本文主要探索 1949年左右來臺古典詩人對當代古典詩發展的憂慮、批評與倡導。結合解析法、歷史法的研究，以陳含光、李漁叔、彭醇士、吳萬谷、周棄子、羅尚、張夢機等詩人之作為例，首先探索詩人的詩學觀，以知其批評的基礎，而得知詩學觀多承襲前人，主要有六：一、強調風騷精神、時代感；二、要求性情之真、寸心自得；三、多學多識，反對祧唐祖宋、拘泥門戶之見；四、要求詩人品格；五、強調古體詩的創作；六、重視剛健詩風。其次，分析詩人群體對臺灣古典詩發展的感觸及批判，以知詩人興感之由，亦可知古典詩壇的諸多現象及時代風氣，主要有七：一、詩書不聞關教化；二、風騷漸逐橫流盡；三、誰信花間有繼聲；四、學習不足；五、妄論前輩；六、爭名；七、文字剽竊。其次，探索詩人試圖扭轉風氣的作法，主要有三：一、發起詩會、組織詩社、發行詩刊，亦在大專校院教授古典詩、培育青年詩人，此方法影響最大；二、編輯報章雜誌的古典詩專欄，以突破既定的詩人群體，擴大讀者層面；三、借助於文藝獎之舉辦，但資源少，獲獎人數亦少，效益偏低。

This paper mainly explores the poets coming to Taiwan in 1949 and their anxiety about the development and criticism of the classical poems. Chen Hanguang, Li Yushu, Peng Chunshi, Wu Wangu, Zhou Qizi, Luo Shang, and Zhang Mengji’s works will be cited as examples. The first author explores the poet’s poetics view, knows the foundation which the poet criticizes, and knows that the poetics view carries on the tradition of the earlier poets. Next, this paper analyzes the poets’ community in relation to Taiwan’s classical poems development and the criticism, explores how the poets affect social manners, as well as the phenomena of the classical poetry world. Finally, this paper argues that these poets attempt to reverse the atmosphere of the times.