The pronunciation of “modeng” in Chinese is the transliteration of English “modern”, referring modern revelation of daily life style, architecture and design, plan and system etc. Moreover, it is opposite to tradition and custom, also signifying the western and the new. In Taiwanese history, the concept of “modeng” becomes another thinking of modernization and colonial modernity. The rising of landscape painting is germane to modernity and the development of Taiwanese landscape painting reflects such condition of colonial modernity. Except delineating beautiful view, landscape painting reveals a visual assertion: for the specific topic, area, people and matter, natural elements, composition etc, showing a kind of preference and concern, such as modern architectures and special totems. This kind of modern facility in the Taiwanese landscape painting becomes an indispensible part of visual signs. They repeatedly appear to us, announcing the coming of new life which becomes a “modern spectacle”. Incorporating modern facility in painting by the Taiwanese artists in the colonial period, Chen Cheng-po perhaps is not the only one or the first one; however, he is regarded as one of the most “stubborn” painter. His fascination on electric poles emphasizes the characteristics of composition: An ushering function and dramatic effect, as such, containing an eyecatching visual focus. In the process of taking scenery into painting, nature and culture merge as a new aesthetic order. Nevertheless, except describing modern Taiwanese landscape and the sense of local identity, such appropriation of subject also points Chen's inner exploration of creation: Appropriating modern facility such as the linear characteristics of electric poles and natural objects to create amore complicated “space fold”, for holding the space narratives of landscape and the research project of landscape composition. Electric poles therefore possess the double meaning of sign and form: The former reveals the modernity of landscape painting, the latter, the issue of space design which the artist concerns most.