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題名:《陳摶高臥》之版本保存及其異文研究
書刊名:彰化師大國文學誌
作者:陳富容 引用關係
作者(外文):Chen, Fu-jung
出版日期:2014
卷期:28
頁次:頁67-93
主題關鍵詞:元雜劇元刊本明代內府本元曲選陳摶高臥Yuan zajuThe librettos that published in Yuan DynastyThe librettos that played in palace at Ming DynastyThe anthology of Yuan zajuChen Tuan were worry-freely to sleep in Tai Shan
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
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  • 共同引用共同引用:3
  • 點閱點閱:13
馬致遠《陳摶高臥》一劇,現存元明時期版本有六,包括元刊本、李開先《改定元賢傳奇》、脈望館藏《古名家雜劇》、息機子《元人雜劇選》、尊生館《陽春奏》及臧懋循《元曲選》等版本,細究其內涵,則可歸納為元刊本、明代內府本及《元曲選》三個不同面貌的階段。由於其版本流傳之多樣,故經由此劇各種版本之間的異文比較,不但可以橫向發現同一階段的版本之出版考量及其系統分別,亦可縱向發現在版本流傳過程中產生的變易內容,藉此窺見元雜劇版本流傳狀況,其版本保存的意義可見一斑。本文由元雜劇之各項戲劇元素切入,討論馬致遠《陳摶高臥》一劇流傳之各種元明版本,其間的曲文、賓白、科介、情節、腳色等內涵之差異,並配合作者、編者的背景及劇壇的狀況,推論其差異內涵的意義。最後再藉由以上各項元素的討論結果,回歸劇作之本質,探討馬致遠《陳摶高臥》一劇的創作意義及其保存價值。本文之研究,不僅對馬致遠《陳摶高臥》一劇的創作內涵,有不同層面的認識,且對於日後一系列元雜劇之版本異文研究,亦是重要的基礎
Ma Zhiyuan "Chen Tuan were worry-freely to sleep in Tai Shan, " a drama, extant Yuan and Ming dynasties version has six, including meta Editions, Lee opened the first "reclassification yuan Yin Legend", the pulse Hope Collection "ancient masters Drama", bearing the machine " the Yuan Dynasty election", respect for life and Museum "Spring-outs" and Zang Mao through "Yuan election" and other versions, a closer look at its content, may be summarized as per editions, the Ming court and "Yuan election," the face of three different stages. Because of the diverse spread their version, so different text comparison between the various versions of the play through, not only can find the same stage version transverse publishing systems are considered and also the longitudinal variation was found in the version circulated generated content process, take a glimpse of the Yuan Dynasty version circulated condition, its significance is evident saved version. This project intends to cut from the theatrical elements of the Yuan Dynasty, the discussion Ma "Chen Tuan were worry-freely to sleep in Tai Shan," a drama spread of various versions of the Yuan and Ming Qu Wen, Bin White, Branch referral, the plot, such as color connotation in between legs differences, and with the status of writers, editors and theatrical circles in the background, the inference may sense the difference connotation. Finally, by the results of the elements discussed above, return to the essence of the play, to explore the creation of meaning Ma "Chen Tuan were worry-freely to sleep in Tai Shan, "a drama of its conservation value. I believe the research results of this project, not only to the creative connotations Ma "Chen Tuan were worry-freely to sleep in Tai Shan. "a drama, to have more in-depth discovery, for different versions of the Yuan Dynasty paper studies the different stages, will be important foundation
期刊論文
1.鄭騫(19730900)。元雜劇異本比較(第1組)。國立編譯館館刊,2(2),1-45。  延伸查詢new window
學位論文
1.陳富容(2007)。月代流傳之元雜劇版本及其曲文改編研究(博士論文)。國立中興大學。new window  延伸查詢new window
圖書
1.孫楷第。也是園古今雜劇考。上海:上雜出版社。  延伸查詢new window
2.李開先籍出版社(2002)。原收元雜劇十六種,現存六種。上海:上海古籍出版社。  延伸查詢new window
3.脱脱等(1937)。宋吏。臺北:臺灣商務印書館。  延伸查詢new window
4.關漢卿、鄭騫(1962)。校訂元刊雜劇三十種。臺北:世界書局。  延伸查詢new window
5.王驥德(1959)。曲律。北京:中國戲劇出版社。  延伸查詢new window
6.鄭騫(1973)。北曲新譜。藝文印書館。  延伸查詢new window
圖書論文
1.元刊本(1962)。泰華山陳搏高臥。全元雜劇。臺北:世界書局。  延伸查詢new window
2.脈望館藏古名家本。西華山陳搏高臥。全元雜劇。臺北:世界書。  延伸查詢new window
3.臧懋循(1975)。負苞堂集。元曲選序。臺北:河洛圖書出版社。  延伸查詢new window
4.李開先(1995)。改定元賢傳奇。續修四庫全書。上海:上海古籍出版社。  延伸查詢new window
 
 
 
 
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