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題名:The Lithographic Printing and the Development of Baojuan Genre in Shanghai in the 1900~1920s: On the Question of the Interaction of Print Technology and Popular Literature in China (Preliminary Observations)
書刊名:中正大學中文學術年刊
作者:白若思
作者(外文):Berezkin, Rostislav
出版日期:2011
卷期:2011:1=17
頁次:頁337-368
主題關鍵詞:寶卷石印本俗文學通俗讀物民間宗教BaojuanLithographic printingPopular literaturePopular reading materialsPopular religion
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(1)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:91
  • 點閱點閱:71
二十世紀初,上海的一些出版社專門印刷寶卷的石印本。寶卷原來是作爲講唱文學的腳本,在明清時期盛行。現如今,有關的研究主要討論寶卷文獻的內容與寶卷文學的講唱方式,很少涉及到寶卷發行的文本形式與出版業發展之間的關係。本文透過寶卷文獻的變遷史進一步探討其與石印出版業之間的關係,嘗試補充說明當代有關寶卷文獻的傳播的研究成果。上海出版的石印本的寶卷與當時的或更早的木刻本寶卷有很多不同之處,其區別在於文本的形式(書籍用到的書法文體、插圖)、內容及其社會功能。石印本寶卷不便於說唱,而適於閱讀。這裡表明,石印本的出現是伴隨著寶卷的用途的變化,即寶卷不僅僅作爲講唱的腳本,還能作爲一種讀物。並且石印寶卷的出版與木刻本相比較更爲專業化,也傾向於商業化。
The 19(superscript th) century saw the advance of new print technology (lithographic press) in China. Many lithographic editions of baojuan (precious scrolls), the texts with primarily religious contents originally intended for oral presentation, were produced at the beginning of the 20(superscript th) century. This paper deals with the connection of development of the lithographic print in Shanghai and the development of baojuan literary genre. Baojuan had been printed in woodblock technique long before the introduction of lithography. The paper addresses the question whether the use of new technique influenced the development of baojuan literature. It discusses the changes in contents, form, and usage that one can see in lithographic baojuan. Lithographic baojuan were popular-oriented reading materials rather than scripts of ritual storytelling. This transformation also led to the commercialization of baojuan editions.The author also tried to trace the signs of actual use of lithographic baojuan. The paper discusses the specific place of this type of text in the market of fiction at the beginning of the 20(superscript th) century. Significantly, the intended readership and audience of baojuan included people with modest educational level, especially those among children and women.
期刊論文
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12.Rawski, Evelyn Sakakida(1979)。Education and Popular Literacy in Ch'ing China。University of Michigan Press。  new window
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15.澤田瑞穗(1975)。增補寶卷の研究。東京:圖書刊行會。  延伸查詢new window
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19.車錫倫(2009)。中國寶卷研究。廣西師範大學出版社。  延伸查詢new window
20.胡曉真(20030000)。才女徹夜未眠:近代中國女性敘事文學的興起。臺北:麥田。new window  延伸查詢new window
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23.王清原、牟仁隆、韓錫鐸(2002)。小説書坊錄。Beijing。  延伸查詢new window
24.古屋昭弘(2003)。烏金寳卷:影印,翻字,注釋。Tokyo。  延伸查詢new window
25.古屋昭弘(2004)。梅花戒寶卷:影印,翻字,注釋。Tokyo。  延伸查詢new window
26.黃寬重(2002)。俗文學叢刊 : 說唱類。臺北:新文豐。  延伸查詢new window
27.(n.d.)。繪圖麒麟豹寶卷。Shanghai:Xiyin publisher。  延伸查詢new window
28.辻リン(2005)。搶生死牌寶卷:影印, 翻字,注釋。Tokyo。  延伸查詢new window
29.Bailey, Paul J.(2007)。Gender and Education in China: Gender Discourses and Women's Schooling in the Early Twentieth Century。London:Routledge。  new window
30.Bender, Mark(2003)。Plum and Bamboo: China’s Suzhou Chantefable Tradition。Urbana。  new window
31.Brokaw, Cynthia(1991)。The Ledgers of Merit Demerit: Social Change and Moral Order in Late Imperial China。Princeton。  new window
32.Idema, Wilt L. (intro)(2008)。Personal Salvation and Filial Piety: Two Baojuan Narratives of Guanyin and Her Acolytes。Honolulu:University of Hawaii Press。  new window
33.Johnson, David(1995)。Mu-lien in Pao-chuan: the Performative Context and Religious Meaning of the You-ming Pao-chuan。Ritual and Scripture in Chinese Popular Religion: Five Studies \\ Johnson, David (ed.)。Berkeley。  new window
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35.Overmyer, Daniel L.(1999)。Precious Volumes: An Introduction to Chinese Scriptures from the Sixteenth and Seventeenth Centuries。Cambridge, MA:Harvard University Press。  new window
其他
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2.(1914)。觀世音菩薩本行經簡集,Shanghai。  延伸查詢new window
3.(1931)。觀世音菩薩本行經簡集,Hangzhou。  延伸查詢new window
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圖書論文
1.Overmyer, Daniel L.(1985)。Values in Chinese Sectarian literature: Ming and Ch'ing pao-ebüan 寶卷。Popular Culture in Late Imperial China。Berkeley:University of California Press。  new window
 
 
 
 
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