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題名:界域的文化動能:冷戰前期仰光唐人街的電影跨國網絡及其影響
書刊名:民俗曲藝
作者:呂心純
作者(外文):Lu, Tasaw Hsin-chun
出版日期:2021
卷期:213
頁次:頁1-47
主題關鍵詞:冷戰時期仰光唐人街電影跨國網絡界域歌舞片Cold warChinatown in RangoonTransnational film industryBorderlandsMusic and dance films
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:25
  • 點閱點閱:3
期刊論文
1.王櫻芬(20121200)。導言:錄音科技與臺灣音樂--近年研究回顧。民俗曲藝,178,1-24。new window  延伸查詢new window
2.沈冬(20120800)。周藍萍與〈綠島小夜曲〉傳奇。臺灣文學研究集刊,12,79-122。new window  延伸查詢new window
3.石計生(20110900)。臺灣歌謠作為一種「時代盛行曲」:音樂臺北的上海及諸混血魅影(1930-1960)。臺灣社會學刊,47,91-141。new window  延伸查詢new window
4.Larkin, Emma(2003)。The Self-Conscious Censor: Censorship in Burma under the British, 1900-1939。Journal of Burma Studies,8,64-101。  new window
5.Lu, Tasaw Hsin-chun(2011)。Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon。Asian Music,42(2),19-55。  new window
6.Chan, Kwok-bun、Yung, Sai-shing(2005)。Chinese Entertainment, Ethnicity, and Pleasure。Visual Anthropology,18(2/3),103-142。  new window
7.Wilcox, Emily(2017)。Performing Bandung: China's Dance Diplomacy with India, Indonesia, and Burma, 1953-1962。Inter-Asia Cultural Studies,18(4),518-539。  new window
8.Xu, Lanjun(2017)。The Southern Film Corporation, Opera Films, and the PRC's Cultural Diplomacy in Cold War Asia, 1950s and 1960s。Modern Chinese Literature and Culture,29(1),239-282。  new window
9.Zheng, Su(1994)。Music Making in Cultural Displacement: The Chinese-American Odyssey。Diaspora: A Journal of Transnational Studies,3(3),273-288。  new window
10.沈立新(1992)。馬尼拉唐人街的歷史變遷。史林,1992(4),81-88。  延伸查詢new window
11.沈立新(1990)。曼谷唐人街與泰籍華人。史林,1990(4),87-94。  延伸查詢new window
12.Chen, Tina Mai(2009)。International Film Circuits and Global Imaginaries in the People's Republic of China, 1949-57。Journal of Chinese Cinemas,3(2),149-161。  new window
13.Dhondy, Farrukh(1985)。Keeping Faith: Indian Film and Its World。Daedalus,114(4),125-140。  new window
14.Frasch, Tilman(2012)。Tracks in the City: Technology, mobility and society in colonial Rangoon and Singapore。Everyday Technology in South and Southeast Asia,46(1),97-118。  new window
15.Hansen, Kathryn(2018)。Parsi Theatrical Networks in Southeast Asia: The Contrary Case of Burma。Journal of Southeast Asian Studies,49(1),4-33。  new window
16.Fu, Poshek(2018)。More than Just Entertaining: Cinematic Containment and Asia's Cold War in Hong Kong, 1949-1959。Modern Chinese Literature and Culture,30(2),1-55。  new window
17.Lau, Frederick(2005)。Entertaining 'Chineseness': Chinese Singing Clubs in Contemporary Bangkok。Visual Anthropology,18(2/3),143-166。  new window
18.Long, Richard A.(1993)。Southeast Asia on the American Dance Stage 1915-1955。SPAFA Journal,3(2),23-28。  new window
19.Lu, Tasaw Hsin-chun(2016)。Cultural homogeneity, embodied empathy: incorporating musical pasts among Burmese Chinese peoples worldwide。Ethnomusicology Forum,25(1),14-34。  new window
20.Saada-Ophir, Galit(2006)。Borderland Pop: Arab Jewish Musicians and the Politics of Performance。Cultural Anthropology,21(2),205-233。  new window
