:猶太記者深入德國追蹤報導》(In Hitler’s Shadow: an Israeli’s amazing journey inside Germany’s neo –Nazi movement )。臺北市:智庫文化出版社，1995)。
Schama, Simon著，胡淑陳、馮樨譯。《風景與記憶》(Landscape and memory)，南京：譯林出版社，2013。
Shilain, Leonard 著，張文毅、鄭天、王池英譯。《藝術與物理：空間時間與光之平行觀》。台北縣：成信文化事業股份有限公司，2006。
Taylor, William M. and Levine, Michael P.著，王昭力譯。《建築倫理學的前景》(Prospects for an Ethics of )。北京：電子工業出版社，2016。
Taleb, Masson Nicholas著，羅耀宗譯。《反脆弱》。（臺北市：大塊文化，2013）。
Vattimo, Gianni著，楊恆達譯。《現代性的終結》，河南：河南大學出版社，2015。
William, Shirer, I.著，董樂山等譯。《第三帝國興亡史 卷一、希特勒的崛起、勝利與鞏固》。臺北縣新店市：左岸文化。
Žižek, Slavoj著，季廣茂譯。《意識型態的崇高客體》(The Sublime Object of Ideology)，北京：中央編譯出版社，2014）。
本多勝一著，王中玉譯。《統一前後的東德》。臺北市：暖流出版社，1991。
白潔著。《記憶哲學》。北京：中央編譯出版社，2014。
江凌青。《媒體・藝術・新潮∶江凌青藝評集》。臺北∶藝術家出版社，2017。
老硪。《後現代建築》，臺北市：揚智文化，1996。
巫鴻著，李清泉、鄭岩等譯。《中國古代藝術與建築中的『紀念碑性』》。上海：上海人民出版社，2008。
---著，肖鐵譯。《廢墟的故事：中國美術和視覺文化中的『在場』與『缺席』》。上海：上海人民出版社，2012。
思想編委會編。《思想2歷史與現實》。台北市：聯經出版社，2006。
花亦芬著。《在歷史的傷口上重生：德國走過的轉型正義之路》。臺北市:先覺出版社，2016。
侯宜人。《自然．空間．雕塑》。台北∶亞太圖書，1994。
胡文青編。《台灣的拓碑》。台北縣：遠足文化，2003。
孫江編輯。《新史學第八卷 歷史與記憶》。北京：中華書局，2014。
孫斌著。《審美與救贖：從德國浪漫派到T.W.阿多諾》。上海：復旦大學出版社，2014。
曹衛東等著。《德意志的鄉愁：20世紀德國保守主義思想史》。上海：上海人民出版社，2015。
許新作註譯。《老子讀本》，臺南市：西北出版社，2007。
陳恆編。《新史學第8輯 納粹屠猶：歷史與記憶》。鄭州：大象出版社，2007。
陳香君。《紀念之外： 228事件、創傷與性別差異的美學》。台北市：典藏出版社，2014。
曾國棟。《台灣的碑碣》，台北縣：遠足文化，2003。
二、學位論文
Adams, Tim, The Eisenman-Deleuze Fold. Architectural. BA thesis. The University of Auckland.1993.
林惠玟。《具變動力量的集體性文化資產：論標注性事件紀念物之紀念性意涵》。國立成功大學建築學系研究所博士論文。2008。
三、報章期刊論文
（一）西文部分
Baptist, Karen Wilson. ‘Shades of Grey: The Role of the Sublime in the Memorial to the Murdered Jews of Europe’. Landscape Review 14:2 .2012. 75-85.
Bellentani, Federico and Panico, Mario, ‘The meanings of monuments and memorials: toward a semiotic approach’, Punctum, International journal of semiotics 2 (1). 2016 : 28-46.
Brody, Richard. “The Inadequacy of Berlin's “Memorial to the Murdered Jews of Europe”. The New Yorker. 12 July, 2012.
Christiane C. and George R. Collins. ‘Monumentality: A Critical Matter in Modern Architecture’. Harvard Architectural Review, Vol. 4 .Spring, 1984: 15-35.
Cruickshank , Alan. “Tyranny of consensus: Who Put Public in Public Art and why do they think they own it?” Broadsheet. v 32 no.2. 2008.12-15
Daniel Abramson. “Maya Lin and the 1960s: monuments, time line and minimalism”. Critical Inquiry 22 (4) 679 -709.
Danto, Arthur C. “Vietnam Veterans Memorial ”.The Nation. August 31. 1985.152-155.
--- “Mute Point”. The Nation, 281(12), 2005. 40–44.
