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題名：當流動科技闖進藝術殿堂：從博物館視聽導覽之使用談其對藝文消費之介入
書刊名：新聞學研究
作者：賴嘉玲 引用關係
作者(外文)：Lai, Chia-ling
出版日期：2014
卷期：119
頁次：頁121-159
主題關鍵詞：人機組裝體；展覽複合體；媒介科技與流動性；視聽導覽；藝文消費；Art consumption；Audio guide；Exhibitionary complex；Hybrid；Mobile media technology
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(8) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:8
  • 共同引用共同引用:76
  • 點閱點閱:85
如同手機流動科技展現了社會的流動現代性，博物館的視聽導覽同樣展演了物質文化、流動科技與社會性的複雜交織。援引行動者網絡理論，本研究將使用視聽導覽的參觀者當作人機組裝體，並探討引入「影音」時間性如何轉變了空間式的博物館「展覽複合體」與藝文參觀的速度政治。最後討論使用導覽所需的文化、經濟與社會資本，思考流動科技中介對藝文接收實踐之影響。透過田野觀察與深度訪談法，本研究以2007-8年台北故宮的「華麗巴洛克：偉大的哈布斯堡收藏家—來自維也納藝術史博物館之鉅作」展為展覽個案。
As mobile technologies are applied to perform the fluid mobility of the social, museum audio guides facilitate the complex interaction among material culture, mobility, and society. Based on actor-network theory, this study considered the user of audio guides to be both a human and a nonhuman hybrid assembly. I examined the process of how an audio guide combines narrated text with a temporal rhythm to transform the museum as a spatial ‘exhibitionary complex’. Thus, audio guides introduce a new speed politics in museum visiting. Finally, I analyzed the cultural, economic, and social capital of users employing audio guides as a mobile technology. This research was based on the observation and in-depth interviews of visitors to the “Splendour of the Baroque and Beyond” exhibition at the National Palace Museum in Taipei between October 2007 and February 2008.
期刊論文
1.林宏熒(20050700)。個人化的選擇--談博物館的語音導覽服務。故宮文物月刊，23(4)=268，102-107。new window  延伸查詢new window
2.林宏熒(20060100)。從語音到影音：談博物館如何規劃掌上型數位導覽。博物館學季刊，20(1)，97-114。new window  延伸查詢new window
3.黃聖哲(2010)。美術館導覽的自我搬演：一個藝術社會學的個案重建。文化研究月報，110，25-42。  延伸查詢new window
4.Goggin, G.(2009)。Assembling media culture。Journal of Culture Economy，2(1)，151-167。  new window
5.Hetherington, Kevin(1997)。Museum topology and the will to connect。Journal of Material Culture，2(2)，199-218。  new window
6.Hetherington, K.(2000)。Museums and the visually impaired: The spatial politics of access。The Sociological Review，48(3)，444-463。  new window
7.Hetherington, K.(2002)。The unsightly: Visual impairment, touch and the parthenon frieze。Theory, Culture and Society，19(5/6)，187-205。  new window
8.Ku, Ming-chun(2011)。Actors and the multiple imaginaries on the tourist sites: A case study of the Mogao Caves, Dunhuang, China。Journal of Tourism and Cultural Change，9(3)，217-225。  new window
9.Lai, C.(2006)。Risk of historical artifact in travel。Journal of Historical Sociology，19(3)，266-283。  new window
10.Warde, A.(2009)。Imagining British cuisine: Representations of culinary identity in the good food guide。Food, Culture and Society，12(2)，149-171。  new window
11.呂鈺秀(200510)。樂器博物館中的音樂實務探討。博物館學季刊，19(4)，123-129+131。new window  延伸查詢new window
12.林文源、陳晉煦(20120600)。單車品味政治：以2000年後臺灣新竹市文化競逐為例。臺灣社會學刊，49，147-205。new window  延伸查詢new window
13.宋曜廷、張國恩、于文正(20060100)。行動載具在博物館學習的應用：促進「人--機--境」互動的設計。博物館學季刊，20(1)，17-34。new window  延伸查詢new window
14.劉婉珍(20080700)。觀眾研究與博物館的營運發展。博物館學季刊，22(3)，21-37。new window  延伸查詢new window
