在台灣當代水墨藝術的表現中，布料材質的混搭使用逐漸成為一種創作趨勢，創作者藉由布料材質的特殊性與水墨暈染的接合，使得此項表現形成獨特且具有高度發展的可能性。本文即以布料材質為主要書寫的對象，藉由顧項議題來闡述這種多元的創作方式，它分別為：布料材質的特性與媒材實踐、布料的陰性書寫、布料的靈性儀典、布料的當代性接軌。最後，藉由這四項涵蓋歷史、材質、精神與當代性的表現手法，試圖引流出當代水墨表現在融合了布料特質的狀態下，能夠開展出更為多元的豐富的面貌。

The application of mixture of fabrics has gradually become a new trend of art creation in contemporary Chinese brush painting in Taiwan. It is a highly promising technique in the future using the special properties of the fabrics and the unique effects of ink dispersing on the fabrics. This article would focus on the fabrics as the major material. The four topics to elucidate the manifolds of this technique would be covered as follows: the unique features of the fabrics, écriture féminine of the fabrics, the spiritual rituals of the fabrics, and the use of the fabrics in the contemporary art. At the end, we shall address the manifold and bountiful illustration of contemporary Chinese brush painting with the aforementioned four topics covering history, material, mind, and modernism to lead to the new art form in using the fabrics.