The traditional idea of “sage” is based on the pre-Chin Confucian and Taoist discourses of ideal personality. The ideal personality is such a personality that represents cultural essence and value and what we can take as an example. This personality is the representation of race spirit and academic viewpoint. However, since the Cheng-Zhu School (程 朱學派) in the Song Dynasty, this personality as been flatten and inhuman. Additionally, in the traditional idea of “sage”, there have been many different sorts of ideas of affection, and this phenomenon was related to the main issues in the Song-Ming Philosophy. One of the main issues is the different interpretation on the “already arose / not arose” (已發未發) in The Doctrine of the Mean (中庸). This idea is to explain how we express our feelings to adjust ourselves, and yet the philosophers in the Song Dynasty have submitted different opinions on the topic. As a result, such an issue led to different schools’ opinions on the mental settlement. This has put a tremendous impact on the development of Song-Ming Philosophy (宋明理學). In term of this different interpretation on ideal personality, this paper is attempting to search for the way to think of personality in the Han and Wei Dynasty. This will be of great help to re-think of the traditional idea of “sage”. In Biography and New Account of Tales of the World, the ideas of personality and aptitude go beyond the Confucianism and Taoism, and these comprise the essence of Aptitutde Aesthetics. Confucianism offers the subjective method of personality evaluation, and Taoism submits the visualized way to make judgment on personality and aptitude. These two together provide the standpoint of unlimited thinking and independent appreciation on man. A sage is such a man that can feel and understand the world with his min with any difficulties. He is more than a man. Consequently, the affectional ego and the virtual ego are well merged and become an organic unity.