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題名：國族、中介與情感結構：中國人如何感受臺灣流行音樂
書刊名：臺灣社會學
作者：黃俊銘
作者(外文)：Huang, Chun-ming
出版日期：2021
卷期：42
頁次：頁1-59
主題關鍵詞：國族與國族認同；兩岸關係；中介；流行音樂；文化社會學；音樂社會學；Nations and nationalism；Taiwan and China；Mediation；Popular music；Sociology of culture and music
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期刊論文
1.Peterson, Richard A.、Anand, N.(2004)。The production of culture perspective。Annual Review of Sociology，30，311-334。  new window
2.陳述之、江衍良(20120900)。改革開放時期中共意識形態的結構與演變：由鄧小平理論、「三個代表」重要思想到科學發展觀的發展過程。中國大陸研究，55(3)，1-33。new window  延伸查詢new window
3.Inglis, David、Blaikie, Andrew、Wagner-Pacifici, Robin(2007)。Editorial: Sociology, Culture and the 21st Century。Cultural Sociology，1(1)，5-22。  new window
4.Gold, Thomas B.(1993)。Go with Your Feelings: Hong Kong and Taiwan Popular Culture in Greater China。The China Quarterly，136，907-925。  new window
5.Couldry, Nick、Hepp, Andreas(2013)。Conceptualizing mediatization: Contexts, traditions, arguments。Communication Theory，23(3)，191-202。  new window
6.汪宏倫、張可(20180600)。「RIP，426」：解析「大陸地區旅臺學位生」的國族經驗。政治與社會哲學評論，65，1-88。new window  延伸查詢new window
7.黃聖哲(2016)。阿多諾的音樂社會學研究題綱。臺灣社會學會通訊，85，84-87。  延伸查詢new window
8.Hesmondhalgh, David(2008)。Towards a critical understanding of music, emotion and self‐identity。Consumption, Markets & Culture，11(4)，329-343。  new window
9.Straubhaar, Joseph D.(1991)。Beyond media imperialism: asymmetrical interdependence and cultural proximity。Critical Studies in Mass Communication，8(1)，39-59。  new window
10.汪宏倫(20140900)。理解當代中國民族主義：制度、情感結構與認識框架。文化研究，19，189-250。new window  延伸查詢new window
11.陳俊斌(20101200)。談臺灣原住民卡帶文化的混雜性。關渡音樂學刊，13，27-50。new window  延伸查詢new window
12.林宗弘(2015)。現實與想像中的台灣：兩岸關係對中國經濟、文化與政治的影響。日本台灣學會報，17，38-69。  延伸查詢new window
13.黃俊銘(20191200)。音樂如何社會？從阿多諾(Adorno)到德諾拉(DeNora)：閱讀《音樂社會學導論》、《日常生活中的音樂》。中華傳播學刊，36，275-288。new window  延伸查詢new window
14.Gunn, R.(1987)。Marxism and mediation。Common Sense，2，57-66。  new window
15.Krajina, Zlatan、Moores, Shaun、Morley, David(2014)。Non-media-centric media studies: A cross-generational conversation。European Journal of Cultural Studies，17(6)，682-700。  new window
16.Born, Georgina(2011)。Music and the Materialization of Identities。Journal of Material Culture，16(4)，376-388。  new window
17.李皖(2010)。真誠的表達與形式主義探索：2009年流行音樂回顧。藝術評論，2010(7)，67-75+66。  延伸查詢new window
18.時華忠、鄒偉(2015)。「90後」青年偶像崇拜現象與價值觀演變解析。中國青年研究，2015(8)，79-82+78。  延伸查詢new window
19.陳雨、陶東風(20130200)。紀念獻禮片與文革歷史記憶。二十一世紀，135，31-41。new window  延伸查詢new window
20.黃俊銘(20210600)。臺灣流行音樂在中國：朝向一個中國-臺灣的中介社會學。傳播文化與政治，13，1-33。new window  延伸查詢new window
21.熊方瑜(20160600)。「小清新」的憂傷：以陳綺貞樂迷為例。傳播文化與政治，3，59-94。new window  延伸查詢new window
22.馬岳琳(2009)。穿透國界掌握華人的喜怒哀樂：我們的歌我們的影。天下雜誌，427。  延伸查詢new window
23.新周刊(2012)。特刊號：台灣，最美麗的風景是人。新周刊，2012(7月號)。  延伸查詢new window
24.Cloonan, Martin(1999)。Pop and the Nation-State: Towards a Theorisation。Popular Music，18(2)，193-207。  new window
25.Frith, Simon(1986)。Why Do Songs Have Words?。The Sociological Review，34(1_suppl)，77-106。  new window
