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題名:年輕人如何使用音樂?朝向愛好者的中介社會學
書刊名:新聞學研究
作者:黃俊銘
作者(外文):Huang, Chun-ming
出版日期:2022
卷期:153
頁次:頁93-139
主題關鍵詞:日常生活音樂青年文化阿多諾音樂社會學愛好者AdornoAmateursMusic and everyday lifeSociology of musicYouth culture
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:128
  • 點閱點閱:3
期刊論文
1.黃聖哲(2010)。美術館導覽的自我搬演:一個藝術社會學的個案重建。文化研究月報,110,25-42。  延伸查詢new window
2.DiMaggio, Paul、Mukhtar, Toqir(2004)。Arts Participation As Cultural Capital in the United States, 1982-2002: Signs of Decline?。Poetics,32(2),169-194。  new window
3.Bull, M.(2005)。No dead air! The iPod and the culture of mobile listening。Leisure Studies,24(4),343-355。  new window
4.賴嘉玲(20140400)。當流動科技闖進藝術殿堂:從博物館視聽導覽之使用談其對藝文消費之介入。新聞學研究,119,121-159。new window  延伸查詢new window
5.林宗弘(20091200)。臺灣的後工業化:階級結構的轉型與社會不平等,1992-2007。臺灣社會學刊,43,93-158。new window  延伸查詢new window
6.DiMaggio, Paul(1987)。Classification in art。American Sociological Review,52(4),440-455。  new window
7.Peterson, Richard A.、Kern, Roger M.(1996)。Changing Highbrow Taste: From Snob to Omnivore。American Sociological Review,61(5),900-907。  new window
8.Parsons, T.(1942)。Age and Sex in the Social Structure of the United States。American Sociological Review,7(5),604-616。  new window
9.林佩璇(20091200)。課程行動研究的實踐論述:從自我到社會文化。教育實踐與研究,22(2),95-122。new window  延伸查詢new window
10.Gitlin, T.(1978)。Media sociology: The dominant paradigm。Theory and Society,6(2),205-253。  new window
11.Peterson, R. A.、Anand, N.(2004)。The production of culture perspective。Annual Review of Sociology,30,311-334。  new window
12.Gans, H. J.(2009)。Working in Six Research Areas: A Multi-Field Sociological Career。Annual Review of Sociology,35(1),1-19。  new window
13.陳志賢(20160100)。文化區異或文化雜食?--以Bourdieu觀點分析大高雄地區民眾藝文參與和階級再製。新聞學研究,126,47-92。new window  延伸查詢new window
14.黃聖哲(2016)。阿多諾的音樂社會學研究題綱。臺灣社會學會通訊,85,84-87。  延伸查詢new window
15.Robards, B.、Bennett A.(2011)。MyTribe: Post-subcultural manifestations of belonging on social network sites。Sociology,45(2),303-317。  new window
16.陳俊斌(20101200)。談臺灣原住民卡帶文化的混雜性。關渡音樂學刊,13,27-50。new window  延伸查詢new window
17.黃俊銘(20191200)。音樂如何社會?從阿多諾(Adorno)到德諾拉(DeNora):閱讀《音樂社會學導論》、《日常生活中的音樂》。中華傳播學刊,36,275-288。new window  延伸查詢new window
18.簡妙如(20150100)。甘願勞動:歌唱選秀節目的遊戲、順從與業餘者明星夢。傳播研究與實踐,5(1),1-31。new window  延伸查詢new window
19.簡妙如(20131000)。臺灣獨立音樂的生產政治。思想,24,101-121。new window  延伸查詢new window
20.王啟仲(20181200)。「能K能玩」:明星高中的社團活動、升學實作與青少年文化。臺灣社會學,36,1-46。new window  延伸查詢new window
21.莊致嘉、游騰林(20211200)。劃界與跨界:探討代間教育流動對音樂文化資本的影響。臺灣教育社會學研究,21(2),61-103。new window  延伸查詢new window
22.黃俊銘(20211200)。國族、中介與情感結構:中國人如何感受臺灣流行音樂。臺灣社會學,42,1-59。new window  延伸查詢new window
23.Bennett, A.(2008)。Towards a cultural sociology of popular music。Journal of Sociology,44(4),419-432。  new window
24.Born, G.(2010)。Listening, mediation, event: Anthropological and sociological perspectives。Journal of the Royal Musical Association,135(S1),79-89。  new window
25.Crossley, N.、Bottero, W.(2015)。Music worlds and internal goods: The role of convention。Cultural Sociology,9(1),38-55。  new window
26.Hennion, A.(2010)。Loving music: From a sociology of mediation to a pragmatics of taste。Revista Comunicar,17(34),25-33。  new window
27.Prior, N.(2013)。Bourdieu and the sociology of music consumption: A critical assessment of recent developments。Sociology Compass,7(3),181-193。  new window
28.Regelski, T. A.(2007)。Amateuring in music and its rivals。Action, Criticism, and Theory for Music Education,6(3),22-50。  new window
29.Shippee, M. R.(2010)。The sound of starting where you are: Contemplative practice and music pedagogy。New Directions for Community Colleges,151,77-89。  new window
