This article analyzes the text and performance of Hakka songs from a perspective of human geography. It focuses on the 86 traditional songs in two Hakka song anthologies published by Taiwan government. I analyzed both the lyrics and the recordings of the songs. My analysis of the lyrics revealed that the songs contain rich geographical components, such as regional sentiment and descriptions of places and landscapes. My analysis of the recordings shows the singers used nonsemantic syllables and lining words, and they employed the typical style while integrating Taiwan’s local singing styles to evoke a sense of place. I argue when Hakka people sang a variety of old tunes from different locations, they sang the songs based on their own sense of place. Their idiosyncratic singing carries the collective memory of being the Hakka while also expressing specific living experience and local emotions.