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題名:從李思嫺的三首作品論其對「表達」之觀念與相關技巧
書刊名:中山人文學報
作者:莊效文
作者(外文):Chuang, Shiaw-wen
出版日期:2011
卷期:31
頁次:頁175-201
主題關鍵詞:李思嫺表達昨日之河循著玫瑰的記憶0815悲歌Lee Szu-HsienExpressThe River YesterdayTracing the Memory of the Rose0815 Elegy作曲家
原始連結:連回原系統網址new window
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  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:81
  • 點閱點閱:26
李思嫺以為,音樂無論絕對或者標題者,都應有種有效的表達。這不僅僅作為一個觀念而存在,它是作曲家的信仰與座右銘,也是其音樂美學觀念的根本出發點。她的音樂獨特而引人入勝之處,在於其將「音樂創作」作為一種人文地理的「親臨現場」與一種事件歷史的「實際參與」,而這些就是其以為的音樂之「表達」。這種人文關懷成就於其作品當中,構成音樂內涵「文本」之情境的書寫,而外來「引用」則作為此「表達」之有效的確立工具。
Lee Szu Hsien believes that music, whether it is absolute or programatic, should be an effective means of expression. This thought not only exists as a concept; it is the faith and motto of the composer and the starting point of her music aesthetics. The unique and fascinating part of her music lies in the fact that she actually makes “music composition” a “personal visit to the scene” of human geography as an “actual participation” of event; This is what she considers musical “expression” to be. The humanistic concern in her works constitutes the situational “textual” writing of her musical contents, and external “quotation” is used to verify this “expression”.
圖書
1.Cone, Edward, T.(1974)。The Composer's Voice。Los Angeles:U of California P。  new window
2.Dahlhau, Carl(1977)。Grundlagen der Musikgeschichte。Köln:Hans Gerig。  new window
3.Dahlhaus, Carl(1978)。Die Idee Der Absoluten Musik。Kassel, Germany:Bärenreiter-Verlag。  new window
4.尹玲(1997)。一隻白鴿飛過:尹玲詩集。臺北:九歌文學。  延伸查詢new window
5.Meyer, Leonard B.(1967)。Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture。Chicago:University of Chicago Press。  new window
6.Meyer, Leonard B.(1956)。Emotion and Meaning in Music。Chicago。  new window
7.呂鈺秀(20030000)。臺灣音樂史。臺北市:五南。new window  延伸查詢new window
8.吳榮順(1995)。泰雅族之歌。台灣原住民音樂紀實系列之五。台北。  延伸查詢new window
9.Langer, Suzanne.(1975)。Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art。Cambridge, MA.。  new window
10.Metzer, David Joel.(2000)。Quotation and Cultural Meaning in Twentieth-Centixiy Music。Cambridge。  new window
11.Cliu, Daniel K. L.(2006)。Absolute Music and the Construction of Meanings。Cambridge。  new window
12.Cope, David H.(1977)。New Directions in Music。Dubuque, IW.。  new window
13.Cone, Edward, T.(1956)。Words into Music: The Composer's Approach to the Text。Music: A View from Delft。Chicago。  new window
其他
1.李思嫺(2008)。循著玫瑰的記憶,高雄。  延伸查詢new window
2.李思嫺(2010)。《0815悲歌》樂曲解說,高雄。  延伸查詢new window
3.Emilios, Riadis.(1980)。Elegy,NY。  new window
4.Emilios, Riadis.(2000)。Elegy,NY。  new window
 
 
 
 
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