研究報告
1.張苙雲、廖培珊(2008)。臺灣社會變遷基本調查計畫第五期第三次調查計畫執行報告。臺北市:中央研究院社會學研究所。  延伸查詢new window
2.文化部影視及流行音樂產業局(2016)。103年我國六都大學生對流行音樂消費行為與習慣調查報告。文化部影視及流行音樂產業局。  延伸查詢new window
3.文化部影視及流行音樂產業局(2013)。我國都會青少年族群對流行音樂使用行為與習慣調查報告。思多葛市場研究股份有限公司。  延伸查詢new window
4.黃聖哲(2004)。阿多諾音樂社會學研究。世新大學社會心理學系(所)。  延伸查詢new window
5.瞿海源(1997)。臺灣地區社會變遷調查計畫:第三期第三次調查計畫執行報告。中央研究院社會學研究所。  延伸查詢new window
6.Cuervo, H.、Wyn, J.(2011)。Rethinking youth transitions in Australia: A historical and multidimensional approach。Youth Research Centre。  new window
學位論文
1.吳俊葵(2019)。在串流時代聆聽:日常生活中的流行音樂消費實作(碩士論文)。國立政治大學。  延伸查詢new window
2.Ho, T.-H.(2003)。The social formation of the mandarin popular music industry in Taiwan(博士論文)。University of Lancaster。  new window
圖書
1.DeNora, Tia(2003)。After Adorno: Rethinking Music Sociology。Cambridge University Press。  new window
2.Abercrombie, N.、Longhurst, B. J.(1998)。Audiences: A sociological theory of performance and imagination。Sage Publications Limited。  new window
3.Small, C.(1998)。Musicking, the meanings of performing and listening。Wesleyan University Press。  new window
4.Adorno, Theodor W.、Ashton, E. B.(1976)。Introduction to the Sociology of Music。New York:The Seabury Press。  new window
5.MacIntyre, Alasdair C.(1985)。After Virtue: A Study in Moral Theory。London:Gerald Duckworth & Co Ltd.。  new window
6.黃聖哲(20130000)。美學經驗的社會構成。臺北:唐山出版社。new window  延伸查詢new window
7.Bennett, T.、Savage, M.、Silva, E. B.、Warde, A.、Gayo-Cal, M.、Wright, D.(2009)。Culture, class, distinction。London:Routledge。  new window
8.McQuail, D.(1997)。Audience analysis。Sage。  new window
9.Livingstone, S.(2002)。Young People and New Media: Childhood and the Changing Media Environment。London:SAGE。  new window
10.Blumer, H.(1969)。Symbolic Interactionism: Perspective and Method。University of California Press。  new window
11.Alexander, Jeffrey C.(2003)。The Meanings of Social Life: A Cultural Sociology。Oxford University Press。  new window
12.Whyte, W. F.(1943)。Street Corner Society The Social Structure of an Italian Slum。Chicago:University of Chicago press。  new window
13.Twenge, Jean M.(2017)。IGen: Why Today's Super-Connected Kids Are Growing Up Less Rebellious, More Tolerant, Less Happy--and Completely Unprepared for Adulthood--and What That Means for the Rest of Us。Simon and Schuster。  new window
14.Hanquinet, Laurie、Savage, Mike(2015)。Routledge international handbook of the sociology of art and culture。London:Routledge。  new window
15.Bourdieu, P.(1977)。Outline of a theory of practice。Cambridge:Cambridge University Press。  new window
16.Bennett, A.、Kahn-Harris, K.(2004)。After subculture: Critical studies in contemporary youth culture。Palgrave Macmillan。  new window
17.Shepherd, J.、Devine, K.(2015)。The Routledge Reader on the Sociology of Music。Routledge。  new window
18.石計生(2014)。時代盛行曲:紀露霞與臺灣歌謠年代。臺北:唐山出版社。new window  延伸查詢new window
19.Hall, S.、Jefferson, T.(2006)。Resistance through rituals: Youth subcultures in post-war Britain。New York, NY:Routledge。  new window
20.Barker, Chris、Jane, Emma A.(2016)。Cultural Studies: Theory And Practice。Sage。  new window
21.藍佩嘉(20190000)。拚教養:全球化、親職焦慮與不平等童年。臺北:春山。new window  延伸查詢new window
22.Hesmondhalgh, David(2013)。Why music matters。John Wiley & Sons。  new window
23.DeNora, Tia(2000)。Music in everyday life。Cambridge University Press。  new window
24.Tsai, Eva、Ho, Tung-Hung、Jian, Miaoju(2020)。Made in Taiwan: Studies in Popular Music。Routledge。  new window
25.Cohen, Albert K.(1955)。Delinquent Boys: The Culture of the Gang。Free Press。  new window
