The minimum unit of image is “a word”, the middle size is “a section”, and the maximum one is “a piece of writing”. Each word, strictly speaking, implies a single image. The integrated image (i.e., a piece of writing) is composed of every single image. In general, there will be more than one image used in a section or a piece of writing. Therefore, it is important to arange various images as an integer. There have been numerous studies on the arrangement of images in writings; however, few of them have tried to establish a comprehensive and systematic theory. Modern theories about the organization of writing that focused on the orderliness of images have established a system and become a discipline. One can apply the achievements of these studies to address the arrangement of images. In this article, I refer to two categories-namely, contrast and harmony, to outline more than forty metho ds in the organization of writing. I also cite 18 pieces/sections of Chinese classical poems and lyrics as examples to analyze their image system. In addition, I ilustrate the structure and quantity of the image system by four levels-namely, “I”, “1”, “A” and “a”. I hope that these efforts may contribute more ideas to the studies on the arrangement of images in writings.