:::

詳目顯示

回上一頁
題名:《聽琴圖》的政治意涵 : 徽宗朝院畫風格與意義網絡
書刊名:國立臺灣大學美術史研究集刊
作者:王正華 引用關係
作者(外文):Wong, Cheng-hua
出版日期:1998
卷期:5
頁次:頁77-122
主題關鍵詞:聽琴圖政治意涵藝術宋徽宗院畫
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(12) 博士論文(1) 專書(2) 專書論文(0)
  • 排除自我引用排除自我引用:10
  • 共同引用共同引用:119
  • 點閱點閱:225
Other
1.宋晞(1980)。從科舉與輿服制度看宋代商人政策,臺北。  延伸查詢new window
期刊論文
1.佘城(19830900)。北宋畫院制度與組織的探討。故宮學術季刊,1(1),69-95。new window  延伸查詢new window
2.Jang, Scarlett(1992)。Realm of the Immortals: Paintings Decorating the Jade Hall of the Northern Song。Ars Orientalis,22,89-92。  new window
3.謝稚柳(1957)。趙佶《聽琴圖》和他的真筆問題。文物參考資料,3,20-21。  延伸查詢new window
4.徐邦達(1979)。宋徽宗趙佶親筆畫與代筆畫的考辨。故宮博物院院刊,1979(1),62-67+50。  延伸查詢new window
5.Sturman, Peter C.(1990)。Cranes above Kaifeng: The Auspicious Image at the Court of Huizong。Ars Orientalis,20,33-68。  new window
6.Poor, Robert(1965)。Notes on the Sung Dynasty Archaeological Catalogs。Archives of the Chinese Art Society of America,19,33-44。  new window
7.植一雄(1963)。梁職貢圖について。東方學,26,31-46。  延伸查詢new window
8.陳葆真(19930600)。宋徽宗繪畫的美學特質--兼論其淵源和影響。國立臺灣大學文史哲學報,40,293+295-344。new window  延伸查詢new window
9.李慧淑(19840600)。宋代畫風轉變之契機:徽宗美術教育成功的實例。故宮學術季刊,1(4),71-91。new window  延伸查詢new window
10.李慧淑(19840900)。宋代畫風轉變之契機:徽宗美術教育成功的實例。故宮學術季刊,2(1),9-36。new window  延伸查詢new window
11.薄松年(1981)。宋徽宗時期的宮廷美術研究。美術研究,1981(2),74-77。  延伸查詢new window
12.曾布川寬(1977)。郭熙と《早春圖》。東洋史研究,35(4),61-85。  延伸查詢new window
13.鄭珉中(1983)。記唐琴的特點及真偽問題。故宮博物院院刊,3,12-13。  延伸查詢new window
14.楊新(1979)。關於《千里江山圖》。故宮博物院院刊,2,62-63。  延伸查詢new window
15.傅熹年(1979)。王希孟《千里江山圖》中的北宋建築。故宮博物院院刊,2,59。  延伸查詢new window
16.薄松年(1995)。《趙佶》。巨匠中國美術週刊,128,24-25。  延伸查詢new window
17.祁英濤(1978)。中國古代建築的脊飾。文物,3,64。  延伸查詢new window
18.謝稚柳(1987)。宋徽宗全集敘論。上海博物館集刊,1987(4),69-74。  延伸查詢new window
19.Schafer, Edward H.(1948)。Notes on a Chinese Word for Jasmine。Jouranl of the American Oriental Society,68,61。  new window
20.巫鴻(1984)。A Sanpan Shan Chariot Omament and the Xiangrul Design in Western Han Art。Archives of Asian Art,1062,39-43。  new window
21.Hargett, James M.(1988)。Huizong's Magic Marchmount: The Genyue Pleasure Park of Kaifeng。Monumenta Serica,38,1-48。  new window
22.Rowland, Benjamin, Jr.(1951)。The Problems of Hui Tsung。Archives of the Chinese Art Society of America,5,8。  new window
23.Summers, David(1994)。On the Histories of Artifacts。Art Bulletin,76(4),590-591。  new window
24.鄭珉中(1993)。宋宣和內府所藏“春雷”琴考析。故宮博物院院刊,2,4-5。  延伸查詢new window
會議論文
1.楊新(1994)。《聽琴圖》裡畫的道士是誰。北京。1,244。  延伸查詢new window
學位論文
1.Ecke, Betty、Tseng Yu-ho(1972)。Emperor Hui-tsung, the Artist: 1082-1136(博士論文)。New York University。  new window
2.蕭百芳(1992)。《宣和畫譜》研究──宋徽宗御藏畫目的史學精神,國立成功大學。  延伸查詢new window
圖書
1.朱彧。萍洲可談。  延伸查詢new window
2.米芾。畫史。臺北:臺灣商務。  延伸查詢new window
3.Schafer, Edward H.(1963)。The Golden Peaches of Samarkand: A Study of T’ang Exotics。Berkeley:University of California Press。  new window
4.周去非(2005)。嶺外代答。北京:商務印書館。  延伸查詢new window
5.岳珂(1981)。桯史。新興書局。  延伸查詢new window
6.董鑒泓(198402)。中國城市建設發展史。臺北:明文書局。  延伸查詢new window
7.Gombrich, Ernst Hans(1980)。藝術的故事。臺北。  延伸查詢new window
8.王世襄(1991)。明式家具研究。香港。  延伸查詢new window
