According to the order of simulation from Baudrillard, they are (1) Signs is the reflection of reality; (2) Symbol covers and distorts the reality; (3) Symbol covers the absence of reality; (4) Between symbol and reality, there exists no relationship.When people can establish Simone's image through simulated symbol operation by the director, Victor, and under the massive energy generated from societal operation, the meaning from operation itself has already replaced the actual significance, thus, Simone has become a hyperreal Simone.The purpose of this thesis is to expound what has been pointed out in Baudrillard's hyperreal of simulacra, which is that, within the real world, the symbols created by television and computer images formulate the truth of world. And this type of truth not only substitutes the original truth, but also supersedes it. In highly developed economy and society, the postmodernism has already become the culture of "simulacra". And those relating to what this thesis intends to use Baudrillard's hyperreal of simulacra to narrate the movie-《Simone》, represents the true relationship between the operation of simulation and the symbol. In addition, this thesis also illustrates that the rise of the media would result with the essence of human mind's distancing away from the experience, humans unable to cut off from being part of the interpersonal relationship and the shock which is the strengthened version created by the movie. Without knowing it, the hyperreal of simulacra enables the simulated idol image being formulated globally and internalized into concrete belief among conflicts.