余怒的詩作充滿爭議卻又受到廣大重視，原因之一，在於余怒詩作中充滿了各種令人不快的病態身體意象。本文嘗試分析並提出詮釋，余怒詩中出現的疾病傷殘的身體，有別於身體樣貌由命運決定的古典時代。其傷病身體正是現代人過勞工作的具體展現。而為了要取回對身體的主導權，就必須讓身體轉化為無用的身體，也就是不符合社會期待，同一規格的畸形身體。但畸形身體卻又成為現代社會中被爭相觀看的奇觀。最終余怒詩中大量的孕婦與死胎，具體展現現代人身體異化，以及孤單寂寞冰冷的都市感受，透過這些分析，我們可以更清楚看到余怒作為中國先鋒派詩人的詩作特色

Yu Nu's poems are full of controversy and arouse widespread attention. One of the reasons is that his poems abound in all kinds of unpleasant morbid body images. This study attempts to make analyses and interpretations that the bodies with illnesses and disabilities in Yu Nu's poems are different from those in the classical period, when the appearances of bodies were decided by destiny. The bodies with wounds and illnesses embody the modern people's overwork. In order to retrieve the sovereignty over the bodies, people have to transform their bodies into useless ones, the deformed ones that do not conform to the social expectation. However, the deformed bodies become the spectacles attracting viewers in the modern society. Last, a large number of pregnant women and stillbirths in Yu Nu's poems represent the body foreignization of modern people as well as the urban feelings of isolation, loneliness, and coldness. Through these analyses, we can see the poetic characteristics of Yu Nu, the Chinese avant-garde poet