9.李延壽(1983)。北史。臺北:臺灣商務印書館。  延伸查詢new window
10.陳高華(1987)。隋唐畫家史料。北京市:文物出版社。  延伸查詢new window
11.鄧椿。畫繼。  延伸查詢new window
12.漢語大詞典編輯委員會、漢語大詞典編纂處(1991)。漢語大詞典。上海:漢語大詞典出版社。  延伸查詢new window
13.英和(1969)。石渠寶笈.三編。臺北:國立故宮博物院。  延伸查詢new window
14.王以坤(1993)。書畫裝潢沿革考。北京:紫禁城出版社。  延伸查詢new window
15.王稱(1979)。東都事略。臺北:文海出版社。  延伸查詢new window
16.Burke, Peter(1990)。The French Historical Revolution: The Annales School, 1929-1989。St. Redwood City, CA:Stanford:Stanford University Press。  new window
17.郭若虛(1983)。圖畫見聞誌。臺北:臺灣商務印書館。  延伸查詢new window
18.范曄、李賢、楊家駱(1987)。後漢書。臺北:鼎文書局。  延伸查詢new window
19.Bryson, Norman(1983)。Vision and painting: the logic of the gaze。Yale University Press。  new window
20.周錫保(198409)。中國古代服飾史。北京:中國戲劇出版社。new window  延伸查詢new window
21.Pollock, Griselda(1988)。Vision and Difference: Femininity, Feminism and Histories of Art。Routledge。  new window
22.陳高華(1984)。宋遼金畫家史料。北京:文物出版社。  延伸查詢new window
23.Barnhart, Richard M.(1993)。Painters of the Great Ming: The Imperial Court and the Zhe School。Dallas, Texas:Museum of Art。  new window
24.Hawkes, Terence(1977)。Structuralism and Semiotics。  new window
25.薛宗明(1990)。中國音樂史--樂器篇。臺北:台灣商務印書館。  延伸查詢new window
26.應邵、王利器(1982)。風俗通義校注。台北市:明文出版社。  延伸查詢new window
27.張彥遠(1985)。歷代名畫記。北京:中華書局。  延伸查詢new window
28.王應麟(1964)。玉海。臺北:華文書局。  延伸查詢new window
29.Williams, Raymond(1983)。Keywords: A Vocabulary of Culture and Society。New York, NY:Oxford University Press。  new window
30.Eagleton, Terry、吳新發(1993)。文學理論導讀。臺北:書林出版社。  延伸查詢new window
31.周寶珠(1992)。宋代東京研究。開封:河南大學出版社。  延伸查詢new window
32.郭熙、郭思(1983)。林泉高致集。臺灣商務印書館。  延伸查詢new window
33.Fong, Wen C.(1992)。Beyond Representation: Chinese Painting and Calligraphy, 8th-14th Century。Metropolitan Museum of Art:Yale University Press。  new window
34.宋綬、徐松(1976)。宋會要輯稿。新文豐。  延伸查詢new window
35.小川裕充(1981)。院中の名畫―董羽‧巨然‧燕肅から郭熙まで─。鈴木敬先生還曆記念中國繪畫史論集。東京。  延伸查詢new window
36.劉東升(1993)。中國樂器圖鑑。中國樂器圖鑑。臺北。  延伸查詢new window
37.沈從文(1980)。中國古代服飾研究。中國古代服飾研究。香港。  延伸查詢new window
38.蜂屋邦夫(1990)。中國道教の現況。中國道教の現況。東京。  延伸查詢new window
39.(宋)楊仲良(1980)。資治通鑑長編紀事本末。資治通鑑長編紀事本末。臺北。  延伸查詢new window
40.金中樞(1989)。論北宋末年之崇尚道教。宋代學術思想研究。臺北。  延伸查詢new window
41.Clark, T. J.(1984)。The Painting of Modern Life: Paris in the Art of Manet and His Followers。The Painting of Modern Life: Paris in the Art of Manet and His Followers。Princeton。  new window
42.Nochlin, Linda(1988)。Why have there been no great women artists?。Women, Art and Power and Other Essays。New York。  new window
43.徐邦達(1984)。徽宗趙佶。古書畫偽訛考辨。江蘇。  延伸查詢new window
44.鈴木敬(1965)。畫學を中心とした 徽宗畫院の改革と院體山水畫樣式の成立。東洋文化研究所紀要。  延伸查詢new window
45.Harrison, Charles(1996)。Modernism。Critical Terms for Art History。Chicago/London。  new window
46.鈴木敬(1983)。中國繪畫總合圖錄(二)。中國繪畫總合圖錄(二)。東京。  延伸查詢new window
47.Ho, Wai-Kam(1989)。Introduction。Artists and Patrons: Some Social and Economic Aspects of Chinese Painting。Lawrence。  new window
48.Gombrich, Ernst Hans(1960)。Art and Illuston: A Study in the Psychology of Pictorial Representation。Art and Illuston: A Study in the Psychology of Pictorial Representation。London。  new window
