本文乃試圖為歷代賦體做總體檢，就其所謂古賦、俳賦、律賦、文賦的發展脈絡，精選堪稱典律之作品，並考察其變與其所不變，以尋求其階段性的共同特質。有如遺傳研究，解析其基因密碼，探究歷來稱之為賦的充分條件（sufficient condition）與必要條件（necessary condition），俾使賦的義界更為明確。 本研究乃先取歷來具有代表性的總集，篩選賦的篇章，依作品在選集的出現率，分別選出出現率最高的作品，為其典律化（canonize）作品，凡八十四篇；然後逐篇就賦體可能的十五項特質逐一考察研究，圈記分析。所選篇章雖然排除《楚辭章句》所選之楚辭，但不以賦命名者為限，所以旁及歷來賦體雜文，蓋由此可見賦體之流衍。至於研究歷代賦體作品「典律」化的過程，考察其典律如何被形塑、如何被推行與接受等問題，則有待來茲。

The main purpose of this research is attempting develop a thesis, to be a common rule in order to critiques Chinese “Fu” from several Chinese ancient dynasties. The development steps are: The foundation of this thesis is based on majority patterns of Chinese “Fu”s, for instance, “Ku-Fu”, “Pai-Fu”,”Lui-Fu” and “Wen-Fu”. And, to analyze the sequence of certain ideas, which by cautious select from most original Chinese “Fu” creations. After obtains the most acceptable results, the similarity and differentiation could be discover from each particular stage of Chinese “Fu” development time frames, so that concluded as a common rule of Chinese” Fu”. Its like to develop the codes of human genes, the technical focus on identify those in which as known in both sufficient and necessary condition of Chinese “Fu”. So to help people could be better understand in more specifically terms of “Fu”s’ definitions. Furthermore, as conclusion, this research also sieving 84 Chinese “Fu”s creations from most representative collections, known as “canonized creations”, and 15 most significant characters which has most frequent of appearance in remarkable collections. Despite of “The Chu-Chi Phrase”, we are still collected those not so typical Chinese “Fu”, or Fu-like creation to be more comprehensive in discover the develop trend of Chinese “Fu”.