Fatal and cruel violence among gangsters is frequent in worldwide gangster films. However, the gang violence of Hou Hsiao-Hsien’s films displays an image of trivial and pathetic failure, in stark contrast to the worldwide gangster film tradition, where tough, invincible, clean-cut and often good-looking heroes overwhelm the forces of evil. This contrast is not just in the depiction of characters and scenarios, but also essentially from the aesthetics of violence, which give Hou’s films a distinct style from their worldwide counterparts among gangster films. Through analyzing the scenes of gang violence in A City of Sadness (1989) and Goodbye South, Goodbye (1996), this essay intends to identify the unique qualities of Hou’s aesthetics of gang violence along with his cinematic styles as a film auteur, and suggests that the gang violence in Hou’s films creates a style of “Impotent Violence” that expands the horizons of the aesthetics of gang violence in worldwide cinema.