王國維（1877-1927）青年時期致力於詞體創作和詞學論著，其《人間詞》和《人間詞話》的絕大部份，幾乎是同一時間內寫定的，而且都取得了後來眾多學者普遍而高度的稱許。本文借助於美國解構主義批評家哈羅德．布魯姆（Harold Bloom，1930-）有關詩歌影響理論的若干觀點，對《人間詞》的文學成就提出一些考察，結合王氏的詩（詞）論，指出他在自我期許成為大詞家的前提下，很有可能故意誤讀前人的作品，以建構自己對人生理想之無盡追求的內涵核心，由此而走上以「造境」為創作手段的路子。他的詞論明顯偏重五代、北宋的作家與作品，照布氏「創造父親」的觀念看，也可能是為自己的創作理念找根源，他的詞學理論除了可以獨立看待為中國近代詞論的傑作之外，可能也是他對自己的創作偏向所提出的辯解。

This paper combines the views from the Influence Theory of Harold Bloom (1930-) of the American School of Deconstruction, and the theory of Wang Guowei (1877-1927) to examine the literary achievements of Wang's Ren Jian Ci (Poetry of Humanity). In his ambition to become a great poet, Wang purposefully misread works by his precursors in order to construct the core content of his endless pursuit for the ideal state in creativity and in life. By imposing new context to the reading of previous works, primarily those from the Five Dynasties and Northern Sung, the found a new path to creativity. According to Bloom's Daemonization point of view, this would be Wang's attempt to seek inspiration from his predecessors and to transcend them. As such, Wang's theory of poetry is also a defense of his creative style.