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題名：音樂作為一種離散社會空間：臺灣中和地區緬甸華僑的音景與族裔空間建構
書刊名：民俗曲藝
作者：呂心純 引用關係
作者(外文)：Lu, Tasaw Hsin-chun
出版日期：2011
卷期：171
頁次：頁11-64
主題關鍵詞：音樂；社會空間；族裔空間；緬甸華僑；緬甸流行音樂；離散；Soundscapes；Social space；Ethnoscapes；Sino-Burmese；Burmese pop music；Diasporas
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(6) 博士論文(0) 專書(1) 專書論文(1)
  • 排除自我引用排除自我引用:5
  • 共同引用共同引用:16
  • 點閱點閱:91
音樂作爲一種建構社會空間的場域，富含凝聚情感、定義社會關係，以及建構集體認同等重要性。尤其對具有深刻跨國離散歷史的移民而言，無論是在日常空間或文化慶典上，他們常藉由集體共享的音樂經驗，遙寄與想像一個過去的家國。此類音樂不僅傳達該族裔特色與對原鄉的強烈情感，也同時突顯他們與移入國主流族裔的差異、衝突與磨合，因而這樣由音樂所建構的空間或音景，可被用來定義該區域的族裔社會空間，並反映出不同族裔間的社會階序。本文以臺灣中和南勢角地區的緬甸華僑社群作爲研究對象，探討其音景與社會空間的建構，以及兩種建構之間的關連性。內容主要分爲兩大部分：第一部分檢視中和緬甸華僑在公共場域中，如何藉由創造一個以移民文化爲特色的音景，刻劃出社會邊界與族裔空間，並進一步協助政治地景的重塑。此部分也將檢視這些具有歸僑身份的僑民，如何在音樂展演中反映出「何處爲家」的矛盾情感。第二部分則以緬華慶典中的專屬樂團Eden Emperor作爲分析對象，以其選歌機制、音樂實踐與表演風格等面向來探討，外表看似同質的公共音景，背後所隱藏的次社群異質性。
Music is a site for social space construction. Such construction represents critical functions such as the expression of sentiment, the definition of social class, and identity construction. In particular, for those who have profound diasporic experiences, they imagine and commemorate the homeland in daily life and festivals through their shared musical experiences. The musical sounds are characterized by ethnic and cultural traits, often delivering a sense of difference and tension between this group and the mainstream people in the new home. The sounds can also help define the ethnoscape and social hierarchy. This article focuses on the Burmese Chinese community in Nan-shijiao Township in Jhong-he, Taiwan. It explores the constructions of soundscapes and new social spaces, as well as the relationships between these two. This article contains two parts. The first part examines how the community constructs ethnicity-based soundscapes, and how these soundscapes help shape the ethnoscapes and politicoscapes. How do the performances of this group, recognized by Taiwanese as "return migrants," reflect their ambivalent sentiments and the issue of defining "home" is also one of my study foci. The second part of this article analyzes the performances, song selections, and musical practices of the Burmese Chinese music band "Eden Emperor." This part aims to stress the heterogeneities occurring in Sino-Burmese sub-groups, and also attempts to theorize the Sino-Burmese pop music representation by drawing on the cultural phenomena of deterritorialization and reterritorialization, as well as the theoretical ideas of "heteroglossia" and "strategic essentialization."
期刊論文
1.Solomon, Thomas(2000)。Dueling Landscapes: Singing Places and Identities in Highland Bolivia。Ethnomusicology，44(2)，257-80。  new window
2.Appadurai, A.(19900601)。Disjuncture and Difference in the Global Cultural Economy。Public Culture，7(2)，1-24。  new window
3.丘德真(2006)。歡樂, 以潑水之名--東南亞節慶在臺灣。誠品好讀，65，50-53。  延伸查詢new window
4.楊建章、呂心純(2009)。音樂學研究的空間新視野。人文與社會科學簡訊，11(1)，15-23。  延伸查詢new window
5.Johnson, Henry.(2007)。'Happy Diwali !': Performance, Multicultural Soundscapes and Intervention in Aotearoa/New Zealand。Ethno musicology Forum，16(1)，71-94。  new window
6.Tololyan, Khachig(1996)。Rethinking Daspora(s): Stateless Power in the Transnational Moment。Diaspora，5(1)，3-36。  new window
7.Tsuda, Takeyuki(2000)。Acting Brazilian in Japan: Ethnic Resistance among Return Migrants。Ethnology，39(1)，55-71。  new window
8.Tsuda, Takeyuki(2004)。No Place to Call Home: Japanese Brazilians Discover They Are Foreigners in the Country of Their Ancestors。Natural History，112(3)，50-55。  new window
9.Baker, Geoffrey(2006)。'La Habana Que No Conoces': uban Rap and Social Construction of Urban Space。Ethnomusicology Forum，15(2)，215-246。  new window
10.Blau, Judith R.(1988)。Music as Social Circumstance。Social Forces，66(4)，883-902。  new window
11.Chow, Rey(1993)。Listening Otherwise, Music Miniaturized: A Different Type of Question about Revolution。Cultural Studies Reader，382-399。  new window
12.Cohen, Sara(1995)。Sounding out the City: Music and the Sensuous Production of Place。Transactions of the Institute of British Geographers，20(4)，434-446。  new window
