| 期刊論文1. | 釋惠敏(19961000)。印度梵語戲劇略論。藝術評論,7,139-154。 延伸查詢 | 2. | 施偉隆(20090300)。從現象學的觀點對質性研究的省思。新竹教育大學人文社會學報,2(1),127-152。 延伸查詢 | 3. | Dennen, David(2013)。The Naming of "Odissi": Changing Conceptions of Music in Odisha。Ravenshaw Journal of Literary and Cultural Studies,3,58-82。 | 4. | Schroeder, Fanziska(2015)。Bringing practice closer to research--seeking integrity, sincerity and authenticity。International Journal of Education Through Art,11(3),343-354。 | 5. | Sethi, Arshiya(2015)。A Moment in History: Story of Three Dancers。Nartanam,15(3),11-52。 | 6. | Huang, Yu-Ting(2020)。Unlocking the Body: Approaching Odissi Dance Through Somatics。Journal of Emerging Dance Scholarships,8。 | 學位論文1. | 黃鈺婷(2021)。Uchhwasa ra ranga: Odissi 舞蹈實踐研究(碩士論文)。國立臺北藝術大學。 延伸查詢 | 圖書1. | Clandinin, D. Jean、Connelly, F. Michael、蔡敏玲、余曉雯(2016)。敘說探究:質性研究中的經驗與故事。臺北:心理出版社。 延伸查詢 | 2. | Clifford, James、Kolas Yotaka、張瀠之、林徐達(2019)。路徑:20世紀晚期的旅行與翻譯。桂冠圖書股份有限公司。 延伸查詢 | 3. | Khokar, Mohan、Khokar, Ashish(2011)。The Dance Orissi。Abhinav。 | 4. | Studd, Karen、Cox, Laura(2019)。Everybody Is a Body。Van Haren。 | 5. | Tandon, Rekha(2017)。Dance as Yoga: The Spirit and Technique of Odissi。Niyogi Books。 | 6. | Saxena, Sushil Kumar、Mudgal, Arushi(2016)。The Bud and the Blossom。Sangeet Natak Akademi。 | 7. | Patnaik, Dhirendranath(1971)。Odissi Dance。Orissa Sangeet Natak Akademi。 | 8. | Nandikesvara、Ghosh, Manomohan(1975)。Nandikesvara's Abhinayadarpanam: A Manual of Gesture and Posture Used in Ancient Indian Dance and Drama。Manisha Granthalaya。 | 9. | Geertz, Clifford、方怡潔、郭彥君(2009)。後事實追尋:兩個國家、四個十年、一位人類學家。台北市:群學。 延伸查詢 | 其他1. | Citaristi, Ileana(20181104)。The rise and fall of Jayantika,https://Narthaki.Com/Info/Articles/Art443.html。 | 2. | Krishna, Thodur Madabusi(20200919)。The guru-shishya structure is inherently prone to abuse. It needs to be demolished,https://indianexpress.com/article/opinion/columns/gundecha-brothers-sexual-harassment-hindustani-music-tm-krishna-6601666/。 | 圖書論文1. | Lowen, Sharon(1989)。CONTEMPORARY ISSUES OF SASTRA IN THE CLASSICAL DANCE OF ORISSA。Shastric Traditions in Indian Arts。University of Heidelberg。 | |