49.Gombrich, Ernst、Eribon, Didier(1993)。Looking for Answers: Conversations on Art and Science。New York:Harry N. Abrams。  new window
50.Sensabaugh, David A.(1994)。Problems in the Interpretation of Chinese Art。東洋美術史研究上的諸問題。京都。  延伸查詢new window
51.Moxey, Keith(1994)。The Practice of Theory: Poststructuralist, Cultural Politics and Art History。The Practice of Theory: Poststructuralist, Cultural Politics and Art History。Ithaca。  new window
52.顧吉辰、吳以寧(1994)。宋代事始考錄。宋代事始考錄。合肥。  延伸查詢new window
53.石守謙(1984)。The Mind Landscape of Hsieh Yo-yu Chao Meng-fu。Images of the Mind。Printceton。  new window
54.Li, H. L.(1959)。The Garden Flowers of China。New York:The Ronald Press Company。  new window
55.薛聰賢(1978)。家庭園藝。家庭園藝。臺北。  延伸查詢new window
56.陳均(1936)。皇朝編年綱目備要。東京。  延伸查詢new window
57.(1989)。臘梅山禽。臘梅山禽。臺北。  延伸查詢new window
58.Ho, Wai-Kam(1980)。Buddhist Retreat by Stream and Mountain。Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art。Cleveland。  new window
59.謝稚柳(1957)。御鷹圖。御鷹圖。上海。  延伸查詢new window
60.吳繼明(1988)。中國圖學史。中國圖學史。武昌。  延伸查詢new window
61.金維諾(1981)。《職貢圖》的時代與作者。中國美術史論集。北京。  延伸查詢new window
62.榎一雄(1987)。職貢圖の起源。東方學創立四十週年紀念東方學論集。東京。  延伸查詢new window
63.Clark, T. J.(1982)。Image of the People: Gustave Courbet and the 1848 Revolution。Image of the People: Gustave Courbet and the 1848 Revolution。Princeton。  new window
64.(1990)。畫馬特展名品圖錄。畫馬特展名品圖錄。臺北。  延伸查詢new window
65.Wright, Arthur F.(1977)。The Cosmology of Chinese City。The City in Late Imperial China。California。  new window
66.楊冠政(1976)。陶淵明傳彙訂。陶淵明集校箋。臺北。  延伸查詢new window
其他
1.(清)胡敬(1971)。西清劄記,臺北。  延伸查詢new window
2.(宋)王明清。揮麈後錄。  延伸查詢new window
3.楓窗小牘。  延伸查詢new window
4.(宋)周煇。清波雜志。  延伸查詢new window
5.(宋)邵博(1983)。聞見後錄。  延伸查詢new window
6.(南宋)朱熹(1986)。四書章句集注,臺北。  延伸查詢new window
7.(唐)李百藥(1983)。北齊書,臺北。  延伸查詢new window
8.(清)胡敬(1971)。南薰殿圖像考,臺北。  延伸查詢new window
9.(1973)。宣和御製宮詞,臺北。  延伸查詢new window
10.(宋)王明清(1983)。揮塵餘話,臺北。  延伸查詢new window
11.張澂(1962)。畫錄廣遺,臺北。  延伸查詢new window
12.Zito, Anglela Rose(1989)。Grand Sacrifice as Text/Performance: Ritual and Writing in Eighteenth Century China,Ph. D. dissertation。  new window
13.(南宋)陸游(1936)。老學菴筆記,上海。  延伸查詢new window
14.(宋)孟元老。東京夢華錄。  延伸查詢new window
15.李濂(1983)。汴京遺跡志,臺北。  延伸查詢new window
16.王黻(1983)。重修宣和博古圖,臺北。  延伸查詢new window
17.(南宋)范成大(1983)。桂海虞衡志,臺北。  延伸查詢new window
18.(西漢)司馬遷(1972)。史記,北京。  延伸查詢new window
19.(宋)蔡絛(1983)。鐵圍山叢譚,臺北。  延伸查詢new window
圖書論文
1.嶋田英誠(1981)。徽宗朝の畫學について。鈴木敬先生還曆記念中國繪畫史論集。東京:吉川弘文館。  延伸查詢new window
2.脫脫(1977)。李處耘附李繼和傳。宋史。北京:中華書局。  延伸查詢new window
3.Bryson, Norman(1991)。Semiology and Visual Interpretation。Visual Theory: Painting and Interpretation。New York。  new window
4.Geertz, Clifford(1973)。Thick Description: Toward an Interpretive Theory of Culture。The Interpretation of Cultures: Selected Essays。New York。  new window
5.王耀庭(1995)。宋冊頁繪畫研究。宋代書畫冊頁名品特展。台北:國立故宮博物院。  延伸查詢new window
6.Barnhart, Richard(1983)。Wang Shen and Late Northern Sung Landscape Painting。アジアにおける山水表現について。京都:國際交流美術史研究會。  延伸查詢new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top
:::
無相關著作
 
無相關點閱
 
QR Code
QRCODE