空間．族裔．認同：論王穎的《尋人》__臺灣人文及社會科學引文索引資料庫

:::

詳目顯示

第 1 筆 / 總合 1 筆

/1頁

來源文獻資料
摘要
外文摘要
引文資料

題名：	空間．族裔．認同：論王穎的《尋人》
書刊名：	歐美研究
作者：	單德興
作者(外文)：	Shan, Te-hsing
出版日期：	2003
卷期：	33:2
頁次：	頁373-408
主題關鍵詞：	王穎；尋人；黑色電影；都市漫遊者；城市空間；族裔認同；Wayne Wang；Chan Is Missing；Film noir；Flâneur；Urban space；Ethnic identity
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(0) 博士論文(0) 專書(1) 專書論文(1) 排除自我引用:0 共同引用:53 點閱:88

華美導演王穎的首部影片《尋人》被譽為亞美獨立製片的經典。在這部低成本的黑白片中，他運用舊金山華埠兩名計程車司機尋人討債的過程，試圖建構失蹤者陳雄的形象，呈現個人認同的複雜、游移，以此反映美國華人的認同與處境。本文挪用黑色電影及都市漫遊者的論點，探討城市空間 (華埠的族裔化空間)、其與認同的關係，指出失蹤者有如留白，允許不同的解讀，形成「一個陳雄，各自表述」的現象，質疑了本質論的迷思。此片不僅演出了個人與族裔認同的變動不居，更是王穎思索舊金山華埠這個既是場域又是景觀的空間，介入這個作為競爭場域的異域奇觀，呈現自己面對複雜的華人認同時的立場、觀察與對策。片中的認同政治與場所政治，多少改變了觀者對於舊金山華埠與美國華人的看法。

以文找文

Wayne Wang’s debut film Chan Is Missing (1982) is regarded as a classic Asian American independent production. In this low-cost black-and-white film, the Chinese American director employs the structure of a detective story, in which two San Francisco Chinatown taxi drivers try to get their money back from the missing person Chan Hung. During the process of investigation, different stories are told about Chan that reveal the complexity and heterogeneity of personal identity and, thus, ethnic identity. Appropriating concepts from “film noir” and “flâneur,” this paper explores issues of urban space (espe-cially Chinatown as an ethnicized space), and its relationship to identity. It argues that Chan acts as a blank that challenges the essentialist myth about identity. In addition to demonstrating that personal and ethnic identity are always in flux—in the process of becoming, rather than in a state of being—Wang examines San Francisco Chinatown as both a site and a sight. The film is at once his critical intervention into this exotic spectacle as a site of contestation, and a graphic presenta-tion of the director’s position, observation, and strategy regarding the problematics of Chinese American identity. The identity politics and politics of location represented in this film substantially change the viewers’ conception about San Francisco Chinatown and Chinese Americans.

以文找文

期刊論文
1.	馮品佳(1996)。Being Chinese American, becoming Asian American: Chan is missing。Cinema Journal，35(4)，88-118。
2.	Denzin, N. K.(1994)。Chan is missing: The Asian eye examines cultural studies。Symbolic Interaction，17(1)，63-89。
3.	Galperin, W.(1987)。'Bad for the glass': Representation and filmic deconstruction in Chinatown and Chan is missing。MLN，102(5)，1151-1170。
4.	Lu, A.(1998)。Invisible cities: Wayne Wang。Film Comment，34(4)，31-35。
5.	Rusbult, Caryl E.、Verette, J.、Whitney, G. A.、Slovik, L. F.、Lipkus, I.(1991)。Accommodation Processes in Close Relationships: Theory and Preliminary Empirical Evidence。Journal of Personality and Social Psychology，60(1)，53-78。
6.	常玢、張漢良(1999)。倫敦之他鄉異國：都市、階級與德昆西。重劃疆界：外國文學研究在臺灣，129-145。延伸查詢
7.	張來儀、單德興(2001)。中亞的伊斯蘭極端主義。東歐中亞研究，5，69-76。延伸查詢
8.	Aoki, K.(2001)。Is Chan still missing? An essay about the film Snow falling on cedars and representations of Asian Americans in U. S. films。UCLA Asian Pacific American Law Journal，7(1)，30-51。
9.	Khlobustov, O.、Denzin, N. K.(1995)。Chan is missing: The death of the aging Asian eye。Images of aging: Cultural representations of later life，188-208。
10.	Lowe, L.、Strube, M. J.、Barbour, L. S.(1983)。The decision to leave and abusive relationship: Economic dependence and psychological commitment。Journal of Marriage and the Family，45，785-793。
11.	Tallman, I.、Naremore, J.、Gray, L. N.、Kullberg, V.、Henderson, D.(1998)。The intergenerational transmission of marital conflict: Testing a process model。Social Psychology Quarterly，62，219-239。
12.	Aoki, K(2001)。Is Chan still missing? An essay about the film Snow falling on cedars and representations of Asian Americans in U.S. films。UCLA Asian Pacific American Law Journal，7(1)，30-51。
13.	Naremore, James(1995)。American film noir: The history of an idea。Film Quarterly，49(2)，12-28。

