The story of The White Snake is a very popular legend in China. It has been told and retold numerous times in various artistic forms ever since the Tang times. Tian Han's Peking opera version of the legend, revised and published in 1954, represents a more recent and successful attempt to retell the story. Generally considered a classic of Peking opera, it has been enthusiastically received during its performances both inside and outside China. The purpose of this essay is to do a new reading of Tian Han's work strictly from a narrative point of view. In order for the reader to gain a fuller and deeper appreciation of Tian Han's achievement as a narrative artist, a quick review of some earlier works that have played a key role in the evolution of the legend is given first before Tian's own operatic piece is examined in detail.