休閒遊憩長久以來的焦點，主要是放置在休憩和產業活動的主題或是歷史（時間）的脈絡之相關領域上，反而較少著墨在與空間相關的議題上。針對此較少被注意的研究空缺，本研究嘗試探究休憩空間中的時空相關範域，並援引社會學者Lefebvre對空間的論述，探討空間生產對地方休憩空間與文化空間再生產的影響。Lefebvre對空間生產的論述，即是以空間實踐（spatial practices）、空間表徵（representations of space）、表徵空間（representational space）三個向度，以理解社會空間結構的建構，也為文化空間理論帶來重大的變革。而本研究以Lefebvre的論述為基礎，聚焦在休閒遊憩空間，並以三義的勝興車站周遭空間為例，針對其變遷的文化空間再生產過程，以反思性的立場探究。此反思性即是以專業者的責任，與勝興車站周邊的未來永續發展為根基的觀點與態度。另外，本研究試圖探究在打造桐花村時期，從車站周遭的空間實踐中，透過空間表徵、空間實間和表徵空間三者的螺旋狀之動態歷程，去揭露空間實踐者如何重複的從空間具象出發，對空間的構思轉化為具體實踐過程，進而形塑出勝興車站之休憩空間架構，並不斷在日常生活中演練著空間的生產，即是清晰的呈顯文化空間再生產的整過過程，並揭露出其中的空間權力結構。

Recreation has focused more on schemes of recreational and industrial activities, or fields of historical perspectives, but less on issues of recreational space. To fulfill the gap, the study was set up to explore fields of recreational time and space, and adopted the theory of social space from Lefebvre to discuss the impact of the production of space to the reproduction of local recreational space and cultural space. The theory of social space from Lefebvre is spatial practices, representations of space and representational space, which is to comprehend social space structure and also brings a significant change in the theory of cultural space. The study was based on Lefebvre's theory and focused on recreational space; then, the researcher took the surrounding areas in Shenghsing Station in Sanyi as a sample, and used the reflective method to investigate the process of reproduction in cultural space. The reflective method is a basis of perspectives and attitudes to show the responsibilities for professionals and future sustainable development of the surrounding areas in Shenghsing Station. In addition, the study was to explore spatial practices in the surrounding areas in Shenghsing Station during the period of developing Tung Flower Village by the spiral dynamics of spatial practices, representations of space and representational space, to discover how spatial practitioners reproduced representational space, to transfer the ideal of space into the solid practice, and to form recreational space structure in Shenghsing Station. As it continually practiced the production of space in the daily life, it clearly showed that the process in the reproduction of cultural space and spatial power structure.