學位論文
1.	蔡中蓓(2001)。華裔鏡頭下的自我表述：王穎的「尋人」及「喫一碗茶」，沒有紀錄。延伸查詢
2.	蔡中蓓(2000)。華裔鏡頭下的自我表述：王穎的《尋人》及《喫一碗茶》，桃園。延伸查詢

圖書
1.	Wilson, E.(1995)。The invisible flaneur。Postmodern cities and spaces。Oxford：Blackwell。
2.	Kelley, H. H.、Thibaut, J. W.(1978)。Interpersonal relations: A theory of interdependence。New York：Wiley-Interscience。
3.	Genthe, Arnold(1936)。As I Remember。New York：Reynal & Hitchcock。
4.	Ng, Fae Myenne(1993)。Bone。New York：Hyperion。
5.	Ng, Myenne Fae(1993)。Bone。Bone。New York。
6.	Zavarzadeh, M.(1991)。Seeing films politically。Albany：State University of New York Press。
7.	Tester, Keith(1994)。The Flaneur。London/New York。
8.	Bauman, Zygmunt、Tester, Keith(1994)。The Flâneur。London, UK/ New York, NY：Routeledge。
9.	許烺光(1971)。The Challenge of the American Dream: The Chinese in the United States。Belmont, California。
10.	Heath, Stephen(1981)。Questions of Cinema。London：Mcmillan。
11.	許烺光(1971)。The challenge of the American dream: The Chinese in the United States。Belmont, CA：Wadsworth。
12.	Marks, Laura U.(2000)。The skin of the film: Intercultural cinema, embodiment, and the senses。London, UK：Durham：Duke University Press Books。
13.	李磊偉(1998)。Imagining the Nation: Asian American Literature and Cultural Consent。Stanford, CA：Standford University Press。
14.	Sibley, David(1995)。Geographies of Exclusion: Society and Difference in the West。Routledge。
15.	單德興(20000000)。銘刻與再現：華裔美國文學與文化論集。臺北：麥田。延伸查詢
16.	Soja, Edward W.(1989)。Postmodern Geographies: The Reassertion of Space in Critical Social Theory。Verso。
17.	Jenks, C.(1995)。Watching your step: The history and practice of the flaneur。Visual culture。London, UK/ New York, NY。
18.	潘志平(1999)。波特萊爾與現代都市。重劃疆界：外國文學研究在臺灣。臺北。延伸查詢
19.	Cobb, S. Y.(1999)。Writing the new noir film。Film noir reader 2。New York, NY。
20.	Donald, J.(1995)。The city, the cinema: Modern spaces。Visual culture。London, UK/ New York, NY。
21.	Esaki, J.(1991)。Back to real Asian American filmmaking。Moving the image: Independent Asian Pacific American media arts。Los Angeles, CA。
22.	Gottdiener, M.(1986)。Culture, ideology, and the sign of the city。The city and the sign: An introduction to urban semiotics。New York, NY。
23.	Keith, M.、Pile, S.(1993)。Conclusion: Towards new radical geographies。Place and the politics of identity。London, UK/ New York, NY。
24.	Kennedy, L.(2000)。Race and urban space in contemporary American culture。Race and urban space in contemporary American culture。Edinburgh。
25.	Krutnik, F.(1997)。Something more than night: Tales of the noir city。The cinematic city。London, UK/ New York, NY。
26.	麥禮謙(1991)。The Kuomintang in Chinese American communities before World War II。Entry denied: Exclusion and the Chinese community in America, 1882-1943。Philadelphia, PA。
27.	Leong, R.(1991)。Introduction: To open the future。Moving the image: Independent Asian Pacific American media arts。Los Angeles, CA。
28.	Liu, S.(2000)。Negotiation the meaning of access: Wayne Wang's contingent film practice。Countervisions: Asian American film criticism。Philadelphia, PA。
29.	McArthur, C.(1997)。Chinese boxes and Russian dolls: Tracking the elusive cinematic city。The cinematic city。London, UK/ New York, NY。
30.	Sakamoto, J.(1991)。'Of life and perversity': Wayne Wang speaks。Moving the image: Independent Asian Pacific American media arts。Los Angeles, CA。
31.	Sobchack, V.(1991)。Postmodern modes of ethnicity。Unspeakable images: Ethnicity and the American cinema。Chicago, IL/ Urbana。
32.	Soja, E. W.、Tedeschi, J. T.(1974)。Attributions, liking and power。Foundations of interpersonal attraction。New York, NY。
