| 期刊論文| 1. | Rowse, Tim(1991)。Interpretive Possibilities: Aboriginal Men and Clothing。Cultural Studies，5(1)，1-13。   | | 2. | DiGaetani, John Louis(1989)。M. Butterfly: An Interview with David Henry Hwang。The Drama Review，33(3)，141-153。 | | 3. | Dolan, Jill(1985)。Gender Impersonation Onstage: Destroying or Maintaining the Mirror of Gender Roles?。Women and Performance: A Journal of Feminist Theory，2(2)，5-11。 | | 4. | Low, Gail Ching-Liang(1989)。White Skins/Black Masks: The Pleasures and Politics of Imperialism。New Formations，9，83-103。 | | 5. | Low, Gail Ching-Liang(1990)。His Stories? Narratives and Images of Imperialism。New Formations，12，97-123。 | | 6. | Kondo, Dorinne K.(1990)。M. Butterfly: Orientalism, Gender, and a Critique of Essentialist Identity。Cultural Critique，16，5-29。 | | 7. | Yau, Esther(1989)。Is China the End of Hermeneutics? Or, Political and Cultural Usage of Non-Han Women in Mainland Chinese Films。Discourse，11(2)，115-136。 | | 8. | Wollen, Peter(1987)。Fashion/Orientalism/The Body。New Formations，1，5-33。 | | 9. | Skloot, Robert(1990)。Breaking the Butterfly: The Politics of David Henry Hwang。Modern Drama，33(1)，59-66。 | | 10. | Barthes, Roland(1986)。Well, and China?。Discourse，8，116-120。 | | 11. | Mohanty, Chandra Talpade(1984)。Under Western Eyes: Feminist Scholarship and Colonial Discourses。Boundary 2，12(3)/13(1)，333-358。 | | 12. | Moy, James S.(1990)。David Henry Hwang's M. Butterfly and Philip Kan Gotanda's Yankee Dawg You Die: Repositioning Chinese American Marginality on the American Stage。Theatre Journal，42(1)，48-56。 | | 13. | Peckham, Linda(1986)。Not Speaking with Language/Speaking with No Language: Leslie Thornton's Adynata。Discourse，8，103-113。 | 圖書| 1. | Barthes, Roland(1983)。Empire of Signs。London：Cape。 | | 2. | Fuss, Diana(1989)。Essentially Speaking: Feminism, Nature & Difference。New York：Routledge。 | | 3. | Churchill, Caryl(1979)。Cloud Nine。London：Pluto Press。 | | 4. | Clément, Catherine、Wing, Betsy(1988)。Opera, or the Undoing of Women。Minneapolis：University of Minnesota Press。 | | 5. | Hwang, David Henry(1989)。M. Butterfly。Penguin Books。 | | 6. | McClary, Susan(1990)。Feminine Endings: Music, Gender and Sexuality。Minneapolis：University of Minnesota Press。 | | 7. | Said, Edward(1978)。Orientalism。New York：Pantheon。 | | 8. | Case, Sue-Ellen(1988)。Feminism and Theatre。London：Macmillan。 | | 9. | 張小虹(1998)。性帝國主義。台北：聯合文學。 延伸查詢 | | 10. | 張小虹(1996)。慾望新地圖：性別．同志學。臺北：聯合文學。 延伸查詢 | | 11. | 張小虹(20160000)。時尚現代性。臺北：聯經。 延伸查詢 | | 12. | 張小虹(19950000)。性別越界：女性主義文學理論與批評。臺北：聯合文學。 延伸查詢 | | 13. | Butler, Judith P.(1990)。Gender Trouble: Feminism and the Subversion of Identity。Routledge。 | 圖書論文| 1. | Gilbert, M. Sandra、Gubar, Susan(1989)。Cross-dressing and Re-Dressing: Transvestism as Metaphor。No Man's Land: The Place of the Woman Writer in the Twentieth Century, Vol. II: Sexchanges。New Haven：Yale University Press。 | | 2. | Savran, David(1988)。David Hwang。Their Own Works: Contemporary American Playwrights。New York：Theatre Communications Group。 | | 3. | 張敬珏(1990)。The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism?。Conflicts in Feminism。Routledge。 | | 4. | 張小虹(2000)。怪胎喉嚨：歌劇皇后的變身幻象。怪胎家庭羅曼史。臺北：時報。 延伸查詢 | | 5. | Hwang, David Henry。[Afterword] M. Butterfly。M. Butterfly。 | |