26.Fung, Anthony Y.(2008)。Western Style, Chinese Pop: Jay Chou's Rap and Hip-hop in China。Asian Music，39(1)，69-80。  new window
27.Georgiou, Myria(2005)。Diasporic Media Across Europe: Multicultural Societies and the Universalism-Particularism Continuum。Journal of Ethnic and Migration Studies，31(3)，481-498。  new window
28.Ho, Wai-Chung(2006)。Social Change and Nationalism in China's Popular Songs。Social History，31(4)，435-453。  new window
29.Wang, Zheng(20140429)。Tiananmen as the Turning Point: China's Impossible Balancing Act。Time。  new window
學位論文
1.張容瑛(2008)。華文流行音樂區域與都市形構及其治理(博士論文)。國立臺北大學。new window  延伸查詢new window
2.曾湘雲(2004)。檢視台灣流行音樂市場結構與產品多樣性之關聯性：從歌曲內容及音樂產製面談起(碩士論文)。國立交通大學。  延伸查詢new window
3.Brace, Timothy Lane(1992)。Modernization and Music in Contemporary China: Crisis, Identity, and the Politics of Style(博士論文)。University of Texas。  new window
4.Huang, Chun-ming(2018)。Mediated music, mediated nations: Taiwanese popular music in China(博士論文)。University of Edinburgh。  new window
5.簡妙如(2002)。流行文化，美學，現代性：以八、九○年代台灣流行音樂的歷史重構為例(博士論文)。國立政治大學。new window  延伸查詢new window
6.熊方瑜(2016)。「小清新」是如何煉成的？論兩岸陳綺貞樂迷的文化現象(碩士論文)。國立中正大學。  延伸查詢new window
7.趙民(2008)。歌唱背後的歌唱(博士論文)。復旦大學。  延伸查詢new window
圖書
1.Ginsburg, Faye D.、Abu-Lughod, Lila、Larkin, Brian(2002)。Media Worlds: Anthropology on New Terrain。Berkeley, CA：University of California Press。  new window
2.Thornton, S.(1996)。Club Cultures: Music, Media, and Subcultural Capital。Wesleyan University Press。  new window
3.Bull, Michael(2000)。Sounding out the city: Personal stereos and the management of everyday life。Berg。  new window
4.Zolberg, Vera L.(1990)。Constructing a Sociology of the Arts。Cambridge University Press。  new window
5.Williams, Raymond(1989)。Resources of Hope。Verso。  new window
6.Willis, Paul(1990)。Common Culture: Symbolic Work at Play in the Everyday Cultures of the Young。Open University Press。  new window
7.Moskowitz, Marc L.(2010)。Cries of Joy, Songs of Sorrow: Chinese Pop Music and its Cultural Connotations。Honolulu：University of Hawai'i Press。  new window
8.Edensor, Tim(2002)。National Identity, Popular Culture and Everyday Life。Berg。  new window
9.Lepenies, Wolf、Hollingdale, R. J.(1988)。Between Literature and Science: The Rise of Sociology。Cambridge University Press。  new window
10.Adorno, Theodor W.、Ashton, E. B.(1976)。Introduction to the Sociology of Music。New York：Seabury Press。  new window
11.Frith, Simon(1996)。Performing Rites: On the Value of Popular Music。Oxford：Oxford University Press。  new window
12.Becker, Howard S.(1982)。Art Worlds。University of California Press。  new window
13.Smith, Anthony D.(1991)。National Identity。University of Nevada Press。  new window
14.曾遂今(1997)。音樂社會學概論--當代社會音樂生產體系運行研究。北京：文化藝術出版社。  延伸查詢new window
15.Crane, Diana(1994)。The sociology of culture: Emerging theoretical perspectives。Blackwell Publishers。  new window
