研究動機與目的：影音與文字可以各自美麗，但也有他們獨自的哀愁：二十一世紀顯然是影音多媒體擅場的新世代。即便如此，文字仍舊有其不可取代的特性，對於表述人生、紀錄文化具有「關鍵少數」的地位，不容忽視。本文嘗試以電影片名、文學名著、闡釋文學之於電影，如何會通與轉化；利用現成、高成本的名做為激發文學創作與賞析的「多媒體」教材，應該是二十一世紀藝文界垂手可得、取用不竭的資源！ 研究方法與結果：就名片、名著，舉例綜論藝文雙璧-文學與電影之如何相得益彰、相輔相成。分述文學與電影之侷限性，次論文學如何部分電影化，以加強作品的吸引力、文藝鑑賞力；甚至提昇想像力，可以就電影再創作，將文學的哀愁化為美麗。

Motivation and Goal: Aural-visual representations have a unique beauty of their own，different in nature from that of literal representations, but both have their own limitation as well. The 21st century is no doubt a glorious age of the multi-media, but even so, language is still irreplaceable; it plays a crucial role in interpreting life and preserving cultures. This paper will study how literature and cinema converge by taking on each other’s features. High-cost films are inexhaustible resources of inspiration for literary creation and appreciation. Research Methods and Achievements: Outstanding works of cinema and literature are cited to show how the two media benefit from each other. This paper will begin with a study of the respective limitations of movies and fiction, and go on to a discussion of how literature borrows from cinema to enhance its own attraction. Writers could draw inspiration from motion pictures and turn the sorrows of literature into unprecedented beauty.