26.Bourdieu, Pierre、Nice, Richard(1984)。Distinction: A Social Critique of the Judgment of Taste。Harvard University Press。  new window
27.Martin, Peter J.(2006)。Music and the Sociological Gaze。Manchester University Press。  new window
28.張春興(2007)。教育心理學:三化取向的理論與實踐。東華。  延伸查詢new window
29.Becker, H. S.(1963)。Outsiders。Simon and Schuster。  new window
30.Becker, H. S.(1984)。Art worlds: Updated and expanded。University of California Press。  new window
31.Booth, W. C.(1999)。For the love of it: Amateuring and its rivals。University of Chicago Press。  new window
32.Côté, J.(2000)。Arrested adulthood: The changing nature of maturity and identity。New York University Press。  new window
33.Frith, S.(1983)。Sound effects: Youth, leisure, and the politics of rock 'n' roll。Pantheon Books。  new window
34.Jenkins, H.(2008)。Textual poachers: Television fans and participatory culture。Routledge。  new window
35.Johansson, S.、Werner, A.、Åker, P.、Goldenzwaig, G.(2018)。Streaming music: Practices, media, cultures。Routledge。  new window
36.Thornton, S.(1995)。Club cultures: Music, media, and subcultural capital。Wesleyan University Press。  new window
37.Williams, R.(1974)。Television: Technology and cultural form。Routledge。  new window
其他
1.黃俊銘(2020)。古典音樂在臺灣的秀異與危機:重拾包容、參與及社會動員,https://opinion.cw.com.tw/blog/profile/504/article/9457。  延伸查詢new window
圖書論文
1.Frith, Simon(2001)。The popular music industry。The Cambridge Companion to Pop and Rock。Cambridge:Cambridge University Press。  new window
2.Martin, P. J.(2004)。Culture, Subculture and Social Organization。After Subculture-Critical Studies in Contemporary Youth Culture。Palgrave Macmillan。  new window
3.Adorno, Theodor W.(1991)。On the fetish character in music and the regression of listening。The culture industry。London:Routledge。  new window
4.Silverstone, R.(2005)。The sociology of mediation and communication。The SAGE Handbook of Sociology。Sage。  new window
5.Adorno, Theodor W.(2006)。On Popular Music。Cultural Theory and Popular Culture: A Reader。University of Georgia Press。  new window
6.黃俊銘(2022)。阿多諾在今日的用途:室內樂及其社會理型。數位媒體時代的藝術與文化社會學。唐山。  延伸查詢new window
7.Bennett, A.(2015)。Speaking of youth culture: A critical analysis of contemporary youth cultural practice。Youth cultures, transitions, and generations。Palgrave Macmillan。  new window
8.Frith, S.(2003)。Music and everyday life。The cultural study of music: A critical introduction。Routledge。  new window
9.Hennion, A.(1999)。Music industry and music lovers, beyond Benjamin。Soundscapes。  new window
10.Hennion, A.(2003)。Music and mediation: Towards a new sociology of music。The cultural study of music: A critical introduction。Routledge。  new window
11.Hennion, A.(2015)。Taste as performance。The Routledge Reader on the Sociology of Music。Routledge。  new window
12.Lewis, G. H.(1992)。Who do you love? The dimensions of musical taste。Popular music and communication。Sage。  new window
13.Lipstiz, G.(1993)。[My music: Explorations of music in daily life] Foreword。My music: Explorations of music in daily life。Wesleyan University Press。  new window
14.Negus, K.(1996)。Audiences。Popular music in theory: An introduction。Wesleyan University Press。  new window
15.Prey, R.(2016)。Musica analytica: The datafication of listening。Networked music cultures: Contemporary approaches, emerging issues。Palgrave。  new window
16.Prior, N.(2015)。Bourdieu and Beyond。The Routledge Reader on the Sociology of Music。Routledge。  new window
17.Woodman, D.、Bennett, A.(2015)。Transitions, cultures, and the future of youth research。Youth cultures, transitions, and generations。Palgrave Macmillan。  new window
 
 
 
 
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