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題名:傳統、現代與後現代書藝創作
書刊名:哲學與文化
作者:廖慶華 引用關係
作者(外文):Liao, Ching Hua
出版日期:2007
卷期:34:2=393
頁次:頁97-111
主題關鍵詞:書法女書五月畫會墨潮書會全球化後現代論述多元主義CalligraphyFemale charactersMay associationInk-trend associationGlobalizationPostmodernismPluralism
原始連結:連回原系統網址new window
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  • 共同引用共同引用:146
  • 點閱點閱:20
中國書法在世界藝術史上站有舉足輕重之地位,它同時具備了「藝術性」和「實用性」的價值。書藝之美的關鍵在於「毛筆」的書寫運用,毛筆書寫可以怡情養性、提升心靈、涵養德行……,它不僅是與繪畫、舞蹈、音樂等並駕齊驅的純藝術,也是中國人修身養性的功夫之一。藝術家熊秉明先生曾經說過:「書法是中國文化核心的核心」,即使不懂中國文字的外國人,也能夠欣嘗書法造形之美,猶如聽歌劇唱詞,也能有聆聽聲律的感動一般。從1980年代開始,書法家們受到中國大陸書風、日本前衛書道、韓國造形書藝、西方抽象表現藝術,和後現代藝術的創作風格……等等衝擊與影響,興起了「現代書藝」這類迥異於傳統的創作表現。本論文即是嘗試分析從傳統、現代到後現代,華人世界裡漢字書藝的發展概況。
Chinese character calligraphy is an art, which has both form and abstraction. It is not only the same as the arts of Chinese painting, dance and music, but is also regarded in Chinese culture as a method that can cultivate one’s moral character. Writing calligraphy is considered to contribute to peace of mind and to promote intelligence and morality. Calligraphy is the one of the most important art on the Chinese world. It is regarded by many as the highest art form and the very symbolization of Chinese culture. Art scholar Xion Bing-ming said. ‘Chinese calligraphy is the core of the core of Chinese culture’. Even the foreigner can appreciate the beauty of Chinese calligraphy, in the same way that people who do not understand Western opera, can appreciate its beauty. Since 1980, calligraphers have been influenced by Japanese vanguard calligraphy, Korean contemporary calligraphy, Western abstract art and post-modernism. Some forward-thinking calligraphers have developed a ‘contemporary calligraphic art’ which is different form the traditional calligraphic art. These calligraphers have tried to create a new art in many different ways. The main meanings and purposes in this research are to introduce and analyse the importance and value of Chinese calligraphy of contemporary calligraphers.
會議論文
1.傅申(2000)。論漢字書藝及創新取向。《國際書法文獻展--文字與書寫》學術研討會。行政院文化建設委員會。  延伸查詢new window
圖書
1.周華山(2001)。無父無夫的國度?重女不輕男的母系摩梭。香港:香港同志研究社。  延伸查詢new window
2.姜葳(2002)。女性密碼--女書田野調查日記。臺北:三民書局。  延伸查詢new window
3.Da-wei, Kwo.(1990)。Chinese Brushwork in Calligraphy & Painting : Its History Aesthetics &Techniques。USA:Dover Pubns Publisher。  new window
4.LuㄝSheldon H.(2001)。Transnational Visuality, Global Postmodernity。California:Stanford University Press。  new window
5.董其昌(2005)。畫禪室隨筆。江蘇教育出版社。  延伸查詢new window
6.駱曉戈(2004)。女書與楚地婦女。中國:中央編譯。  延伸查詢new window
7.熊秉明(19990000)。中國書法理論體系。臺北:雄獅。new window  延伸查詢new window
圖書論文
1.蔡明讚(2001)。當前台灣書法創作方向。2001年書法論文選集。臺北:蕙風堂。  延伸查詢new window
2.蔡文婷(2001)。意在書墨情定金石--書法篆刻家王壯爲。光華畫報雜誌。台北:光華畫報。  延伸查詢new window
 
 
 
 
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