翟永明90年代以來不斷從早期黑夜獨白走向了都市空間敘事,女性意識與個體體驗的身體在場,突破了早期的那種獨白式抒情、自戀式的哀憐,不斷把女性的"身體"轉向形而上學、知性、綜合性、思想性的層面,以此消解生活背后的空虛感,與語言本體的詩體表現意識相融合,提升了女性詩歌的精神實質與文化影響,從她的作品也看出90年代整體物質消費文化轉型背后則滲透著濃厚的文化虛無,值得警惕。

Since 1990 s,the poetry writing of Zhai Yongming has shifted from night monologue in her early period to urbanization discourse since 1990 s.The female consciousness and the body presence of individual experience break the early lyric monologue and narcissistic pity,constantly lifting female body to the height of metaphysical,intellectual,comprehensive and ideological level.When her poetry writing destructs the sense of emptiness hidden behind life and integrates the poetic expression based on language,the spiritual essence and cultural influence of female poetry are promoted.From her works it is easy to detect a strong cultural nihilism filled in the transformation of the material consumption culture during the whole 1990 s,which is worthy of vigilance.