| 期刊論文| 1. | Wu, David Yen-ho(1991)。The Construction of Chinese and Non-Chinese Identities。Daedalus，120(2)，159-179。   | | 2. | 陳靜儀(20131200)。文化匯流：以臺灣二個公部門國樂團的音樂現象為例。臺灣音樂研究，17，39-66。 延伸查詢 | | 3. | 王櫻芬(20030900)。Amateur Music Clubs and State Intervention: The Case of Nanguan Music in Postwar Taiwan。民俗曲藝，141，95-167。 | | 4. | Smith, Anthony D.(1990)。Towards a global culture?。Theory, Culture and Society，7，171-191。 | | 5. | Ho, Wai-Chung(2006)。A historical review of popular music and social change in Taiwan。Asian Journal of Social Science，34(1)，120-147。 | | 6. | Ho, Wai-Chung(2007)。Music and cultural politics in Taiwan。International Journal of Cultural Studies，10(4)，463-483。 | | 7. | Hong, Junhao(1996)。Cultural Relations of China and Taiwan: An Examination of Three Stages of Policy Change。Intercultural Communication Studies，6(1)，89-108。 | | 8. | Ho, Wai-Chung、Law, Wing-Wah(2006)。Challenges to Globalisation, Localisation and Sinophilia in Music Education: A comparative study of Hong Kong, Shanghai and Taipei。British Journal of Music Education，23(2)，217-237。 | | 9. | Ho, Wai-Chung、Law, Wing-Wah(2009)。The Struggle between Globalisation, Nationalism and Music Education in Hong Kong。Music Education Research，11(4)，439-456。 | | 10. | Wilson, Scott(2009)。Making Hakka Spaces: Resisting Multicultural Nationalism in Taiwan。Identities: Global Studies in Culture and Power，16(4)，414-437。 | | 11. | 蔡添進(20091000)。許石〈南都之夜〉傳唱及旋律來源探究。高雄文化研究，1-51。 延伸查詢 | | 12. | Perris, Arnold(1983)。Music as propaganda: Art at the command of doctrine in the People's Republic of China。Ethnomusicology，27(1)，1-28。 | 學位論文| 1. | 林昱廷(2009)。國樂團經營管理之研究--以臺灣國家國樂團為例(碩士論文)。臺灣大學，臺北。 延伸查詢 | | 2. | Chen, Ching-Yi(2012)。Musical hybridity: Guoyue and Chinese Orchestra in Taiwan(博士論文)。The University of Sheffield。 | 圖書| 1. | Guy, Nancy A.(2005)。Peking Opera and Politics in Taiwan。University of Illinois Press。 | | 2. | Corcuff, Stéphane(2002)。Memories of the Future: National Identity Issues and the Search for a New Taiwan。M. E. Sharpe。 | | 3. | Wachman, Alan M.(1994)。Taiwan: National Identity and Democratization。M. E. Sharpe。 | | 4. | 高子銘(1959)。現代國樂。臺北：正中書局。 延伸查詢 | | 5. | Gellner, Ernest(1983)。Nations and Nationalism。Oxford：Blackwell。 | | 6. | 呂鈺秀(20030000)。臺灣音樂史。臺北市：五南。 延伸查詢 | | 7. | Mittler, Barbara(1997)。Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949。Wiesbaden：Harrassowitz。 | | 8. | Ramnarine, Tina K.(2003)。Ilmatar's Inspirations: Nationalism, Globalisation, and the Changing Soundscapes of Finnish Folk music。Chicago：University of Chicago Press。 | | 9. | Slobin, Mark(1997)。Retuning Culture: Musical Changes in Central and Eastern Europe。Duke University Press。 | | 10. | 吳贛伯(2013)。近百年台灣國樂史。台北：博揚文化。 延伸查詢 | | 11. | Yoshihara, Mari(2007)。Musicians from a Different Shore: Asians and Asian Americans in Classical Music。Philadelphia：Temple University Press。 | | 12. | Smith, Anthony D.(1986)。The Ethnic Origins of Nations。Basil Blackwell Ltd.。 | | 13. | Anderson, Benedict(1991)。Imagined Communities: Reflections on the Origin and Spread of Nationalism。Verso。 | | 14. | 黃宣範(1995)。語言、社會與族群意識：臺灣語言社會學的研究。文鶴。 延伸查詢 | 其他| 1. | Hua, Joan(2011)。(Re)constructing National Identity: The Case of Xiqu Culture in Taiwan. Summer Research，http://soundideas.pugetsound.edu/summer_research/115/。 | 圖書論文| 1. | Hall, Stuart(2003)。Cultural Identity and Diaspora。Theorizing Diaspora: A Reader。Oxford：Blackwell Publishing。 | | 2. | Folkestad, Goran(2002)。National identity and Music。Musical identities。Oxford：Oxford University Press。 | |