16.Durkheim, Émile、Swain, Joseph Ward(1965)。The Elementary Forms of Religious Life。New York：Free Press。  new window
17.Beck, Ulrich、Giddens, Anthony、Lash, Scott(1994)。Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order。Polity Press。  new window
18.De Certeau, Michel、Rendall, Steven(1984)。The Practice of Everyday Life。University of California Press。  new window
19.Baert, Patrick、Da Silva, Filipe Carreira(2010)。Social Theory in the Twentieth Century and Beyond。Cambridge：Polity。  new window
20.Burgess, Jean、Green, Joshua(2013)。YouTube: Online video and participatory culture。John Wiley & Sons。  new window
21.Williams, Raymond(1976)。Keywords: A Vocabulary of Culture and Society。Oxford University Press。  new window
22.McGuigan, Jim(1992)。Cultural Populism。Routledge。  new window
23.Tomlinson, John(1999)。Globalization and Culture。University of Chicago Press。  new window
24.黃裕元(2014)。流風餘韻：唱片流行歌曲開台史。台南：國立台灣歷史博物館。  延伸查詢new window
25.Williams, Raymond(1977)。Marxism and Literature。Oxford University Press。  new window
26.Gerth, Karl(2003)。China Made: Consumer Culture and the Creation of the Nation。Harvard University Asia Center。  new window
27.Alexander, Jeffrey C.(2003)。The Meanings of Social Life: A Cultural Sociology。Oxford University Press。  new window
28.黃重豪、賈士麟、藺桃、葉家興(2013)。陸生元年：木馬屠城？楚材晉用？。臺北：秀威資訊科技股份有限公司。  延伸查詢new window
29.Giddens, Anthony(1991)。Modernity and Self-Identity: Self and Society In the Late Modern Age。Polity Press。  new window
30.金兆鈞(2002)。光天化日下的流行：親歷中國流行音樂。北京：人民音樂出版社。  延伸查詢new window
31.Swingewood, Alan(1998)。Cultural Theory and the Problem of Modernity。Palgrave Macmillan。  new window
32.Shepherd, John、Devine, Kyle(2015)。The Routledge reader on the sociology of music。London：Routledge。  new window
33.Weber, Max(1958)。The Rational and Social Foundations of Music。Carbondale：Southern Illinois University Press。  new window
34.Stevenson, Nick(2003)。Cultural Citizenship: Cosmopolitan Questions。Open University Press。  new window
35.Appadurai, Arjun(1996)。Modernity At Large: Cultural Dimensions of Globalization。University of Minnesota Press。  new window
36.Campbell, Colin(1987)。The Romantic Ethic and the Spirit of Modern Consumerism。Basil Blackwell Inc.。  new window
37.Featherstone, Mike(2007)。Consumer culture and postmodernism。Sage。  new window
38.Gerth, Karl(2010)。As China Goes, So Goes the World: How Chinese Consumers are Transforming Everything。New York：Hill & Wang。  new window
39.Jones, Andrew F.(1992)。Like a knife: Ideology and genre in contemporary Chinese popular music。Cornell University Press。  new window
40.Jenkins, Henry(2012)。Textual poachers: Television fans and participatory culture。Routledge。  new window
41.李皖(2012)。多少次散場，忘記了憂傷：六十年三地歌。三聯書店。  延伸查詢new window
42.Baranovitch, Nimrod(2003)。China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997。University of California Press。  new window
43.Williams, Raymond(1961)。The Long Revolution。Columbia University Press。  new window
44.Hesmondhalgh, David(2013)。Why music matters。John Wiley & Sons。  new window