Federico Bellentani & Mario Panic. “The meanings of monuments and memorials: toward a semiotic approach”. Punctum, 2(1).2016. 28-46.
Gass, William. ‘Monumentality, mentality’, Oppositions. 25 (fall, 1982).
Gerd Knischewski and Ulla Spittler. “Remembering the Berlin Wall: The Wall Memorial Ensemble Bernaur Strasse”. German Life and Letters 59:2 .April 2006. 281-293.
Grenzer, Elke. “the Topographies of Memory in Berlin: the Neue Wache and the Memorial for the Murdered. Jews of Europe. Canadian Journal of Urban Research Vol. 11, No. 1, Space, Place and the Culture of Cities: Special Issue .Summer 2002. 93-110.
Hagopian, Patrick. “The Korean War Veterans Memorial and Problems of Repreaentation”, Public Art Dialogue. Vol.2. Issue 2. September 2012. 215-253.
Harris, Cecily, "German Memory of the Holocaust: The Emergence of Counter-Memorials," Penn History Review: Vol. 17,. : Issue. 2 , Article 3. 2010.
Haskins, E. and J. DeRose, “memory, visibility and public space: reflections on commemoration(s) of 9/11”. Space and Culture. 6 (4). 377-393.
Hetzler, Florence M. "The Aesthetics of Ruins: A New Category of Being," Journal of Aesthetic Education. Vol. 16, No. 2 . Summer, 1982. 105-108.
Cotter, Holland. “David Smith's Anti-Medals”..New York Times. Jan. 6, 1995. Page 00065.
Huyssein, Andreas."Monument and memory in postmodern age",The art of memory: Holocaust memorials in history , New York: The Jewish Museum.1994. 9-16.
Hubbard, Willliam. “A meaning for monuments” . Public Interest 74. 1984.
Judy Barsalou and Victoria Baxter. ‘The Urge to Remember: The Role of Memorials in Social Reconstruction and Transitional Justice’. Stabilization and Reconstruction Series. No.5, JANUARY 2007. 1-24.
Kansteiner,Wulf. “Finding meaning in memory: A methodological critique of collective memory. History and Theory Vol. 41. No. 2 May, 2002.179-197.
Kinzer, Stephen. “Berlin Given Unusual Idea For a Holocaust Memorial”. The New York Time, January 28, 1996. on Page 1001006.
Knischewski , Gerd and Spittler, Ulla. “Remembering the Berlin Wall: The Wall Memorial Ensemble Bernaur Strasse”. German Life and Letters 59:2 . April 2006. 280-293.
Krauss, Rosalind E. “Sculpture in the Expanded Field.” October. Vol. 8. Spring, 1979: 30-44.
Lüdtke, Alf. “‘Coming to Terms with the Past’: Illusions of Remembering, Ways of Forgetting Nazism in West Germany.” The Journal of Modern History. Vol. 65, no. 3. 1993. 542–572.
Lupu, Noam,” Memory Vanished, Absent, and Confined: The Countermemorial Project in 1980s and 1990s Germany”. History and Memory. Vol. 15, No. 2 Fall/Winter 2003.130-164.
Massicotte, Claudie.” Une mémoire gravée dans le béton, parcours entre les stèles du mémorial aux juifs assassinés d’europe de Peter Eisenman” . Meridian Critic 18, no. 1 2011. 229-242.
Michael Kimmelman. “Out of Minimalism, Monuments to Memory”. New York Times. Art/ Architecture. 2002 Jan 13. page 2002001.
Muenzer, Clarks. “Wandering Among Oblisks: Goethe and the Idea of the Monument”. Modern Language Studies. Vol. 31. No. 1, Spring, 2001. 5-34.
Nora, Pierre. "Between Memory and History: Les Lieux de Mémoire". Representations. No. 26. Special Issue: Memory and Counter-Memory. Spring, 1989. 7-24.
Range, Peter Ross. "A Monument-Museum in the Holocaust Center" The Washington Post . February 14 1997. A21
Riegl, Aloïs. ''The Modern Cult of Monuments: Its Character and Its Origin,'' trans. Kurt W. Forster and Diane Ghirardo. Oppositions, no. 25 Fall 1982, 21-51.
Stevens, Quentin; Franck, Karen A.; Fazakerley, Ruth. “Counter-monuments: the anti-monumental and the dialogic. ”Journal of Architecture. Dec. 2012. Vol. 17 Issue 6. 951-972.
Strakosch, Elizabeth. Counter-Monuments and Nation-Building in Australia.", Peace Review. Jul-Sep 2010, Vol. 22 Issue 3. 268-275.
