八○年代以後，澳門文學的傳播場域，透過文學出版建立澳門文學的典範，與其他傳播媒介各自抗衡，企圖成為澳門文壇的主流勢力。像《澳門日報》的出版社，特別著重經營散文與小說。而澳門基金會主要集中進行文學的編選，為的是整理澳門文學的資料，在出版的題材方面更為廣泛。至於在文學社群方面，如「澳門筆會」及「五月詩社」則積極推出成員的文學雜誌，一來是為了穩固現代詩的地位，二來是呈現某種完整的文學生命。其次，作家自費出版的現象也開始出現，如葦鳴與懿靈的詩集便是。然而最重要的是，無論是報社、政府機關、私人的文學社群等的文學著作，也經常透過中國、香港、臺灣等地出版。因此，澳門當代的華文文學的跨區域出版現象，逐漸形成一種文學場域的競爭，也成為一種澳門文學的重要特色。

After the 1980s, Macau literary communication pass through literary publishing to create the model of Macau literature, and compete with other media in their attempt to become the mainstream forces on Macau literary. For example, ＂Macao Daily News Publishing House＂, especially emphasis on prose and fiction. Fundação Macau has the main focus on literary collections, for finishing Macau literature data, and published more widely in subject matter. As for the literary community aspects, such as ＂Associação dos Escritores de Macau＂ and ＂May Poets Society＂ is actively published their literary magazine, firstly, in order to consolidate the status of modern poetry, and secondly, to present some kind of complete literary life. Secondly, the phenomena of self-published have begun to emerge, such as Wei Ming and Yi Ling's collection of poems. However, the most important thing is, whether it is a newspaper, government agencies, private literary community and other literary works, often published by China, Hong Kong, Taiwan and other places. Therefore, multi-area publishing phenomenon on Macau contemporary Sinophone literature, have gradually formed a competing literary field, and became the best example that let Macau truly away from ＂cultural desert＂.