Zhang Xiuya composed 213 poems throughout her life. Most of her poems were collected in her poetry anthologies including The Sound of Music above Water The Autumn by the Pond, My Water Ink Vignette, and Another Day in Love. The rest of her poems either remained undated or unpublished until National Museum of Taiwan Literature published The Anthology of Zhang Xiuya and selected those "uncollected poems" in the first book of the series, "Poems," and virtually made this "Book of Uncollected Poems" the fifth book of her poetry anthology. Though not overwhelming in numbers in her oeuvre-15 poems address directly to religious themes and a total of 35 poems that referred to her religious belief in general-without doubt, one can assume that her religious belief is important to her spirit, discourse, creativity, and her life. Zhang Xiuya was a faithful Catholic thus it was natural that she wrote odes, psalms, and prayers for the Lord, the Mother of Christ, and Jesus Christ, and for her belief, ideology, and faith. All these are but the intuitive revelations of her correspondence with her Lord in Heaven. Her religious concerns were clearly expressed in her religious poems (e.g. "Psalm to the Mother of Christ") after she embraced Catholicism, yet even when she was young-around the time she published The Sound of Music above Water, she had more or less revealed her religious concerns through her praise of Nature and her love to her life. In her prose poem, Zhang had made manifest her wishes: "Wish my life from now on, would converge on the Lord's sacred love. Wish my word and my deeds, become multifaceted fervor prayer." Turning her love of the God into literary works and disseminating this love to everyone and everything around her, Zhang had turned the shame of reality into beautiful lyrical lines that belong to this "Earthly Heaven." Most of Zhang's poems incorporated techniques expressing and mixing her feelings and emotions through descriptions of scenes and landscapes. In her poetry, Zhang uses symbols, makes immediate expressions or personifies inanimate things in order to transform her experience in life-her love for the all-loving Lord and her correspondence to nature, into implicit, introversive, euphemistic, and tranquil "multifaceted prayers." It is this unswerving religious concern and her might in religion that complete this sincere, virtuous, beautiful, blessed, and philanthropic poet.