1934年，蕭軍逃離滿洲國：東北，先是前往青島後又到了上海，受到魯迅的賞識而成為上海東北流亡作家群的代表。蕭軍在上海書寫故鄉，《八月的鄉村》寫出東北人民的苦悶、窮困以及絕望，在文學思潮上他秉持了一貫的左翼文學信仰，並且在戰爭期前往西安、蘭州及延安從事文藝與教育工作直至戰爭結束。然而，對外戰爭的結束，卻是內戰的開始，1946年，在中日戰爭結束後，離鄉的蕭軍榮返故里哈爾濱，擔任《文化報》編輯，正欲大展文藝抱負之際卻遭遇了意料外的挫敗，捲入與黨報《生活報》論爭事件，從作家個人被判定的罪與罰中，也揭示了當時期左翼人士間複雜的文藝路線之爭。本文擬透過蕭軍1946年至1950年的《東北日記》解讀，重新探討國共內戰期間乃至於中共建國後的大歷史敘述視野下的個人記憶與知識重構議題

In 1934, Xiao Jun（蕭軍）escaped from Manchukuo(Northeast China). He went to Qingdao first and then turned to Shanghai where he was rewarded by Lu Xun and regarded as a representative of Northeast Authors Group. In Shanghai, Xiao wrote about his hometown, depicting Northeast people's depression, poverty, and desperation in his novel Village in August （八月的鄉村）. In his literary thinking, left-wing literary is the consistent faith. Therefore, he went to Xi'an, Lanzhou, and Yan'an, participating in literary and educational work during the WWII. However, the end of the war against foreign enemies was the beginning of Chinese Civil War. After the end of Second Sino-Japanese War, vagrant Xiao went back to his hometown Harbin with honor in 1946, working as an editor of Wenhuabao（Cultural Gazette, 文化報）. On the point of showing his capabilities, Xiao encountered with unexpected failure-he was involved in the literary controversy with CCP's propaganda newspaper Shenghuobao（生活報）. The crime and punishment he was accused demonstrate the complicated literary dispute among leftists during that period. By interpreting Xiao Jun's Dongbei ri ji（東北日記）, this paper attempts to reinvestigate personal memories and the issue of knowledge reconstruction under the horizon of historical narratives which was produced during the Chinese Civil War or even continually developed after the founding of new China in 1949