45.Hughes, Christopher R.(2006)。Chinese nationalism in a global era。Routledge。  new window
46.DeNora, Tia(2000)。Music in everyday life。Cambridge University Press。  new window
47.Tsai, Eva、Ho, Tung-Hung、Jian, Miaoju(2020)。Made in Taiwan: Studies in Popular Music。Routledge。  new window
48.王思琦(2020)。中國當代流行音樂史稿。三聯書店。  延伸查詢new window
49.石計生(20140000)。時代盛行曲：紀露霞與台灣歌謠年代。唐山。new window  延伸查詢new window
50.崔健、周國平(2001)。自由風格。廣西師範大學出版社。  延伸查詢new window
51.Alexander, Jeffrey C.(1990)。Durkheimian Sociology: Cultural Studies。Cambridge University Press。  new window
52.Back, Les、Bennett, Andy、Edles, Laura Desfor、Gibson, Margaret、Inglis, David、Jacobs, Ronald、Woodward, Ian(2012)。Cultural Sociology: An Introduction。John Wiley & Sons。  new window
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55.Lena, Jennifer C.(2012)。Banding Together: How Communities Create Genres in Popular Music。Princeton University Press。  new window
56.Martin, Peter J.(2006)。Music and the Sociological Gaze。Manchester University Press。  new window
57.Mouffe, Chantal(1997)。The Return of the Political。Verso。  new window
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59.Tsang, Steve(2017)。Taiwan's Impact on China: Why Soft Power Matters More Than Economic or Political Inputs。Springer。  new window
60.Latour, Bruno(2005)。Reassembling the Social: an Introduction to Actor-Network Theory。The MIT Press：Oxford University Press。  new window
61.Anderson, Benedict(1991)。Imagined Communities: Reflections on the Origin and Spread of Nationalism。Verso。  new window
62.Harvey, David(1989)。The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change。Blackwell。  new window
63.Billig, Michael(1995)。Banal Nationalism。London：Sage。  new window
64.McCracken, Grant(1990)。Culture and Consumption: New Approaches to the Symbolic Character of Consumer Goods and Activities。Bloomington, IN：Indiana University Press。  new window
其他
1.中華人民共和國國務院台灣事務辦公室(19930901)。台灣問題與中國統一，http://www.gwytb.gov.cn/zt/zylszl/baipishu/201101/t20110118_1700018.htm。  延伸查詢new window
2.Sui, Cindy(20130113)。Taiwan's pop culture leaps Chinese hurdles，https://www.bbc.co.uk/news/world-asia-19868593。  new window
3.李雪莉，王儀君(2015)。雷光夏：二十年來，我與女巫店都沒改變，https://www.twreporter.org/a/2015summer-lei。  延伸查詢new window
4.張曉舟(2013)。「小清新」統一大中國：張懸事件反思之一，https://twghome.pixnet.net/blog/post/39125710。  延伸查詢new window
5.程映虹(2012)。港台「愛國歌曲」：意識形態和文化資本的共謀，http://www.aisixiang.com/data/50741.html。  延伸查詢new window
6.韓寒(20120511)。太平洋的風。  延伸查詢new window
7.Shiels, Maggie(20090325)。China Criticised over YouTube，http://news.bbc.co.uk/1/hi/technology/7962718.stm。  new window
8.Zhang, Qiang(20131108)。Taiwan Singer's Flag Display Sparks Row，https://www.bbc.com/news/world-asia-pacific-24856658。  new window
圖書論文
1.Yang, Mayfair Mei-hui(2002)。Mass media and transnational subjectivity in Shanghai: Notes on re-cosmopolitanism in a Chinese Metropolis。Media worlds: Anthropology on new terrain。Berkeley, CA：University of California Press。  new window
