陸游具有獨特的詩人意識，其詩人自覺與詩人形象深受學界矚目。自宋孝宗淳熙七年（1180）陸游退居山陰後，除了淳熙十四年（1187）知嚴州任與嘉泰二年（1202）六月奉召編修國史、實錄，短暫地往赴臨安外，其餘長達二十餘年皆閒居鄉里，游樂山水，這使得陸游與山陰的關係尤其密切。而山陰、鏡湖不僅是陸游生活的土地，也是其詩歌創作的重要主題，其中最引人注目的特色之一是致力於書寫自我的行游與表現地景，本文即據此探究陸游的詩人意識。文中也關注陸游在自我主體意向的創造之中，如何賦予山陰這一地方意義、價值，展現其作為詩人的內心樣貌。此一角度的探討，除有助於我們理解詩人晚年的心靈世界，就越中的地誌書寫而言，亦具詩學價值

Lu You (陸游) was a writer had strong consciousness to descrebe himself as a poet. He wrote many poems to describe the image of himsefl as a poet. Previous researchers have made it clear that he was a poet ride a donkey. During the his old age on Shan Yin (山陰), Lu You created more than 6000 poems. These poems are not only concerned about the beautiful natural landscapes of Shan Yin, but also reflected his own consciousness about the definition of a poet. The Shan Yin has inspired a lots of poets for hundreds years, especially in the Tang Dynasty (AD618-907). Lu You was born here and live here, so he had more relation with this land. Therefore, this article will discuss the relation between the poetic consciousness of Lu You and the poetry about Shan Yin. For Lu You, Shan Yin is not only the hometown that he lived, but also the hometown his spirit and mind