Along with the rise of the Anti-KMT political movement in the seventies, the 'Taiwanese Consciousness' and the various forms of identity of the 'Taiwanese' become the most popular themes in the political and public discourses. In the field of literature, the question of 'Identity' is the main concern of writers as well. In order to discuss the current development of the 'Identity Literature', I take the latest two novels as examples: one is Li Ong's(李昂) Autobiography-Fiction(《自傳 小說》), the other is Chu Tian-Xien's(朱天心) The Ancient City(《古都》). The latest 'Identity Literature' reveals to us that although hidden beneath the surface of the 'identity politics', the theme of the 'Self is rather the core of the subject. On the one hand, Autobiography-Fiction is quite different from The Ancient City in the perspective of style. The former is erotic, while the later is lyrical. On the other hand, however, the two works have something in common: the here and now 'displacement' of the 'Self. In Autobiography-Fiction, the search for 'History' is to prove that 'the self of female' is hard to exist nowadays; in The Ancient City, the reconstruction of the images of 'Hometown'(鄉土) symbolizes the lost of the 'Self. Both of the two novelists seem not to affirm and identify 'the grand narrative', and leave the question of the 'Self unresolved. It might be interpreted as a 'postmodern' phenomenon, but it rather represents that the dominant 'grand narrative' for the past two decades in Taiwan seems to confuse these sensitive minds, or turn out to be a chance for the conversion of the self-identity.