2.Frith, Simon(1987)。Towards an Aesthetic of Popular Music。Music and Society: The Politics of Composition, Performance and Reception。Cambridge：Cambridge University Press。  new window
3.汪宏倫(2012)。淺論兩岸國族問題中的情感結構：一種對話的嘗試。文明的呼喚：尋找兩岸和平之路。新北市：左岸文化。  延伸查詢new window
4.鄭永年(2001)。中國新一波民族主義：根源、過程和前景。民族主義與兩岸關係--哈佛大學東西方學者的對話。臺北：新自然主義股份有限公司。  延伸查詢new window
5.陳志柔(2008)。二十年來兩岸文化教育交流現象。近二十年兩岸關係的發展與變遷。臺北：財團法人海峽交流基金會。  延伸查詢new window
6.Frith, Simon(1996)。Music and Identity。Questions of Cultural Identity。Sage。  new window
7.Hobsbawm, Eric J.(1983)。Introduction: Inventing Traditions。The Invention of Tradition。Cambridge University Press。  new window
8.Grossberg, Lawrence(1992)。Is There a Fan in the House? The Affective Sensibility of Fandom。The Adoring Audience: Fan Culture and Popular Media。London：Routledge。  new window
9.吳介民(2017)。中國因素作用力與反作用力。吊燈裡的巨蟒：中國因素作用力與反作用力。左岸文化事業有限公司。  延伸查詢new window
10.Silverstone, Roger(2005)。The Sociology of Mediation and Communication。The Sage handbook of sociology。London：Sage Publications。  new window
11.Hall, Stuart(1982)。The rediscovery of "ideology": return of the repressed in media studies。Culture, Society and the Media。London：Routledge。  new window
12.何東洪、張釗維(2000)。戰後台灣「國語唱片工業」與音樂文化發展軌跡：一個徵兆性的考察。文化產業：文化生產的結構分析。遠流。new window  延伸查詢new window
13.謝國雄(2017)。木馬與鏡子。吊燈裡的巨蟒：中國因素作用力與反作用力。左岸文化。  延伸查詢new window
14.Adorno, Theodor W.(2006)。On Popular Music。Cultural Theory and Popular Culture: A Reader。University of Georgia Press。  new window
15.Cheng, Chen-Ching(2020)。Love Songs from an Island with Blurred Boundaries: Teresa Teng's Anchoring and Wandering in Hong Kong。Made in Hong Kong: Studies in Popular Music。Routledge。  new window
16.Frith, Simon(2001)。Pop Music。The Cambridge Companion to Pop and Rock。Cambridge University Press。  new window
17.Jian, Miaoju(2020)。How Taiwanese Indie Music Embraces the World: Global Mandopop, East Asian DIY Networks, and the Translocal Entrepreneurial Promoters。Made in Taiwan: Studies in Popular Music。Routledge。  new window
18.Lin, Chen-yu(2020)。Multidimensionality of Chineseness in Taiwan's Mandopop: Jay Chou's China Wind Pop and the Transnational Audience。Made in Taiwan: Studies in Popular Music。Routledge。  new window
19.Lin, Pei-yin(2017)。How China is Changed by Deng Lijun and Her Songs。Taiwan's Impact on China: Why Soft Power Matters More Than Economic or Political Inputs。Springer。  new window
20.Riesman, D.(1990)。Listening to Popular Music。On Record: Rock, Pop and the Written Word。Routledge。  new window
21.Street, John(2017)。Music as Political Communication。The Oxford Handbook of Political Communication。Oxford University Press。  new window
22.Appadurai, Arjun(1986)。Introduction: Commodities and the Politics of Value。The Social Life of Things: Commodities in Cultural Perspective。Cambridge University Press。  new window
 
 
 
 
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