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題名：對中國美術史研究中再現論述模式的省思
書刊名：中央大學人文學報
作者：石守謙 引用關係
作者(外文)：Shih, Shou-chien
出版日期：1997
卷期：15
頁次：頁1-29
主題關鍵詞：中國美術史；模式
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(5) 博士論文(1) 專書(1) 專書論文(1)
  • 排除自我引用排除自我引用:3
  • 共同引用共同引用:149
  • 點閱點閱:60
　　　　　This essay provides an overview of the study of Chinese art history in 20th century and puts special emphasis on the impact that the representational Discourse had made in certain important issues. Among them, the stylistically revolution in the Yuan period, the secularization of later Chinese sculptures and the Western influence on Chinese painting are considered research topes deriving from the conceptual frame word of representationalism. The history of Chinese art as constructed in his representational discourse is consequently a linear development with ebbs and flows, and its apogees are formed out of original stylistic presentations. This nonlinear history, although easy to grasp, is rather simplified and unsuitable for Chinese at of the past. Its over exasperation of importance of originality and period style, its neglect of Chinese attitude of viewing art as nature manifestation (instead of representation), and the existence of regional cultures, all demand a serious reconsideration.
Other
1.蔡元培(1968)。我之歐戰觀，臺北。  延伸查詢new window
期刊論文
1.方聞、石守謙(1986)。西方的中國畫研究。故宮文物月刊，4(9)=45，49-59。new window  延伸查詢new window
2.陳秀玲(1999)。一位腸阻塞患者住院期間面臨手術的壓力源及因應行爲。長庚護理，9(4)，55-61。new window  延伸查詢new window
3.傅申(19671000)。巨然存世畫蹟之比較研究。故宮季刊，2(2)，51-79+80_1-80_36+左21-左24。new window  延伸查詢new window
4.向達(1930)。明清之際中國美術所受西洋之影響。東方雜誌，27(1)，19-38。  延伸查詢new window
5.Li, Chu-tsing(1960)。Rocks and Trees and the Art of Ts'ao Chih-po。Artibus Asiae，XXII(3/4)，153-192。  new window
6.李霖燦(1973)。中國山水畫中的「皴法」研究。故宮季刊，8(2)，1-26。new window  延伸查詢new window
7.李霖燦(1975)。中國山水畫上苔點之研究。季宮季刊，9(4)，25-46。new window  延伸查詢new window
8.江兆申(1970)。從畫家構圖意念來看中國山水畫的舊有發展。故宮季刊，4(4)，6。new window  延伸查詢new window
9.江兆申(1985)。從廣寅的際遇來看他的詩書畫。故宮學術季刊，3(1)，1-4。new window  延伸查詢new window
圖書
1.江兆申(1977)。文徵明與蘇州畫壇。臺北：國立故宮博物院。new window  延伸查詢new window
2.鄧椿(1993)。畫繼。上海：上海書畫出版社。  延伸查詢new window
3.Ricci, Matteo、Trigault, Nicolas、何高濟、王遵仲、李申、何兆武(1983)。利瑪竇中國札記。中華書局。  延伸查詢new window
4.Li, Chu-tsing(1965)。The Autumn Colors on the Ch'iao and Hua Mountains: A Landscape by Chao Meng-fu。Ascona：Artibus Asiae。  new window
5.張光賓(1975)。元四大家。臺北：國立故宮博物院。  延伸查詢new window
6.Cahill, James(1982)。The Compelling Image: Nature and Style in the 17th Century Chinese Painting。Cambridge, Masschusetts：London：Harvard University Press。  new window
7.徐悲鴻(1987)。徐悲鴻藝術文集。台北：藝術家出版社。  延伸查詢new window
8.Fry, Roger(1962)。Last Lectures。Boston：Beacon Press。  new window
9.Cahill, James、宋偉航等(1994)。隔江山色。臺北：石頭出版股份有限公司。  延伸查詢new window
10.李霖燦(1987)。中國美術史稿。臺北：雄獅圖書股份有限公司。new window  延伸查詢new window
11.Summers, David(1996)。Representation。Critical Terms for Art History。Chicago。  new window
12.Bryson, Norman(1985)。Vision and Painting。Vision and Painting。New Haven。  new window
13.Sullivan, Michael。The Meeting of Eastern and Western Art。The Meeting of Eastern and Western Art。  new window
14.宗白華(1936)。中西畫法所表現的空間意識。中國藝術論叢。上海。  延伸查詢new window
15.宗白華(1987)。中國藝術的寫實精神。美學與意境。上海。  延伸查詢new window
16.童書業(1962)。唐宋繪畫談叢。唐宋繪畫談叢。北京。  延伸查詢new window
17.俞劍華(1963)。中國山水畫的南北宗論。中國山水畫的南北宗論。上海。  延伸查詢new window
18.Sirén, Osvald(1956)。Chinese Painting: Leading Masters and Principles(5)。Chinese Painting: Leading Masters and Principles(5)。NEw York。  new window
19.Murck, Christian F.(1976)。Artists and Traditions: Uses of the Past in Chinese Clulture。Artists and Traditions: Uses of the Past in Chinese Clulture。Princeton。  new window
20.Fong, Wen(1975)。Summer Mountains: The Time-less Landscape。Summer Mountains: The Time-less Landscape。New York。  new window
21.何惠鑒(1979)。元代文人畫序說。文人畫粹編（第三冊）。東京。  延伸查詢new window
22.(1973)。Studies in Connoisseurship: Chinese Paintings from the Arthur M. Sackler Collection in NEw Yrok and Princeton。Studies in Connoisseurship: Chinese Paintings from the Arthur M. Sackler Collection in NEw Yrok and Princeton。Princeton。  new window
23.江兆申(1976)。關於唐寅之研究。關於唐寅之研究。臺北。  延伸查詢new window
24.Cahill, James(1976)。Hills Beyond a River。Hills Beyond a River。New York。  new window
25.石守謙(1996)。嘉靖新政與文徵明畫風之轉變。風格與世變。臺北。new window  延伸查詢new window
26.孫紀元(1986)。敦煌彩塑與製作。中國石窟：敦煌莫高窟﹝三﹞。東京。  延伸查詢new window
27.孫紀元(1988)。麥積山石窟雕塑藝術。中華美術全集‧雕塑編‧8‧麥積山石窟。北京。  延伸查詢new window
28.史岩。五代兩宋雕塑概說。中國美術全集‧雕塑編‧5‧五代兩宋雕塑。  延伸查詢new window
其他
1.（清）鄒一桂(1928)。小山畫譜，上海。  延伸查詢new window
圖書論文
1.Chou, Ju-hsi(1985)。The Elegant Brush: Chinese Painting Under the Qianlong Emperor, 1735-1795。The Elegant Brush: Chinese Painting Under the Qianlong Emperor, 1735-1795。Phoenix, Arizona：Phoenix Art Museum。  new window
2.Cahill, James(1988)。Hsieh-i as a Cause of Decline in Later Chinese Painting。Three Alternative Histories of Chinese Painting。Lawrence, Kansas：Spencer Museum of Art, University of Kansas。  new window
3.何惠鑑(1976)。Tung Ch'i-ch'ang's New Orthodoxy and the Southern School Theory。Artists and Traditions。New Jersey, Princeton：Princeton University Press。  new window
 
 
 
 
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