With the awakened consciousness of the ethnic groups, Hakka culture structural buildings start to appear in Hakka compact communities. Particularly showing on the list of cultural buildings are numerous "Hakka Cultural Parks," among which the two most flamboyant government-funded projects of national level are Tongluo and Liouduai. These two national-level cultural parks, which symbolizes the government's emphasis on Hakka culture, while also depicts the expectation on the accompanied development of local tourism and industries. The case with China is no exception. In recent years, great amount of funds are invested on large-scale Hakka Cultural Parks, such as ones in Meizhou and Hezhou, with the expectancy of becoming the world's symbolic place of Hakka culture, bringing economic development based on the combination of culture and tourism industry. However, not only these Hakka cultural buildings in Taiwan are being criticized as "Mosquito Museums", but also exempted from civic inspections. How can we carry out the expectation on the cultural parks to preserve and develop ethnic culture, and at the same time flourish business for the locals? This paper intends to explore the Hakka Cultural Parks that held great expectations from the locals. First, it will discuss successful examples of foreign cultural parks and explore discussions on ethnic tourism and eco-museums. Second, it will analyze the situation and predicament of Hakka Culture Parks, from the selection of sites, the tender of the operating companies, the government's role and the policies that is involved and the problem that has caused, using internet resources as base. Last, it will go back to the ideal of Hakka Cultural Park and the significance of Hakka culture, and the position and targets of the Hakka parks, proposing prospects and expectations on the future development of the parks.