歷來多以「民族英雄」看待文天祥，但文天祥模擬杜甫〈乾元中寓居同谷縣作歌七首〉的作品──〈六歌〉，發揮原作悲嘆弟妹的框架、改寫窮老作客的基調，在黍離之際暫時放下英雄的公領域責任與義務，詩中盡顯對家人的深情繫念、何去何從的徬徨感，〈六歌〉真實且勇敢地表達自身的生命際遇與痛苦、脆弱，側寫出文天祥私領域的常人面容，拓展先前接受文天祥的單一定位。〈六歌〉的擬作價值在於，文天祥並未揀選杜詩常見的「詩史」、「詩聖」、「一飯不忘君」為擬作角度，反將杜甫還原為情性之人，並以擬作肯定杜甫書寫這類題材的貢獻，故〈六歌〉也翻轉杜甫與文天祥的刻板形象。〈六歌〉是一首走出英雄身影之詩，它能更好地回應現當代否定痛苦的合理存在之困境，帶來安慰與指引。

On historical perspective, Wen Tianxiang（文天祥）is often regarded as national hero. However, we may explore Wen Tianxiang’s works on the other side. Wen Tianxiang created “Liuge”（六歌）, which bases on the framework of Du Fu’s（杜甫） poem “Tonggu Qige”（同谷七歌）expressing the longing for siblings, and then modified the basis of forsaking the hometown with poverty during old age. Wen Tianxiang expressed yearning and anxious for family in his poem, temporarily suspended the duty and obligation during the war. “Liuge” expresses his own pain of life faithfully, and deduces Wen Tianxiang 's personal aspect as well. It expands the monotonous understanding from Wen Tianxiang. The biggest value of “Liuge”is that Wen Tianxiang regarded Du Fu as an emotional person, instead of popular aspect Shishi（詩史）and Shisheng（詩聖）, and affirms Du Fu’s contribution on this subject matter by imitation. Therefore, the stereotype of Du Fu and Wen Tianxiang are totally changed.