15.Dant, Tim(2004)。The Driver-Car。Theory, Culture & Society，21(4/5)，61-79。  new window
16.Hetherington, K.(2003)。Accountability and disposal: Visual impairment and the museum。Museum and Society，1(2)，104-115。  new window
會議論文
1.賴嘉玲(2007)。相遇在異鄉：談流動時代的跨國藝文消費者。台北：中研院歐美所。  延伸查詢new window
2.English Heritage(2003)。Talking images conference report。Talking images conference organized by RNIB and English Heritage，(會議日期: 21-23 May, 2003)。London。  new window
學位論文
1.林宏熒(2004)。博物館導覽服務設施規劃研究--以掌上型數位影音系統為例(碩士論文)。臺南藝術學院。  延伸查詢new window
2.阮淑祥(2006)。手機語音導覽服務創新與經營模式之研究(碩士論文)。臺灣大學。  延伸查詢new window
圖書
1.Urry, J.(2007)。Mobilities。Polity。  new window
2.故宮博物院(2007)。華麗巴洛克--偉大的哈布斯堡收藏家--來自維也納藝術史博物館之鉅作。臺北：時藝多媒體傳播。  延伸查詢new window
3.Oudshoorn, Nelly、Pinch, Trevor(2003)。How Users Matter: The Co-production of Users and Technology。Cambridge, MA：MIT Press。  new window
4.王佳煌(2005)。手機社會學。台北：學富。  延伸查詢new window
5.Bennett, T.、Healy, C.(2011)。Assembling culture。London, UK：Routledge。  new window
6.Bourdieu, P.、Darbel, A.、Schnapper, D.(1990)。The love of art: European art museums and their public。Cambridge, MA：Polity Press。  new window
7.Bull, Michael(2000)。Sounding out the city: Personal stereos and the management of everyday life。Berg。  new window
8.Bull, M.(2008)。Sound move: iPod culture and urban experience。London, UK：Routledge。  new window
9.Dant, T.(2005)。Materiality and society。London, UK：Routledge。  new window
10.DeNora, T.(2000)。Music and everyday life。Cambridge, UK：University of Cambridge。  new window
11.Graham, B.、Cook, S.(2010)。Rethinking curating: Art after new media。MIT Press。  new window
12.Morley, D.(2006)。Media, modernity and technology。London, UK：Routledge。  new window
13.Noordegraaf, J.(2004)。Strategies of display: Museum presentation in nineteenth- and twentieth-century visual culture。Rotterdam, NL：NAI Publishers。  new window
14.Parry, Ross(2010)。Museums in a digital age。London：Routledge。  new window
15.Serota, N.(2000)。Experience or interpretation: The dilemma of museums of modern art。London, UK：Thames and Hudson。  new window
16.Thomas, S.、Mintz, A.(1998)。The virtual and the real: Media in the Museum。Washington, D.C：American Association of Museums。  new window
17.Urry, J.(2002)。Global complexity。London, UK：Routledge。  new window
18.Urry, J.(2000)。Sociology Beyond Societies。London：Routledge。  new window
19.Harvey, P.(1996)。The hybrid of modernity: Anthropology, the nation state and the universal exhibition。London, UK：Routledge。  new window
20.Rheingold, Howard(2002)。Smart Mobs: The Next Social Revolution。Cambridge, MA：Basic Books。  new window
21.Barthes, Roland、Heath, Stephen(1977)。Image-Music-Text。London：Fontana Press。  new window
22.O'Doherty, Brian(1999)。Inside the White Cube: The Ideology of the Gallery Space。University of California Press。  new window
23.Du Gay, Paul、Hall, Stuart、Janes, Linda、Mackay, Hugh、Negus, Keith(1997)。Doing Cultural Studies: The Story of the Sony Walkman。Sage。  new window
24.Edensor, Tim(1998)。Tourists at the Taj: Performance and Meaning of a Symbolic Site。London, UK：Routledge。  new window
25.許嘉猷(20110000)。藝術之眼：布爾迪厄的藝術社會學理論及其在台灣之量化與質化研究。臺北：唐山。new window  延伸查詢new window
