The present paper adapts a cultural spatial perspective to discuss the consumption landscape of Taiwan’s professional baseball field. Qualitative interviews, participant observation and questionnaires are used to analyze the characteristics of consumption landscape in Taiwan’s baseball field. The professional baseball games and activities are considered venues for commercial products that are symbolized with baseball culture. They also convey a consumption of male-chauvinistic image and identity. Pleasures and carnival activities of the spectators become part of the composition of baseball carnival landscape, or sports landscape if one likes. To identify with the player’s male perfection image and to consume the spiritual climax of games are the rationales of spectators’ participation of the games. The choice of viewing seats, the decision of colors of outfit, and the ways of participation in the baseball field are major reflection of the spectator’s identity. Identity thus can be considered a manifestation of cultural consumption, in which pleasure landscape and carnival landscape are central. While the seats choice, colors of outfit and participant activities are manifest in baseball field, they, nonetheless, form the “place” of the baseball game. Hence, it is argued a sport (in particular baseball field) landscape is a landscape of cultural space.