近幾年文建會提出「文化產業精緻化」的政策，使得具有宗教特色的各類藝陣及家將陣頭陸續在許多重要場合中演出；如 2008 年的「臺灣藝極棒！」開幕式、2009 年高雄世運會開幕、2010 年花博開幕及 2010 上海世博等，均有神將陣頭走上國際舞臺，讓大眾見識到屬於臺灣本土藝陣的魅力。藝陣活動中以家將陣頭最為特殊，它變化多端的陣式及威嚴神秘的面部彩繪與各式特殊舞蹈步伐，是廟會活動最顯著的特點，也深刻地影響著臺灣鄉土舞蹈的發展。 因此，本文研究目的在探討 2008-2010 年屏東慈鳳宮比賽得獎之「家將團」的演出動作形式為主。藉此探討並瞭解現今得獎家將團演出形式變化，是否符合現代的審美標準，同時達到推廣藝術教育與文化傳承的意義，對於本土文化的傳承能讓更多人瞭解及重視鄉土舞蹈的藝術之美。

The Art troupe and General troupes which have religious significance have played in many important official occasions in the recent years, that arises from the policies for culture industry. The General troupe has the most special form among the Art troupe, it has so much spring and variety, and is always putting in special steps and slides. Besides, its facial painting imparts a dignified and mysterious appearance which connects with the symbols of the Gods. Through studies we know the Art troupe and General troupes not only play the important role in the temple fairs, but also has affected Taiwan’s folk dance deeply. The studies in this thesis focus on the General troupe, the prize groups in Pingtung’ Tsz-Feng Temple from 2008 to 2010, and analyzes their performing forms of actions to explain what aesthetic standards they had; meanwhile, to popularize them on art education and cultural inheritance. The aim of this thesis is to explore and evaluate the art of General troupes and highlight its essential features of regional dance.