26.Bennett, Tony、Savage, Mike、Silva, Elizabeth Bortolaia、Warde, Alan、Gayo-Cal, Modesto、Wright, David(2010)。Culture, Class, Distinction。London。  new window
27.Latour, Bruno、Porter, Catherine(1993)。We Have Never Been Modern。Harlow：Longman。  new window
28.Williams, Raymond(1974)。Television: technology and cultural form。London：Fontana。  new window
29.Gary, A.(1992)。Video Playtime: The Gendering of a Leisure Technology。London：Routledge。  new window
30.Bourdieu, Pierre(1984)。Distinction: A Social Critique of the Judgement of Taste。Harvard University Press。  new window
31.周蕾、羅童(1995)。寫在家國以外。香港：牛津大學出版社。  延伸查詢new window
32.de Certeau, Michel、Rendall, Steven F.(1984)。The Practice of Everyday Life。The University of California Press。  new window
33.Clifford, James(1997)。Routes: Travel and Translation in the Late Twentieth Century。Cambridge, MA：Harvard University Press。  new window
34.Haraway, Donna Jeanne(1990)。Simians, Cyborgs, and Women: The Reinvention of Nature。Routledge。  new window
35.Duncan, Carol(1995)。Civilizing Rituals: Inside Public Art Museums。Routledge。  new window
36.Bennett, Tony(1995)。The Birth of the Museum: History, Theory, Politics。Routledge。  new window
37.Bauman, Zygmunt(2000)。Liquid Modernity。Polity Press：Blackwell。  new window
38.Haraway, Donna Jeanne(2003)。The Companion Species Manifesto: Dogs, People, and Significant Otherness。Prickly Paradigm Press。  new window
39.Latour, Bruno(2005)。Reassembling the Social: an Introduction to Actor-Network Theory。The MIT Press：Oxford University Press。  new window
40.Hayles, N. Katherine(1999)。How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics。University of Chicago Press。  new window
41.Morley, David(1992)。Television, Audiences and Cultural Studies。Routledge。  new window
42.Macdonald, Sharon(2002)。Behind the Scenes at the Science Museum。Berg。  new window
43.Wu, C.(2002)。Privatizing Culture。London：Verso。  new window
圖書論文
1.Barry, A.(1998)。On interactivity。The politics of display。London, UK：Routledge。  new window
2.Corbin, A.(2003)。The auditory markers of the village。The auditory culture reader。New York, NY：Berg。  new window
3.Gable, E.(1996)。Maintaining boundaries, or 'mainstreaming' black history in a white museum。Theorizing museums: Representing identity and diversity in a changing world。London, UK：Routledge。  new window
4.Hetherington, K.(1999)。From blindness to blindness: Museums, heterogeneity and the subject。Actor network theory and its after。London, UK：Routledge。  new window
5.Jay, M.(1992)。Scopic regimes of modernity。Modernity and identity。London, UK：Polity。  new window
6.Lai, C.(2004)。Art exhibitions travel the world。Tourism mobilities。London, UK：Routledge。  new window
7.Tacchi, J.(2003)。Nostalgia and radio sound。The auditory culture reader。New York, NY：Berg。  new window
8.Tonkiss, F.(2003)。Aural postcards: Sound, memory and the city。The Auditory Culture Reader。New York, NY：Berg。  new window
9.Urry, John(1996)。How Societies Remember the Past。Theorizing Museums: Representing Identity and Diversity in a Changing World。Blackwell Publishers。  new window
 
 
 
 
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