Hua Jian Ji, the first complete collection of ci authored by men of letters, compiled by Qung-zuo Zhao, presents the femininity as the significance of these writings. It originates the men-of-letters tradition of ci that can be distinguished from the folk tradition. This article discusses its feminine distinctions in the following four parts. Firstly, Ⅰ argue that these authors of Hua Jian Ji describe women as seemingly disconnected from the reality, actually reflected the projection of men's desires. Secondly, in perspective of the third person or the first person (by the woman tone or by the man tone), Hua Jian Ji embodies the image of women, instead of emphasizing the authors' male position. Thirdly, Ⅰ explain the nuance and the syntactic structure in the expressions. Finally, the phenomena of écriture féminine in Hua Jian Ji and their significance in the history of Chinese literature are discussed in detail.