有些中國古典詩詞裡的實物意象，長期在眾多詩人的作品中反複出現，有時其內涵會逐漸越出本身具體形態的客觀物象之義，透過作者微妙的聯結與暗示，而被賦予某些富含主觀感情投射的言外之意。作為一個好讀者，我們必須對前人這種隱約意象的表現方式要有充分的理解，才可以勝任解讀詩歌的任務。本文舉出秋千與屏風兩個意象為實例，闡述它們在某些詩歌中出現時可能帶有的特殊義蘊，讀者如果不明其底細，對全詩的理解會造成很大的失落。經由這兩個實例的啟發，照此類推，可以讓我們掌握到比較細緻的讀詩方法。

Some material objects constantly appear in traditional Chinese poetry. The significance of these objects would sometimes gradually go beyond their objective concrete meanings and be given rich subjective emotional projections through subtle connections and implications by the author. As good readers, we need to adequately understand the poetic expression of ambiguous images in order to perform the task of poetry interpretation. This paper will take two images, the swing and the screen, as examples, and elaborate the special connotations they may possess in certain poetry. Without realizing their correlative significance, readers will lose much in poetry understanding. Through inspiration from the two examples, we can deduce a more in-depth way of reading poetry.