會議論文
1.呂心純(20130000)。追憶「紅」過往,光耀新時代:緬甸華人的聆聽感知、身體記憶與文化展演政治。第四屆國際漢學會議論文集。臺北:中央研究院。167-208。new window  延伸查詢new window
圖書
1.Taylor, E. Jeremy(2011)。Rethinking Transnational Chinese Cinemas: The Amoy-dialect Film industry in Cold War Asia。Routledge。  new window
2.Jones, Andrew F.、宋偉航(2004)。留聲中國:摩登音樂文化的形成。臺灣商務印書館。  延伸查詢new window
3.MacLachlan, Heather(2011)。Burma's Pop Music Industry: Creators, Distributors, Censors。University of Rochester Press。  new window
4.Furnivall, John Sydenham(1948)。Colonial Policy and Practice: A Comparative Study of Burma and Netherlands India。Cambridge University Press。  new window
5.劉宏(2013)。跨界亞洲的理念與實踐:中國模式、華人網絡、國際關係。南京:南京大學出版社。  延伸查詢new window
6.華僑志編纂委員會(1967)。華僑志:緬甸。華僑志編纂委員會。  延伸查詢new window
7.O'Connor, Vincent Clarence Scott(1904)。The Silken East: A Record of Life and Travel in Burma。Hutchinson。  new window
8.Taylor, Robert H.(1987)。The State in Burma。University of Hawaii Press。  new window
9.Rao, Nancy Yunhwa(2017)。Chinatown Opera Theater in North America。University of Illinois Press。  new window
10.Li, Yi(2017)。Chinese in Colonial Burma: a migrant community in a multiethnic state。Palgrave Macmillan。  new window
11.Slobin, Mark(1993)。Subcultural sounds: Micromusics of the West。Wesleyan University Press。  new window
12.麥欣恩(2018)。香港電影與新加坡:冷戰時代星港文化連繫,1950-1965。香港大學出版社。  延伸查詢new window
13.黃文車(20170000)。易地並聲:新加坡閩南語歌謠與廈語影音的在地發展(1900-2015)。高雄:春暉。new window  延伸查詢new window
14.Adas, Michael(1974)。The Burma Delta: Economic Development and Social Change on an Asian Rice Frontier, 1852-1941。University of Wisconsin Press。  new window
15.Dick, Bernard F.(2018)。That Was Entertainment: The Golden Age of the MGM Musical。University Press of Mississippi。  new window
16.Henderson, John W.、Heimann, Judith M.、Martindale, Kenneth W.、Shinn, Rinn-Sup、Weaver, John O.、White, Eston T.(1971)。Area Handbook for Burma。American University。  new window
17.Meftahi, Ida(2016)。Gender and Dance in Modern Iran: Biopolitics on Stage。Routledge。  new window
18.Selth, Andrew(2016)。Burma, Kipling and Western Music: The Riff from Mandalay。Routledge。  new window
19.黃奇智(2000)。時代曲的流光歲月(1930-1970)。香港:三聯書店。  延伸查詢new window
單篇論文
1.Ferguson, Jane M.(2019)。Pearl Tears on the Silver Screen: War Movies and Expanding Burmese Militarism in the Early Independence Years。  new window
2.Ferguson, Jane M.(2019)。Exposure and Development: The Advent and Expansion of Burmese Motion Picture Production during the Colonial Period。  new window
圖書論文
1.周承人(2009)。冷戰背景下的香港左派電影。冷戰與香港電影。香港電影資料館。  延伸查詢new window
2.王賡武(2002)。海外華人社會與地方史文獻。海外華人研究的大視野與新方向:王賡武教授論文選。八方文化。  延伸查詢new window
3.吳前進(2007)。冷戰後海外華人的民族主義。海洋亞洲與華人世界之互動。華裔館。  延伸查詢new window
4.若冰(2009)。回憶與感懷:記緬華文娛活動暨文藝節目的表演。胞波情。澳門緬華互助會。  延伸查詢new window
5.張濟順(2009)。隔絕中的想像:香港電影與上海基層社會對西方的反應(五十至六十年代早期)。冷戰與香港電影。香港電影資料館。  延伸查詢new window
6.陳澤蕾(2008)。花旦稱王:芳艷芬婦道表演。新艷陽傳奇。樂清傳播。  延伸查詢new window
 
 
 
 
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