Verschaffel, Bart. “The monumental: On the meaning of a Form”, Journal of Architecture, Vol. 4 . Winter, 1999. 333-336.
Young, James E. “Berlin's Holocaust Memorial: A Report to the Bundestag Committee on Media and Culture 3 March 1999” . German Politics & Society, vol. 17, no. 3 (52). 1999. 54–70.
---. ‘The counter-monument: Memory against itself in Germany today’, Critical Inquiry, 18, no. 2. 1992. 267-296.
---. ‘Germany’s Memorial Question: Memory, Counter Memory, and the End of the Monument’. The South Atlantic Quarterly. vol 96. No. 4. Fall. 1997: 853-880.
---.” The memorial’s arc: Between Berlin’s Denkmal and New York City’s 9/11 Memorial”. Memory Studies. Volume 9. Issue: 3. 2016. 325-331
（二）中文部分
Pollock, Griselda著 、倪明萃譯。〈創傷年代的美學感同與見證〉《藝術學研究》(8)，2011。頁73-126。
范盛保。〈猶太人大屠殺進程及轉型正義－以審判及成立紀念館為例〉《台灣國際研究季刊》第八卷第一期。2012年春季號，頁133-48。
徐玉茗。〈理察·Richard Serra雕塑作品－場域及空間定位探討〉《雕塑研究》第六期。2011.09，頁1-13。
四、電子資源
‘Denkmäler am Dammtor, Sehenswürdigkeiten am Dammtor-Bahnhof’. HAMBURG. DE. n.d. (2018-10-04點閱)
“ Visual Essay: Holocaust Memorials and Monuments”. Facing History and Ourselves. 2018. (2018-12-30點閱)
“Cleopatra's Needle”. The Metropolitan Museum of Art. 2013. < https://www.metmuseum.org/exhibitions/listings/2013/cleopatras-needle >(2018-2-12點閱)
“Das Denkmal für die Terroropfer in Berlin”. (2018-2-10點閱)
“Irresistible Decay: Ruins Reclaimed ” . The Getty Center . (2015-09-30點閱)
“Irresistible Decay: Ruins Reclaimed ” . The Getty Center . (2015-09-30點閱)
“Maya Lin’s original proposal”. Vietnam Veteran Memorial Fund n.d.< http://www.vvmf.org/maya-lin-design-submission >(2018-10-1點閱)
“Memorial .Oxford Dictionaries< https://en.oxforddictionaries.com/definition/memorial>(2016-9-22點閱)
“The Wall That Heals: Mobile Exhibit”.The Vietnam Veterans Memorial Fund . 2019. (2019-01-03點閱)
” Remembrance Day”< https://zh.wikipedia.org/wiki/%E5%9C%8B%E6%AE%A4%E7%B4%80%E5%BF%B5%E6%97%A5>(2018-11-14點閱)
”Obelisco Transportable”. Public Art Fund. (2018-2-11點閱)
Adi Gordon and Amos Goldberg Excerpt from interview with Professor James E. Young.” Holocaust Monuments And Counter-Monuments”. Shoah Resource Center. The International School for Holocaust Studies. May 24 1998. < https://www.yadvashem.org/odot_pdf/Microsoft%20Word%20-%203659.pdf>
Barassi, Sebastiano.’The Modern Cult of Replicas: A Rieglian Analysis of Values in Replication’. Tate’s Online Research Journal 2007. (2018-11-14點閱)
Bibliographisches Institut GmbH, “Baudenkmal”, 2018 (2018-12-28點閱)
Bolius,Heike and Zoppke, Kornelia. The Culture and Media Policy of the German Federal Government. Berlin: The Press and Information Office of the Federal Government, 2014 < https://www.bundesregierung.de/resource/blob/997532/768672/279dcc8045bc33aa25a1c9779153114f/2014-11-06-english-summary-data.pdf?download=1 >(2017-12-21點閱)
Brody, Richard. “The Inadequacy of Berlin's “Memorial to the Murdered Jews of Europe” . The New Yorker. 12 July, 2012 (2019-2-12)
Catesby Leigh,"Anti-Monument:The Vietnam Veterans Memorial and its legacy" n.d.(2019-2-11點閱)
Clark, Dayton. "Memorial to the mursered Jews of Europe- reading response", Wordpress (2019-2-13)
Compendium of Cultural Policies and Trends < https://www.culturalpolicies.net/web/compendium.php/ >
Cooke, “Richard Serra: Torqued Ellipse”. http://www.diabeacon.org/exhibis/serra/ellipses/index.html
Craven, Jackie,“The Memorial to the Murdered Jews of Europe”. archjourney.org. 2017. (2018-4-15點閱)
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James E. Young. “Horst Hoheisel's Counter-memory of the Holocaust: The End of the Monument”. University of Minnesota. (2016-08-26點閱)
Jonathan Vickery. “ The Past and Possible Future of Countermonument”, ixia, the public art think tank. 2012.
