In 1949, the Nationalist Government of the Republic of China lost the Chinese Civil War to the Communist Party and retreated to Taiwan. The government official Zhou Qizi (1912-1984) was among those in the retreating party. Zhou, a famous figure at the time, was good friends with Yu Youren and Li Yu-Shu through their involvement in a classical poetry circle. He was also in frequent contact with Nieh Hualing and Peng Ge through a modern literature circle. Zhou's work focuses on both ancient and modern matters; he commented on current affairs as well as literature and art. This study examines Zhou's loyalist's imagination and cultural ideology. In reaction to the fall of Nationalist China, Zhou emphasized ideas regarding the legitimacy of a nation state. Specifically, Zhou's work reflects his perceptions of the fragmented nature of the Chinese nation state. The "Loyalist's" imagination influenced Zhou's thinking, resulting in contradictory and paradoxical ideas that caused him to continually question and seek resolutions regarding his self and the state of society. These themes reflected Zhou's sentiments regarding the Nationalists' long-term failure to reclaim China, and his related discussions were influenced by his loyalist's imagination. In his critiques of current affairs, Zhou exhibited a desire for the preservation of culture, and he promoted anticommunist ideas through his discussions of cultural ideology. Specifically, he emphasized the necessity of "protecting the country" and "protecting the world." Zhou rejected the idea of communism and exalted democracy and freedom as righteous causes. He also criticized the Nationalist government's then constraints on free speech, arguing that these policies did not promote democratic and free governance. These discussions reveal Zhou's perseverance regarding cultural matters and his critical perspective as an intellectual.