This study intends to explore this topic with a different approach: taking the concept of ＂space＂ into consideration, this paper will not focus solely on the poetic aesthetics nor solely on the physical space; rather, this paper will clarify the contextuality of the ＂writing of space＂ embedded within the historical traditions of these two critical subjects, and use this contextuality to re-examine the ＂writing of space＂ in Taiwanese modern poetry. Methodologically speaking, we do have the critical traditions of both the Poetics and Spatial analysis, yet they exist side by side, independent of each other; and rarely are there any researches done by joining these two traditions together. However, for this dissertation, I will use references from both of the two critical traditions, and try to integrate them critically into one unifying thesis. This is done to obtain a picture of how his spatial poetics is formed within a rough and troubling society, in which creative activities were controlled by the politics and his own motherland was in a state of dissipation. Luo Fu’s stone chamber is in fact the fortress in the frontline Kinmen. Permeated with an aura of death, its space, as it goes down, is increasingly squeezed out and narrowed down (stone chamber→ coffins→ graveyard→ ashes) to the point of that no salvation is possible anymore. This study stays closely on the subject of ＂space＂, and through which, it explore Luo Fu’s particularities and achievements. Also, ＂space＂ is clearly defined so as to highlight the fact that the particular aesthetics and discourses of textual space is often overlooked in the reflections done in the Epic tradition. In doing so, this study intends to circumvent the discourses construed within the confines of history