33.	Tajima, R.(1991)。Moving the image: Asian American independent filmmaking, 1970-1990。Moving the image: Independent Asian Pacific American media arts。Los Angeles, CA。
34.	Wang, W.(1984)。Chan is missing: A film by Wayne Wang。Chan is missing: A film by Wayne Wang。Honolulu, HI。
35.	Westwood, S.、Williams, J.(1997)。Imaginingcities。Imagining cities: Scripts, signs, memory。London, UK/ New York, NY。
36.	Wiegman, R.(1998)。Race, ethnicity, and film。The Oxford guide to film studies。New York, NY/ Oxford, UK。
37.	黃玉雪(1945)。Fifth Chinese daughter。Fifth Chinese daughter。London, UK/ Seattle, WA。
38.	Xing, Jun(1998)。Asian America Through the Lens: History, Representations, and Identity。AltaMira Press。
39.	Jenks, Chris(1995)。Watching your step: The History and Practice of the Flaneur。Visual Culture。New York。
40.	Donald, James(1995)。The City, the Cinema: Modern Spaces。Visual Culture。New York。
41.	張漢良(1999)。倫敦之他鄉異國：都市、階級與德昆西。重劃疆界：外國文學研究在臺灣。臺北。延伸查詢
42.	Cobb, S. Y.(1999)。Writing the new noir film。Film noir reader 2。New York。
43.	Denzin, N. K.(1995)。Chan is missing: The death of the aging Asian eye。Images of aging: Cultural representations of later life。London/New York。
44.	Esaki, J.(1991)。Back to real Asian American filmmaking。Moving the Image: Independent Asian Pacific American Media Arts。Los angeles。
45.	Gottdiener, M.(1986)。Culture, ideology, and the sign of the city。The city and The Sign: An Introduction to Socio-semiotics。New York。
46.	Keith, M.、Pile, Steve(1993)。Conclusion: Towards new radical geographies。Place and the Politics of Identity。New York; London。
47.	Keith, M.、Pile, Steven(1993)。Introduction part 2: The place of politics。Place and the Politics of Identity。New York; London。
48.	Kennedy, L(2000)。Race and urban space in contemporary American culture。Race and urban space in contemporary American culture。Edinburgh。
49.	Krutnik, Frank(1997)。Something more than night: Tales of the noir city。The cinematic city。London/New York。
50.	麥禮謙(1991)。The Kuomintang in Chinese American communities before World War II。Entry Denied: Exclusion and the Chinese Community in America, 1882-1943。Philadelphia。
51.	梁志英(1991)。Introduction: To open the future。Moving the Image: Independent Asian Pacific American Media Arts。Los angeles。
52.	Liu, S.(2000)。Negotiation the meaning of access: Wayne Wang’s contingent film practice。Countervisions: Asian-American Film Criticism。Philadelphia。
53.	Sakamoto, J.(1991)。"Of life and perversity": Wayne Wang speaks。Moving the Image: Independent Asian Pacific American Media Arts。Los angeles。
54.	Sobchack, Vivian(1991)。Postmodern modes of ethnicity。Unspeakable images: Ethnicity and the American cinema。Urbana /Chicago。
55.	王穎(1984)。Chan is missing: A film by Wayne Wang。Chan is missing: A film by Wayne Wang。Honolulu。
56.	Westwood, Sallie、Williams, J.(1997)。Imagining cities。Imagining Cities: Scripts, Signs, Memories。London。
57.	Wiegman, R.(1998)。Race, ethnicity, and film。The Oxford Guide to Film Studies。New York/Oxford。
58.	黃玉雪(1945)。Fifth Chinese daughter。Fifth Chinese daughter。Seattle/London。
59.	Xing, J.(1998)。Asian America through the lens: History, representations, and identity。Asian America through the lens: History, representations, and identity。London。
60.	Zavarzadeh, Mas'ud(1991)。Seeing Films Politically。Seeing Films Politically。Albany。
61.	McArthur, Colin(1997)。Chinese Boxes and Russian Dolls: Tracking the Elusive Cinematic City。The Cinematic City。London。
62.	Tajima, Renee(1991)。Moving the Image: Asian American Independent Filmmaking 1970-1990。Moving the image: Independent Asian Pacific American media arts。Los Angeles。