13.Lee, Tong Soon(1999)。Technology and the Production of Islamic Space: The Call to Prayer in Singapore。Ethnomusicology，43(1)，86-100。  new window
14.Lu, Hsin-chun Tasaw(2008)。Festivalizing Thingyan, Negotiating Ethnicity: Burmese Chinese Migrants in Taiwan。The Journal of Burma Studies，12，29-62。  new window
15.Post, C. Jennifer(2007)。‘I Take My Dombra and Sing to Remember My Homeland’: Identity, Landscape and Music in Kazakh Communities of Western Mongolia。Ethnomusicology Forum，16(1)，45-69。  new window
16.Rice, Timothy(2003)。“Time, Place, and Metaphor in Musical Experience and Ethnography.”。Ethnomusicology，47(2)，151–79。  new window
17.Chow, Rey(1990)。Listening Otherwise, Music Miniaturized: A Different Type of Question about Revolution。Discourse，Fall/Winter，129-148。  new window
學位論文
1.盧開朗(2009)。翻唱曲的政治經濟學─改自韓國曲的國語歌曲研究(碩士論文)。國立臺灣師範大學。  延伸查詢new window
2.翟振孝(1996)。經驗與認同：中和緬華移民的族群構成(碩士論文)。國立台灣大學。  延伸查詢new window
3.廖純瑩(2007)。移植與內化：五、六〇年代臺語翻唱歌曲研究(碩士論文)。國立成功大學，臺南。  延伸查詢new window
4.翟振孝(2006)。遷移，文化與認同：緬華移民的社群建構與跨國網絡(博士論文)。國立清華大學。new window  延伸查詢new window
5.黃郁涵(2009)。全球化、跨國流動與都市飛地：中和緬甸街移民社區之研究(碩士論文)。國立臺灣大學。  延伸查詢new window
圖書
1.Shelemay, Kay Kaufman(2001)。Soundscapes: Exploring Music in a Changing World。New York：W. W. Norton & Company, Inc。  new window
2.盧偉林(1988)。緬甸華僑概況。臺北：正中書局。  延伸查詢new window
3.Boym, Svetlana(2001)。The Future of Nostalgia。New York：Basic Books。  new window
4.Bennett, Andy(2001)。Cultures of Popular Music。Open University Press。  new window
5.Spivak, Gayatri Chakravorty、Harasym, Sarah(1990)。The Post-Colonial Critic: Interviews, Strategies, Dialogues。Routledge。  new window
6.Clifford, James(1997)。Routes: Travel and Translation in the Late Twentieth Century。Cambridge, MA：Harvard University Press。  new window
7.Harvey, David、Braun, Bruce(1996)。Justice, Nature and the Geography of Difference。Blackwell。  new window
8.杜文靖(2009)。大家來唱臺灣歌。中和。  延伸查詢new window
9.Lipsitz, George(2007)。Footsteps in the Dark: The Hidden Histories of Popular Music。Minneapolis。  new window
10.Mazzarella, William(2003)。Shoveling Smoke: Advertising and Globalization in Contemporary India。Duke University Press。  new window
11.Slobin, Mark(1993)。Subcultural Sounds: Micromusics of the West。Hanover, NH：University Press of New England。  new window
12.Stokes, Martin(1994)。Place, Exchange and Meaning: Black Sea Musicians in the West of Ireland。Ethnicity, Identity and Music: The Musical Construction of Place。New York。  new window
13.Sugarman, Jane(2004)。Diasporic Dialogues: Mediated Musics And The Albanian Transnation。Identity and the Arts in Diaspora Communities。Warren, MI。  new window
14.Wong, Deborah(2004)。Taking (to) the Street: Cambodian Immigrants in the Philadelphia Mummers Parade。Speaking Louder: Asian American Making Music。New York。  new window
15.Anderson, Corinne(2004)。Beyond Border Thinking: Gloria Anzaldua's Borderlands/La Frontera and the Mexican-American Diaspora。Identity and the Arts in Diaspora Communities。Warren, Michigan。  new window
16.Appadurai, Arjun(2005)。Grassroots Globalization and the Research Imagination。Globalization。Durham, NC。  new window
17.Battaglia, Debbora(1995)。On Active Nostalgia: Self-Prospecting among Urban Trobrianders。Rhetorics of Self-Making。Berkeley。  new window
18.Cohen, Sara(1994)。Identity, Place and the ‘Liverpool Sound’。Ethnicity, Identity and Music: The Musical Construction of Place。New York。  new window
其他
1.中和市公所(2010)。風光中和，中和。  延伸查詢new window
2.Lwin, Min(2008)。Hip-Hop Performer among Latest Victims of Court Crackdown，http://www.irrawaddy.org/article.php?art_id=14670， 20090616。  new window
圖書論文
1.Hammer, T.(2003)。Introduction。Youth unemployment and social exclusion in Europe: A comparative study。UK：The policy press。  new window
2.Stokes, Martin(1994)。Introduction: Ethnicity, Identity and Music。Ethnicity, Identity and Music: The Musical Construction of Place。Berg。  new window
3.Feld, Steven(1996)。Waterfalls of Song: An Acoustology of Place Resounding in Bosavi, Papua New Guinea。Senses of Place。Santa Fe：SAR Press。  new window
 
 
 
 
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