本文從歷史寓言角度，透過武俠電影《東邪西毒終極版》（Ashes of Time Redux）與《一代 宗師》（The Grandmaster），以「世俗」、「陷溺」與「歷史魅影」三個概念探討王式武俠電 影的重要特色，其中那些世俗化的武俠的形象，武林的多重樣態與無處不是，揭開的不僅是被 嵌入的香港歷史脈絡，更重要的是以去政治化的手段反複追問主體的可能性。

This paper centered upon both history and parable. By analyzing the movies Ashes of Time Redux and The Grandmaster, the paper focused on three main points, that is, the “secular trend”, “selfindulgence” and “the shadow of history”, with each making a deep exploration into Wong’s special type of martial art. The Chinese knight is always a symbol of justice and fairness within the mundane minds of common people, while the impact of the use and study of martial art within various societies is unmeasurable. To sum up, this paper not only revealed the historic process in Hong Kong, but also emphasized the possibilities of questioning the mainstay by using a method of depoliticizing in the films.