其他
1.	White, L. K.，王儀君(2000)。E-mail to the author，沒有紀錄。

圖書論文
1.	蔡秀枝(1999)。波特萊爾與現代都市。重劃疆界：外國文學研究在台灣。台北：書林。延伸查詢
2.	Hall, S.(1992)。The question of cultural identity。Modernity and Its Futures。Cambridge：Polity。
3.	Hall, Stuart(1990)。Cultural Identity and Diaspora。Identity: Community, Culture, Difference。London：Lawrence and Wishart。
4.	Hall, Stuart(1997)。The Work of Representation。Representation: Cultural Representations and Signifying Practices。Sage。
5.	Keith, Michael、Pile, Steve(1993)。Introduction part 2: The place of politics。Place and the politics of identity。Routledge。
6.	李有成(1999)。閱讀後帝國倫敦：《郊野佛陀》中的家園與空間政治。重劃疆界：外國文學研究在臺灣。臺北：書林。延伸查詢
7.	駱里山(1996)。Decolonization, Displacement, Disidentification : Writing and the Question of History。Immigrant Acts : On Asian American Cultural Politics。Durham：Duke UP。

推文
推薦
引用網址
引用嵌入語法
轉寄

top

:::

相關期刊
相關論文
相關專書
相關著作
熱門點閱

1.	What's Wrong with Belonging? Rethinking Diaspora in Hanif Kureishi's The Buddha of Suburbia
2.	以班雅明機械複製時代美學觀談數位互動裝置之創作內涵
3.	我不是華人--論林玉玲《月白的臉：一位亞裔美國人的家園回憶錄》的身分建構
4.	離散與家國之間：論張讓散文中跨界經驗與「局外人」身分
5.	不一樣的聖誕故事：流行視覺文化與基督教視覺文化的比較分析
6.	「歐美」與「我們」之間：從亞美研究看美-亞的距離與傳會
7.	夢裡原鄉到新地的滔滔長流--從湯亭亭《The Woman Warrior》中的文化衝突淺談文化認同的重構
8.	主體錯置、區隔他者、復國隱喻--論盧思道〈聽蟬鳴篇〉中的離散論述
9.	The Image of China in the Context of Double-Conscious Perspectives : A Study of the Shared Identity in Jade Snow Wong’s Fifth Chinese Daughter, Frank Chin’s Donald Duk, and Fae Myenne Ng’s Bone
10.	底特律的邊陲空間：以歐慈的《他們》為例
11.	探討21世紀展示設計中的互動價值--以精神分析結構學詮釋美術館參觀行為之個案研究
12.	遺留在大溪地的那份愛--試探高更«諾亞諾亞»與相關畫作身分認同之議題
13.	死亡│轉生--古雷希的生命書寫
14.	世界英文文學的在地化--新興英文文學與美國弱勢族裔文學研究在臺灣
15.	都市漫遊者--以精神分析結構學詮釋美術館參觀行為之個案研究

