本文主要聚焦於東遊運動時期，以潘佩珠《新越南》、《崇拜佳人》作為考察文本，針對作品中女性形象書寫問題，論述潘佩珠文化心理層面的創作意識。此外，本文將著重在梁啟超對潘佩珠之影響上，比較兩人女性形象書寫的特色與面貌，藉此深入了其作品中女性形象與近代東亞歷史文化多方互動的情形。在國家衰亡之際，《新越南》、《崇拜佳人》主張女性不應該只是擔任輔助角色，鼓勵女性直接參與政治活動，表達自己愛國的熱誠。女國民不再是庇蔭於男性的保護與同意之下，取而代之以自立自強的實學作風，共享共盡女國民應有的平等義務與價值

This article tries to sort out and analyze how the writing of female images in ＂New Vietnam＂ and ＂Beautiful Women Worship＂ are affected by ＂Strange Encounters with Beautiful Women＂ and ＂The Future of New China＂. The writer of ＂New Vietnam＂ and ＂Beautiful Women Worship＂ is Phan Boi Chau who happened to be in Japan during the Meiji era. Impacted by modern Eastern and Western cultures, Phan Boi Chau felt deeply the necessity of transformation by the Vietnamese people. In order to maximize the roles and functions of women in the campaign against France, Phan Boi Chau used traditional female heroes as the foundation to actively encourage women to join the revolution. The raison d'etre of ＂hero's wife,＂ and ＂hero's mother＂ does not stop within the family, it is also a role recognized by the state. A woman's function does not stop with house works and motherhood, she can also contribute to the state through revolution like men