Jones, Jonathon. “Ruin Lust at Tate Britain review :a brilliant but bonkers exhibition'. The Guardian. (2014-12-28點閱)
Joshua Synenko. “The Remainders of Memory: Berlin’s Postnational Aesthetic”(2015-08-31點閱)
Kleerebezem, Jouke. “The post monumental image: On Enduring Visibility in the Network Society”. Open! Platform for performance, Art, Culture and Public Domain. 2005.< https://www.onlineopen.org/the-post-monumental-image>(2017-10-21點閱)
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Monument/Anti-Monument Conference Puts Public Sculpture In The Spotlight — Stephanie Zimmerman. 2014 .(2015-10-21點閱)
Moreno, Catalina Mejía. “The “Corporeality” of the Image in Walter Gropius’ Monumentale Kunst und Industriebau Lecture”. Intermédialités Issue24–25, Automne, 2014 < https://www.erudit.org/en/journals/im/2014-n24-25-im02279/1034165ar/> (2018-9-30點閱)
NicGhabhann, Niamh. ‘Do monument matter? ‘, Raidió Teilifís Éireann. Nov, 11, 2017.< https://www.rte.ie/eile/brainstorm/2017/1127/923068-do-monuments-matter/>(2018-11-28)
Perrotin, Courtesy. “ ELMGREEN & DRAGSET View of the exhibition " at Tiergarten Berlin (Germany). 2008. (2019-2-10點閱)
Schiller, Friedrich von. “Letters upon the Æsthetic Education of ManLetter II” . Blackmask Online ( 2002):3 < http://public-library.uk/ebooks/55/76.pdf>
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Stocker, Mark. “Public Monument”. Grove Art Online. 2003 . (2016- 10-14點閱)
Sommer, Brinda. Gesellschaftliches Erinnern an den Nationalsozialisms: Stolpersteine wider das Vergessen, Mitteilungen und Berichte aus dem Institut für Museumsforschung. (Berlin: Institut für Museums forschung Staatliche Museen zu Berlin, 2007), < http://www.smb.museum/ifm/dokumente/mitteilungen/ MIT041.pdf.>
Synenko, Joshua. “The Remainders of Memory: Berlin’s Postnational Aesthetic”
The Charnel-House, < https://thecharnelhouse.org/2014/03/17/someone-is-buried-here-adolf-loos-on-architecture-and-death/ >(2018-11-20)
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V. P. Tolstoi. The Great Soviet Encyclopedia, 3rd Edition (1970-1979),The Gale Group, Inc., 2010< https://encyclopedia2.thefreedictionary.com/Monumental+Art>(2017-10-14點閱)
Vujičić, Lejla, “Interview with Architecture: Case of Richard Serra”, Contemporary achievements in civil engineering 2018
Wall Goes Up in Berlin, Events of 1961- Year in Review. UPI.com.1998-05-29< https://www.upi.com/Archives/Audio/Events-of-1961/Wall-Goes-Up-in-Berlin >(2018-2-0點閱)
張百路編譯，呂榮輝校稿。大衛之星的由來（Star of David）。譯自www.aish.com. 2015< http://biblegeography.holylight.org.tw/index/specialArticle_detail?s_id=52 >(2018-11-30點閱)
陳郴。〈克服過去：柏林歐洲猶太人大屠殺紀念碑的歷史啟思〉，《思想》，第5期(2007)< https://www.ea.sinica.edu.tw/Content_Forum_Page.aspx?pid=16&uid=63&cid=35>(2018-10-28點閱)
賴賢宗。〈論 “藝術與空間”的造形藝術美學及其對老子思想的發揮〉《蘭州學刊》2015年第1期 < https://news.artron.net/20171130/n971803.html >(2018-12-29點閱)
謝沁霓。〈是救贖，還是遺忘？「歐洲受難猶太人紀念碑」的難題〉《人籟論辨月刊》五月號，第82期，2011(2016-12-01點閱)
六、影音資料
Masemann, Alison and Linzey. The Current's. CBC Radio, Toronto, Aug 10, 2018.
Israeli president visits Germany's new Holocaust memorial. Associated Press, 2005. Associated Press Video Collection. EBSCOhost, search.ebscohost.com.
WRAP Inauguration of Holocaust Memorial. Associated Press, 2005. Associated Press Video Collection. EBSCOhost, search.ebscohost.com.
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