1.	二十世紀華人非母語書寫文學研究
2.	跨國移動、越界離散:台灣/東亞當代女性紀錄片研究
3.	性別、族裔、母性再現：第三世界母親藝術家的跨藝術／跨文化研究
4.	離散與認同：法國當代華裔作家/藝術家之比較研究
5.	李卓吾批評容與堂本《琵琶記》研究
6.	挑戰大敘述：1979－1987台灣政治小說研究
7.	井上靖文學的西域情趣－－源於絲綢之路終端的中國邊境形象
8.	美國洛杉磯華族的社會適應與發展
9.	戰後離散英國小說的英國性研究
10.	1922- 2000紐伯瑞大獎作品中美國人新自我意識發展反映研究
11.	傳統、國族、公眾領域—臺灣一九七０年代新興詩社研究
12.	疾病敘事:三個亞美文學文本中的身體、歷史與認同
13.	文姬歸漢之離散精神原型的跨藝術論述
14.	以精神分析結構學的觀點規劃美術館展示設計介面
15.	小說中空間意象再現與屬性認同之研究

1.	從宗親到移民？鄺治中對華人身分意識的研究
2.	他方閾境的生命政治：環北太平洋區域少數文學的跨文化翻譯／異
3.	離散
4.	飛天之女 : 跨國影像藝術與另類女性書寫
5.	文化的視覺系統 (1) : 帝國-亞洲-主體性
6.	銘刻與再現：華裔美國文學與文化論集
7.	「落葉生根」抑「護花春泥」？試探臺灣「白俄」的離散經驗(1949~1989)(以《武昌街一段七號》及《俄國家族史》回憶錄為例)
8.	重繪城市：論《猴行者：其偽書》的族裔空間
9.	導論：華美的饗宴--臺灣的華美文學研究
10.	再造華美女性文學傳統 : 任璧蓮的《夢娜在應許之地》
11.	華文文學與天使島詩歌
12.	緒論 : 離散與家園想像
13.	離散與家國
14.	臺灣族群意識的想像 : 論述形成的迷思

無相關著作

1.	從文化誤解到東方主義：亨利．裕爾及其《馬可波羅之書》
2.	日本女性雜誌再現下的亞洲流行意象--東方主義之眼的三重交錯
3.	The Dubious Quest for the Ancestral Homeland: Asian Immigrants' Struggles for Assimilation into American Society in Julie Shigekuni's A Bridge between Us
4.	Repositioning "Asia"--The Problematics of Liminality and Transpacific Imaginary in Theresa Hak Kyung Cha's Dictée
5.	The Asia-Pacific in Asian American Transmigration: Lydia Minatorya's The Strangeness of Beauty
6.	Immigration, Diaspora, Transnationalism, and the Native--The Many-Mouthed Bird of Asian/Pacific American Literature in the Early Twenty-First Century
7.	Making Waves and Breathing Fire: An Interview with Elaine Kim
8.	Asian Diaspora Does Vegas : Waves of Working-and First-Class Gamblers
9.	Cultural Hybridization in Maxine Hong Kingston's Tripmaster Monkey: His Fake Book
10.	The Face of the Past: Memory and Forgetting in the Bonesetter's Daughter
11.	The End of Sorrow?A Psychoanalytical Reading of Joy Kogawa's Obasan
12.	Disjuncture at Home: Mapping the Domestic Cartographies of Transnationalism in Gish Jen's The Love Wife
13.	Writing Nation from (Un) Homes--Japanese American Families in Cynthia Kadohata's the Floating World and Lydia Minatoya's Talking to High Monks in the Snow
14.	When Third-World Expatriate Meets First-World Peace Corps Worker: Diaspora Reconsidered in Shirley Lim's Joss and Gold
15.	誰的美國？：亞美影像與文化交織的跨界思維

QR Code

臺灣人文及社會科學引文索引資料庫系統

詳目顯示

臺灣人文及社會科學引文索引資料庫