Kinmen (Quemoy) is an island close to Quanzhou (Zaitun) and Xiamen(Amoy).Some residents emigrated to Southeast Asia before the mid-seventeenth century. Xiamen was designated a foreign trade port in 1842 and the Qing government legalized emigration abroadin1860. As a result of the see vents, many young men from Kinmen emigrated overseas in search of a better living. With the eventual accumulation of their wealth, the transnational “overseas Chinese” brought their capital back to Kinmen to participate in local affairs, such as renovating ancestral halls, establishing schools, as well as attending to the local politics, public security, and public hygiene. In this process, the “overseas Chinese” merchant-gentry consciously followed the “colonial modernity” model of British colonial Singapore and Amoy concession and developed a “hybrid modernity” discourse and practice based on material culture. This paper will make use of Shining, an overseas Chinese newsletter, and materials collected from field work in Kinmen to explore how the overseas Chinese merchant-gentry reconstructed their social network in their lineage communities and developed a collective modern cultural imagination that manifested in education, political improvements, enterprise development, public hygiene and environmental landscape, etc. At the sometime, they introduced an architectural style that combined traditional Chinese architectural elements and western colonial fashion, turning it into a cultural capital and power. On the one hand, the new architectural style established social prestige; on the other hand it represented an image of modern progress. Hybrid modernity is an important characteristic of social and cultural transition in this overseas Chinese’ s home town.